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Powis Gateway, Old Aberdeen
165 Powis Gateway, Old Aberdeen. These curious towers stand at the gate leading to Powis Lodge, almost opposite King's College, Old Aberdeen. They were constructed by John Leslie of Powis, who succeeded his father, Hugh Leslie of Powis, the builder of Powis House (1802).
John Leslie succeeded his father in 1812, and the towers were finished in 1834. The crescent on the top of one of the towers is the crest of the Frasers, the predecessors of the Leslies in the property of Powis.
As indicated in the bottom right, this etching of the gateway is by Aberdeen artist Henry Jackson Simpson (1893-1963), known professionally as Jackson Simpson. He was a prolific and successful local artist who specialised in etchings and watercolours of architecture, land and seascapes and wildlife.
Simpson died at his home at 58 Craigton Road, aged 70, on 28th March 1963. His obituary, which gives an account of his life, featured in the next day's Press & Journal.
He was a native of Aberdeen, the son of William Jackson, an art dealer in Diamond Street. He trained as a lithographer and joined his father in business. He served in WWI with the Northumberland Fusiliers and was awarded the Military Cross for bravery.
In 1935 he took over the family business following the death of his father. He was well travelled around Aberdeenshire and Kincardineshire and this is reflected in his art. University related subjects such as Marischal College, King's College and, here, the Powis Gateway, were among his most well known works.
A keen sportsperson, and prominent freemason, he also set-up the Craigton Club and was highly involved with the Northern Arts Club.
An article titled 'The charming story of Jackson Simpson: Scotland's celebrated etcher' featured on the Press & Journal website, in partnership with the McEwan Gallery near Ballater, on 8th June 2022. The feature was produced to highlight an exhibition of Simpson's work at the aforementioned gallery. A Dead Whale
868 Crowds gathered round a dead whale, with fishing boats (A329) in the background.
Correspondent Ed Fowler suggests that this photograph shows the "Nairn whale".
Initially wrongly identified at the time as a blue whale, it was actually a sei whale (Balaenoptera Borealis), one of the 4th-largest balaenopterid.
The whale stranded at Nairn on 18th December 1884 and was subsequently purchased by Mr Davidson, fish-dealer, Aberdeen. The whale was then towed by the tug Granite City on 2nd February 1885.
The Evening Express from Wednesday 4th February 1885 provides more details about the operation:
"This was accordingly done about five o'clock yesterday afternoon by the tug Granite City, and the leviathan was successfully placed on the waggons which had been provided for the purpose. Suspended in mid-air, the whale presented a remarkable spectacle, its huge proportions being displayed to full advantage. The task of placing it on the huge waggons by which it was conveyed to its destination proved a very laborious and onerous one, and occupied a large staff of men from four o'clock in the afternoon till midnight. Ultimately, the leviathan stretched upon the waggons, and the horses - numbering about two dozen - being attached, the unusual procession proceeded on its way to the Recreation Grounds [Queens Links]. The quay was literally besieged by a crowd which swelled in proportions as time wore on, and whose enthusiasm the disagreeable odour which proceeded from the whale was wholly unable to quench. [About] four o'clock this afternoon, after many difficulties had been encountered and overcome, the whale reached its destination - the Recreations Grounds - where it now lies. As before stated, a very strong smell is felt in the vicinity of the carcase, and the sanitary inspector has brought the matter under the notice of the Public Health Committee".
Ed Fowler adds that "The Landing was a difficult operation as it can reach 19.5M (64-ft) long and weighing as much as 28-Tons. An attempt to haul it from the water at Fittie (Perhaps Alexander Hall's Slipway) with Horses failed and so it was Towed into the harbour to the North Lock Sheer-legs (a lifting system) at the North Lock, Waterloo Quay and hoisted in mid-air with a tackle around the Tail, then placed on a series of Wagons and then dragged by 24 Horses and a crowd of Men to the Recreation Grounds (Queens Links), for Public Exhibition."
