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Aberdeen Fish Market
2 Aberdeen Fish Market prior to the building of the covered market in 1889. Steam trawling for white fish was introduced into Aberdeen in 1882 and, in a few years, the fleet of vessels grew to number several hundred and a flourishing new industry was added to the port. North of Scotland Bank, Aberdeen
7 In 1838, the North of Scotland Bank purchased the New Inn and other properties at the corner of Castle Street and King Street. The architect Archibald Simpson was invited to submit plans for the Bank's Head Office on the cleared site. This is a photograph of one of his designs which was not accepted. It shows a building with a curved corner topped with a dome and Corinthian columns running through the first and second floors supporting a pediment over an elaborate cornice. The plan which was adopted also had three storeys but the entrance was a Corinthian portico at the corner topped with an open platform with a terracotta sculpture group by James Giles, representing Ceres, goddess of plenty. Aberdeen Market interior
8 The interior of the New Market, architect Archibald Simpson. Aberdeen Market, built in April 1842, was burnt to the ground in 1882. It was rebuilt and re-opened in 1883, remaining a popular shopping market until 1971 when it was demolished to make way for the present Market and British Home Stores. c. 1884 Aberdeen Savings Bank, Union Terrace
11 Engraving of the New Aberdeen Savings Bank, Union Terrace. Designed by William Kelly, 1896. Thomson and Duncan, collo-type, Aberdeen W. and J. Smith and Kelly, architects Schoolhill
13 Old houses skirting St. Nicholas churchyard once formed part of the south side of Schoolhill. They were demolished in 1884-85 as part of a street widening scheme and the present wall and railing stand in their place. On the other side of Schoolhill (centre) can be seen the roof and turrets of George Jamesone's House, demolished in 1886.
The book Aberdeen in Byegone Days: Views of Streets and Buildings, etc. with Letterpress Description (1910) by Robert Anderson (page 26) suggests that the building in the centre of this image was the home of Burnett Carr, the grave-digger and assistant to the sexton of St. Nicholas Church.
Newspaper references indicate that Carr, a well known figure, died on 31st May 1844 (Aberdeen Journal, 5th June 1844, page 3, column 2).
This photograph looks north and shows the back of Carr's old house. St. Machar's Cathedral
17 St. Machar's Cathedral, Old Aberdeen, showing the east window of 1840s, replaced in 1882. Union Street junction with Broad Street
18 Union Street at its junction with Broad Street, with the tower of the Tolbooth at the right of the photograph. Huxter Row, starting below the tower at the left of the photograph, ran parallel with Union Street to the Old Town House joining Union Street at right angles. These buildings were demolished in the late 1860's and the site is now occupied by the Town House designed by Peddie and Kinnear in 1874. Gilcomston Steps, Skene Square
20 Gilcomston Steps, foot of Skene Square, in 1866. Part of old Gilcomston, these 18th century labourers' houses were known as "the rotten holes" and were among the very worst slums in the city, even by the standards of the mid 19th century. The end house with the sign was used as a smithy. All were demolished to make way for the Denburn Valley Railway, c.1866. Cottages with drystane dyke
22 Stoneyton, old Skene Road, approximately 300 yards west of Albert Street. Demolished 1875-76 to build part of Carden Place. The houses depicted in the above picture are listed in the Post Office Directory of 1873/74. The thatched building on the left was used as a blacksmiths shop and the other buildings were inhabited mostly by Rubislaw Quarry workers. They were demolished to make room for the erection of modern villas about 1879. Crown Street
27 Crown Street. The view of Crown Street changed when the block of three houses seen on the right was demolished to make way for the construction of the new General Post Office opened in April 1907. The shop seen on the left was Alexander Maver who was a tailor specialising in military uniforms. Image c.1897 Loch Street
28 Loch Street in the 1980s. Far left, corner of the new Co-op building (1970); left background, St. Paul's Street School (then Aberdeen Education Authority's Music Centre); centre, the Swan Bar, Post Office, The Buttery (A. B. Hutchison). All demolished for the Bon Accord Centre. Northfield Mission Church