Treasure 6: Royal Horticultural Society of Aberdeen
2275 Enthusiastic gardeners who have spent months, if not years, nurturing their plants have the opportunity to display their efforts at flower shows - usually held in August or September. These events for individuals happen all around the country and have a long history.
Britain in Bloom is the national flower show for whole communities. It was the brainchild of Roy Hay, a horticultural journalist. Following a holiday in France where he admired the "Fleurissement de France", he persuaded the British Travel and Holidays Association (later the British Tourist Authority) to organise a similar competition for communities in Britain.
Although the first competition in 1964 was won by Bath, Aberdeen received a "Special Mention". The city did even better in 1965 when it won the National Trophy. Although it did not win again until 1969, the city then continued its success each year until 1971. However, this achievement led to Aberdeen being debarred from the National Competition in 1972 although it still won the Scottish section. 1973 and 1974 saw Aberdeen winning the National award again, and its record 10th win was in 1998.
A slogan competition was held for the 1968 campaign when the winning entry proclaimed "Aberdeen - Garden City by the Sea".
In order to celebrate Britain in Bloom and Aberdeen's success in the competition we have chosen to highlight our collection of historic prize schedules for the Royal Horticultural Society of Aberdeen's annual exhibition.
The Aberdeenshire Horticultural Society was founded in March 1824 when a meeting of "Practical Gardeners" was held in the New Inn for the "purpose of forming themselves into a Society". The Earl of Aberdeen graciously agreed to be Patron of the Society.
In November 1863, it was announced at the annual general meeting that HRH the Prince of Wales had now agreed to become Patron of the Society and that the Society's name was to be changed to the Royal Horticultural Society of Aberdeen.
The Society's "Prize Schedule for Exhibition" gives details of each of the classes which can be entered, with the prizes which can be won - a sum of money or a cup or medal. In 1920, there were a total of 222 classes and those who exhibited were split into one of four Divisions - professional gardeners; nurserymen and florists; amateurs and working class.
The Schedules also contain the Rules of Competition, the Constitution of the Society and a list of Subscriptions and Donations received - these include names, addresses and amounts given. Our earliest copies of the booklets cover the period 1920 - 1937, although the file is incomplete.
The Society celebrated its 175th anniversary in 1999. To take a closer look at these, and many other Aberdeen historic documents, visit Aberdeen Central Library. Treasure 7: The Reference Library
2276 The Reference Department opened in the new Central Library on 29 August 1892. This photograph from the Library Archive shows a very busy Reference Department in the early to mid 20th century. The bookcases and fittings were of wainscot and mahogany and were described as having "a very handsome appearance". The floor was laid with noiseless cork carpeting and indiarubber matting to ensure "an air of quiet, so essential to the enjoyment of reading". An additional 80 chairs had been provided as part of the improvements in 1905, including 30 for the exclusive use of ladies. Books could be accessed directly off the shelves and the whole department was much brighter and attractive.
The Reference Department, still on the 2nd floor of the Central Library, is now known as the Information Centre. Come and visit anytime to see how the place has changed and to see the Treasures from our Collections exhibition which is running until July 2017. William D. Reid
2405 A photograph of Councillor William D. Reid taken from the programme for the 100th film exhibition of the Aberdeen Film Society in January 1950. Reid took over from G. Martin Gray as the Society's chairman in the late 1930s. Guest treasure: Aberdeen Journals' Photographic Collections
2435 The photographic collections of Aberdeen Journal Ltd span over a century. The photographs were taken to support stories and features in The Press & Journal and Evening Express newspapers - a picture speaks a thousand words after all. However, the accumulated photography has created a historical resource documenting life in the north east and Highlands during a century of change and development. The collection covers everything from the changing landscapes of our towns and cities through to global news events. But it's personal, too. People and their images are at the heart of our stories, be it the children on their first day in a new school through to community events and individual achievements. Your image is probably in the archive somewhere if you look hard enough.
The collection is actively used by our journalists. It provides content for favourites like The Aberdonian and Past Lives features in the Evening Express and historical context and background to stories in The Press & Journal. The collection is also used by external researchers looking for copies of images in which they or their family featured, supporting charities and associations celebrating anniversaries and even to supplement content as featured in The Silver City Vault!
archives@ajl.co.uk
View all the Christmas images from the archive in the Treasures from our Collections interactive exhibition on the library touchscreens. Aberdeen Sailors' Mission and Home
2685 A photograph of the Aberdeen Sailors' Mission and Home on Mearns Street and James Street. This image was taken from the organisation's annual report from 1935. See the 1900 Guide to the Bazaar and Grand Nautical Exhibition and Aberdeen Sailors' Mission and Home Jubilee Retrospect, 1862-1912 (1912) by Alexander Gammie for information on the history of the organisation. First aeroplane at Aberdeen
2713 An Adelphi Series postcard showing Mr B. C. Hucks preparing the first flight of an aeroplane over Aberdeen on 29th August 1912. The postcard states that he will ascend from the foot of Broad Hill at Aberdeen Beach.
Hucks was a member of the Royal Aero Club and his exhibition was sponsored by the Daily Mail newspaper, as indicated on the plane's wings.
Hucks brought his plane to Aberdeen by train. On the 29th his exhibition flights at the Links were initially delayed by bad weather. He subsequently made two flights that day.
The next day's Aberdeen Daily Journal reported "Aberdeen yesterday got its first glimpse of the marvels of modern aviation, when, in its thousands, it witnessed two remarkably successful flights of eleven and thirteen minutes duration respectively". Aberdeen Theatres: His Majesty's Theatre
3356 Seating more than 1400, His Majesty's Theatre is the largest theatre in North-East Scotland and is now a category A listed building.
Situated on Rosemount Viaduct, it was designed by the architect Frank Matcham and costed £35,000. It was originally built as a replacement for the former Her Majesty's Theatre (now the Tivoli), meeting the need for a larger venue and better staging facilities.
Robert Arthur, the theatre impresario, submitted the plans for the new theatre in 1901. Construction started in 1904 and it opened on the 3rd December 1906 with a production of the pantomime Little Red Riding Hood, of which you will see the programme next in this exhibition. The pantomime played to a full house on its opening night and ran until the end of the year to great success.
Arthur's company presented plays, opera and pantomimes until 1912, when it ran out of funds. Robert Arthur Theatres Ltd. sold the theatre in 1923 to Walter Gilbert, managing director of the Tivoli Theatre. It changed hands again in 1932, after Gilbert's death, when it was bought by Councillor James F. Donald. The new owner refurbished the venue and introduced new features such as a revolving stage and a cinema projector.
In 1975, Aberdeen City council bought the venue, then allocated £3.5 million to give it a new life. After being closed for 23 months, His Majesty's Theatre was reopened on the 17th of September 1982 by Prince Charles.
In 2004, the theatre was once again closed for refurbishment. It reopened in 2005, renovated and modernised with a new green room, a coffee shop and re-upholstered seating. Aberdeen Theatres: Tuberculosis exhibition
3375 Throughout its history the Music Hall in Aberdeen has been used for all manner purposes beyond the performing arts and film screenings.
In March 1912 an exhibition on the infectious disease tuberculosis was held in the Music Hall on Union Street. This striking poster, with the headline "War on consumption", advertised the six-day event and the accompanying series of lectures.
The exhibition was organised by the Town Council of Aberdeen and the National Association for the Prevention of Consumption. The majority of the exhibition was brought to the city by the latter party with local additions from the Aberdeen Public Health Department, the pathological and public health laboratories of the University of Aberdeen and the Aberdeen Mothers' and Babies' Club.
The exhibition arrived in Aberdeen on the 16 March from Dundee where it had been visited by 30,000 people. It had also toured Glasgow, Edinburgh, Liverpool and Hull.
At the close of the "six day crusade against tuberculosis", Lord Provost Maitland described the exhibition and lecture series as "Magnificent" and local paper The Aberdeen Journal stated that the success of the event, "judged by popularity, is beyond all doubt." In total 39,960 attended over the six days, placing Aberdeen behind only Hull which was open for an extra day.
Approximately 20,000 health pamphlets were disseminated around the city, including 15,000 catalogues freely distributed by the Public Health Committee. A copy of this catalogue, which includes an instructive article from Aberdeen's Medical Officer of Health, Matthew Hay, is kept in the collection of Aberdeen Local Studies. Aberdeen Theatres: Aberdeen Arts Centre
3386 In 1960 the education committee of Aberdeen Town Council proposed the conversion of the empty North and Trinity Parish Church into an adult education and civic arts centre. The plan was given final approval in February 1961, much to the delight of Aberdeen's art enthusiasts.
The Evening Express detailed the need for such a venue at the time by describing the difficulties faced by the William Gavin Players, a local drama group, in staging a play earlier that week in the ballroom of the Music Hall. They had to overcome the roar of a nearby wrestling audience, the incessant ringing of an unanswered telephone, a cramped stage and poor acoustics.
A temporary restriction on capital expenditure and a particularly severe winter caused delays for the conversion. Work began in late 1961 and was concluded by the autumn of 1963. The work cost around £33,000 and saw the reconstruction of the interior and a thorough re-vamp for the building's exterior. At one point the new centre was going to be called Longacre, but this idea was scrapped in favour of Aberdeen Arts Centre.
The completed venue was opened on 18th October 1963 by Sir Herbert Read (1893-1968), an art critic, poet and anarchist philosopher. In his speech Read criticised the main political parties of the day for neglecting the development of the arts and the human imagination in favour of a blind drive for scientific and technological efficiency.
In addition to the 385-seat auditorium, the venue had an exhibition space, a lounge, and a tea bar. The Arts Centre has remained the focal point for local arts groups and arts education to this day. It has also served as a meeting place and provided a useful stage for theatrical productions of all types.
In 1998, facing the need to cut £17.5 million from their budget, Aberdeen City Council withdrew their funding from the Arts Centre. This left the future of the venue in danger. A popular campaign to avoid its closure was led by Annie Inglis MBE (1922-2010), Aberdeen's first lady of theatre.
This led to the Aberdeen Arts Centre Association taking over the venue on a voluntary basis and the eventual formation of the Castlegate Arts Limited, a company with charitable status who continue to run the venue today.
Over the years the Arts Centre has played host to many noted local theatre groups like the Attic Theatre Co., The Revue Group, the aforementioned William Gavin Players, Phoenix Theatre, the Gilbert & Sullivan Society, Aberdeen Opera Company, Confederate Theatre, Dragongate Theatre, and no doubt many more. It remains a much-loved venue for performers and audiences of all ages. Aberdeen Cinemas: Regal / ABC / Cannon
3400 An Aberdeen Journals Archive photograph of the interior of the ABC Cinema on Shiprow and Union Street in 1976. This was shortly after the "tripling" of the cinema which was completed on 8th July 1974. This was the process of dividing the cinema's original, single large auditorium into three distinct screening rooms. This allowed cinemas to show a greater variety of films and to cater to smaller audience numbers. The Odeon on Justice Mill Lane had been the first cinema in Aberdeen to be tripled, reopening as such on 8th April 1974.
This photograph shows ABC 1, the largest screen, that sat 566 people. Silver Screen in the Silver City (1988) explains that the largest screen (cinema one) would mainly show first runs. The smaller screens (cinemas two and three) would be used for less commercial attractions or the retention of popular features already shown in the main screen. This is the format of cinema exhibition that is most common today but marked a significant change from the tradition of single large auditoriums.
The tripling of major circuit cinemas like the ABC and Odeon had a knock-on effect on the viability of cinemas such as The Cosmo on Diamond Street. These smaller cinemas had previously been a home for the less commercial features that the larger venues were now taking on.
In 1986 the ABC Cinemas chain became part of the American-based Cannon company, which already had extensive cinema interests in the UK. The vertical ABC sign above the Union Street entrance gave way to the Cannon logo in June 1987.
Some highlights of the cinema's time as the Cannon included hugely popular runs of E.T., the Tim Burton Batman, and Robin Hood Prince of Thieves. The cinema's name reverted to the ABC for a period before closing for the final time in early 1998.
Aberdeen and cinema-going was shortly to experience a period of expansion. In August 1999 Aberdeen company Craiglair Properties got the go-ahead to demolish the abandoned ABC and build a new seven screen cinema on the site. The cinema was called The Lighthouse and opened in April 2001. Since 2004 it has operated as The Vue Aberdeen.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Picture House / Gaumont
3403 The Picture House was opened on 14th December 1914 with an inauguration ceremony chaired by Lord Provost James Taggart. It was built at 181 Union Street by the rapidly expanding English firm, Associated Provincial Picture Houses. Michael Thomson in Silver Screen in the Silver City (1988) explains that construction of the cinema was delayed due to the war.
As seen here in 1937, the cinema's entrance was dominated by two squat white marble finish pillars topped by bronze capitals. The atmosphere inside was said to be cosy and luxurious. After conversion, the pre-existing building on Union Street contained the cinema's large foyer and within this was retained a large, original fireplace to warm visitors.
The 900-seater auditorium stood side-on between Union Street and Windmill Brae. With a budget of £12,000, the Picture House was designed by English architects Robert Atkinson and George Alexander. Thomson explains that the architects were inspired along Classical theatre lines and the building featured dark wood walls hung with French tapestries. A large tea-room, called the Tapestry Room, took up the first floor of the Union Street building. Above that, on the top floor, was the manager's office.
Thomson suggests that an early strength of the Picture House was its highly competent orchestra, originally led by pianist W. G. Ross. These were pre-radio days, with recording still in its infancy, so the orchestral playing would have been a significant attraction.
The profits from the Picture House's first screening back in December 1914 were distributed to Aberdeen charities. The first talking picture to be shown at the cinema was The Singing Fool in 1929. The Picture House was an upscale operation and one of the key early venues for cinema exhibition in Aberdeen.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Picture House / Gaumont
3404 Silver Screen in the Silver City (1988) by Michael Thomson explains that by 1950 the Picture House was owned by the Rank Organisation. The British entertainment conglomerate had acquired various cinema exhibition companies: British-Gaumont, Odeon, and the Provincial Cinematograph Theatres (successor company to Associated Provincial Picture Houses). As part of business rationalisation, on 22nd March 1950 the Picture House was rebranded as The Gaumont.
Thomson's Silver Screen indicates that the Gaumont's vertical neon sign dates from the time of the rebranding. In 1956 the design of the cinema was further updated. This saw the introduction of the illuminated canopy and use of the beech design shown here in the redeveloped interior and exterior, replacing the pillars of the Picture House era. A new marble backed fireplace replaced the old one that had been a well-known feature of the cinema since its opening in 1914. The projection equipment and seating were also modernised. This night-time image from the Aberdeen Journals Archive accompanied an article about the Gaumont's new look in the Evening Express of 19th April 1956.
The image shows promotion for a number of films on the cinema's updated exterior: The Rose Tattoo with Burt Lancaster and Anna Magnani, Flight from Vienna and Aberdeen Photographic Service's presentation of A Photographic Review of the Royal Tour of Nigeria.
The manager at the time of the Gaumont's redesign was Mr. R. E. Miller. He had managed the cinema since January 1948. In early 1951 Miller converted the upstairs restaurant area, which had laid empty since 1928, into a gallery space. Known as the Gaumont Gallery, it was ideal for photographic exhibitions and was in frequent use well into the 1960s.
Thomson states that during this period Mary Garden, the retired opera singer who returned to Aberdeen in 1939, was something of a regular at the Gaumont. This well-known and much-loved figure would be escorted to her seat by the cinema's commissionaire George Repper, who was also a popular and familiar figure. Repper worked at the Gaumont from 1940 to 1964 and his job was to shepherd queues, attend to patrons and ensure all progressed smoothly.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Matthews' Quay
3537 A photograph taken from Point Law looking onto Matthew's Quay and Albert Basin with a small amount of the Fish Market visible on the far left.
The photo depicts steam trawlers moored at Point Law with merchant vessels alongside Matthew's Quay. Construction work of what is possibly a warehouse can also be seen taking place on Matthew's Quay. To the left, the rear of Robert Millar & Co., timber merchant, is visible on Commercial Quay.
Seen in the photo is the Cadella (LH248). The Granton Trawlers website states this boat was built by Cochrane & Sons Ltd, Selby in 1913 and initially named Pearl. In 1922 it was renamed to Cadella and in 1946 it was registered as LH248, as shown here. It was broken up for scrap in 1957.
Seen to the left of Cadella is the Lynburn (A470). It was built by Cox & Co. Engineering, Falmouth. during 1919 for the Admiralty Service and was initially called the Henry Cory. It went through multiple owners in different parts of the UK but eventually ended up in Aberdeen in the possession of Woodburn (Fishing) Ltd. where it was re-registered as Lynburn A470 in 1947.
The presence of the aforementioned vessels dates this image to on or around 1947. Treasure 5: The Aberdeen Bon-Accord and Northern Pictorial Holiday Numbers
173 The Aberdeen Bon-Accord and Northern Pictorial was published weekly from April 1926 until June 1959. It delighted readers with news and sports items illustrated with high quality photographs. This image is from the cover of one of the special Holiday Numbers which were produced annually in June to promote Aberdeen as "The Mecca of Holidaymakers".
It is the cover of the 1932 number, and we have also uploaded that from 1935. The covers feature pleasing use of bold colours and graphic design. In this image we see a boat racing past a packed Aberdeen beach and the city's distinctive skyline in the background.
Come and visit our 125 Treasure exhibition in the Central Library during July 2015 to take a closer look at the full bound volumes of these remarkable newspapers. Treasures 5: The Aberdeen Bon-Accord and Northern Pictorial Holidays Numbers
174 This Art Deco style cover from 1935 features a series of photographs depicting boating by the sea, the busy beach promenade and walking in the nearby hills. The lower half of the design is given over to details of the public transport available to holidaymakers with silhouettes of a tram and bus.
Come and visit our 125 Treasure exhibition in the Central Library during July 2015 to take a closer look at the full bound volumes of these remarkable newspapers. Treasure 24: Aberdeen Mechanics Institute
195 2015 marks 170 years since the founding stone of Aberdeen Mechanics' Institute was laid. The history of this well-known building in Aberdeen's landscape has however often been forgotten. We hold a small collection of posters and flyers relating to the Institute and its courses and lectures in our Local Studies collection.
The School of Arts of Edinburgh, established in 1821, was the world's first Mechanics' Institute. Two years later, the Aberdeen Mechanics' Institute was established "for the purpose of affording to Mechanics, and others employed during the day, the means of acquiring such knowledge as may be of practical utility to them in their several professions, or which may be useful for cultivating their minds by extending their acquaintance with the phenomena of nature and the arts of life" (A. Yeats, Secretary. Aberdeen Journal, 14 February 1844).
The Mechanics' Institute soon became a very important educational force in the city. It also provided educational advantages for those who otherwise would never have had the opportunity or the means of acquiring them.
Initially a place of entertainment, the Mechanics' Institute subsequently became a public library on the adoption of the Public Libraries Act (1884). The Library was the most valuable asset of the institution and was viewed as a necessity, providing significant educational opportunities to its members.
For a period of nearly 60 years, the Mechanics Institute played a major role in influencing the culture and education of the people of Aberdeen.
See the whole digital exhibition (the link will open in a new browser window). Treasure 48: Tuberculosis Exhibition Poster
219 In March 1912 an exhibition on the infectious disease tuberculosis was held in the Music Hall on Union Street. This striking poster, with the headline 'War on consumption', advertised the six day event and the accompanying series of lectures.
The exhibition was organised by the Town Council of Aberdeen and the National Association for the Prevention of Consumption. The majority of the exhibition was brought to the city by the latter party with local additions from the Aberdeen Public Health Department, the pathological and public health laboratories of the University of Aberdeen and the Aberdeen Mothers' and Babies' Club.
The exhibition arrived in Aberdeen on the 16 March from Dundee where it had been visited by 30,000 people. It had also toured Glasgow, Edinburgh, Liverpool and Hull.
The exhibits were arranged in the Music Hall's Ball Room and Square Room by Mr Haughton, the organising secretary, with assistance by officials of the Public Health Department. The exhibition included two full sized model rooms. Living conditions such as good ventilation, fresh air and sunlight were considered vital in combating the disease. A "bad room" was modelled on a real property in the East End of London.
Tuberculosis was a grave health concern at the time. The poster states that "During the past Ten Years in Aberdeen 1997 persons died from Consumption, and 1039 from other forms of Tuberculosis." In a preview of the exhibition from 19 March, the Aberdeen Journal wrote "The object of the exhibition is to draw attention to the enormous wastage of life and work caused by tuberculosis in its various forms; to show how the disease is caused and spread; and to illustrate the methods of cure and the precautions for its prevention."
The importance of the exhibition was further stressed in a later article which stated: "There is no single disease that causes among civilian communities so many deaths and manifests itself in such various forms, and nothing can be more desirable than to bring home to the masses of people how the deadly scourge can best be prevented or checked. In Aberdeen alone the number of deaths yearly from all forms of tuberculosis is about 270, and of these about two-thirds, or 180, are due to pulmonary tuberculosis. The disease usually lasts long, and the number of definite diseases attributable to it at any one time in the city is probably not less than four or even five times as large as the deaths."
The exhibition was opened by the Principal of the University of Aberdeen, George Adam Smith, and was accompanied by a series of daily public lectures by experts on the disease. Each day's lecture was followed by cinematograph presentations illustrating the precautions taken in connection to tuberculosis. The lectures were held next-door to the Music Hall in the Aberdeen Y.M.C.A. Hall.
At the close of the "six day crusade against tuberculosis", Lord Provost Maitland described the exhibition and lecture series as "Magnificent" and the Journal stated that the success of the event, "judged by popularity, is beyond all doubt." In total 39,960 attended over the six days, placing Aberdeen behind only Hull which was open for an extra day. Approximately 20,000 health pamphlets were disseminated around the city, including 15,000 catalogues freely distributed by the Public Health Committee. A copy of this catalogue, which includes an instructive article from Hay, is kept in the collection of Aberdeen Local Studies. Catalogue of Industry and Art Exhibition
231 The front cover for the catalogue of the 1891-1892 Aberdeen Exhibition of Industry and Art. The event was promoted by the Aberdeen United Trades' Council and held in the Art Gallery and Museum Buildings. It opened to the public on 12 December 1891. This catalogue was printed in Aberdeen by G. Cornwall & Sons (42 to 45 Castle Street). It features a lists of the exhibits and numerous adverts. Treasure 56: Cooke's Royal Circus Programme, 1880s
232 A world-famous equestrian establishment, the Cooke's Royal Circus provided family entertainment in Aberdeen for 125 years. One of the stars of the show, John Henry Cooke, was born in New York 180 years ago this month.
Part of the fifth generation of the family, John Henry Cooke began acting at the age of four and was an expert tightrope walker by the time he was five years old. At 18, he was known as the "champion equestrian of the universe". When he was young, John Henry Cooke moved with his family to Aberdeen, where he would grow up to entertain and amuse the public with his equestrian and gymnastic skills.
To mark the anniversary of his birth, this month's treasures include our collection of Cooke's Royal Circus programmes, which advertised equestrian acts and performances in Aberdeen from around 1880.
Read more about the circus and the many stars of the show - including Little Pickles and the Leotard Family - in the Treasures from our Collections interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. |