34 Engraving of Northfield Mission Church and School, Gilcomston. Drawing by Andrew Gibb.
Popularly known as 'Laing's Kirkie', Northfield Mission Kirk was opened in Leadside Road on 10 November 1850. The building was designed and funded mainly by Alexander Laing, coachbuilder, as part of the Free Church Mission in the Northfield area of Gilcomston. At that time the area had a bad reputation and poor housing conditions. In 1863, Mr Laing handed over the chapel to the charge of the Free East Church, and the school was transferred to the School Board. Although the new Rutherford Church opened in 1870, the Mission Kirk continued its work. Hardweird
40 The Hardweird. Part of old Gilcomston, it resembled a small "ferm toon" standing between the foot of Jack's Brae and Upper Denburn and it consisted of 18th and early 19th century artisan and labourers' housing - a product of the period when Gilcomston had a flourishing weaving industry. One of Aberdeen's worst slums, it was cleared during the early 1930s and the playground of Gilcomstoun Primary School now occupies part of the site. Lodge Walk
50 Lodge Walk which ran from Castle Street to Queen Street dates back to 1754 when the Aberdeen Lodge moved into Chambers at the New Inn. The jail for Aberdeen was at one time the Tolbooth, the spire of which can be seen at the centre of the photograph. Union Bridge
58 The Denburn looking southward towards and beyond Union Bridge, with the old Bow Brig in the distance and the houses adjacent. The Bow Brig featured largely in the social life of the inhabitants of the area. Note the bleaching green on the right of the print. Illustration taken from a plate drawn by Sir John Carr, 1807 Allenvale Cemetery from Kincorth
60 An early photograph of Allenvale Cemetery, taking shape in the middle distance, as seen from Kincorth, with Abbotswell Farm in the foreground.
A limited company called the Aberdeen Cemetery Company was established for the purpose of creating this new graveyard. A prospectus inviting public investment was published in the Aberdeen Journal of 29th January 1873. It reads as follows:
"It is well known that in Aberdeen cemetery accommodation is limited and insufficient, and it is generally admitted that its extension is necessary, and cannot much longer be delayed. It is therefore desirable to acquire additional space for that purpose, and to treat it in accordance with modern ideas and practice.
"This company has been formed for the purpose of providing an extensive Cemetery, in the neighbourhood of Aberdeen, suitable in all respects for the purposes of internment, and of easy access - but sufficiently removed from town to preserve its suburban character."
The new cemetery opened in late 1874 and, as we know, was a big hit. It was officially known as the Aberdeen Cemetery but quickly became known as Allenvale Cemetery, after the property on which it was built.
Allenvale saw major extensions in 1912 and 1932. A London syndicate purchased control of the graveyard from the Aberdeen Cemetery Company in 1958. Aberdeen Town Council subsequently took control of the cemetery in 1965 following the then owners going into liquidation and worries about Allenvale's future. Allenvale remains a fine example of a planned Victorian cemetery to this day.
Notable residents of Allenvale include John James Rickard MacLeod (1876-1935), co-discoverer of insulin, James Scott Skinner (1843-1927), fiddler and composer, and Mary Esslemont (1891-1984), the influential doctor. Though, of course, many interned at Allenvale would have their own interesting stories to tell.
In this photograph, Duthie Park, later created on the right, has yet to be landscaped. St. Machar Poorhouse, Fonthill House and Devanha House can all be seen in the distance. Bridge of Dee
65 The Old Bridge of Dee dating from the early 16th century was begun by Bishop William Elphinstone c.1493. Further building started in 1518 and was carried out by Alexander Galloway and Thomas Franche. In 1840, the bridge was widened by John Smith, the City Architect. Drawing by Curtis Green. Lithograph by Gibb & Hay. Bridge of Dee
69 The Bridge of Dee from the south. The Old Bridge of Dee dating from the early 16th century was begun by Bishop William Elphinstone c.1493. Further building started in 1518 was carried out by Alexander Galloway and Thomas Franche. In 1840, the bridge was widened by John Smith, the City Architect. View of Old Aberdeen
70 Print of Old Aberdeen drawn by John Slezer. General view with the Crown Tower of King's College and the spires of St. Machar's Cathedral in the distance. The small building in the right foreground was the Snow Church - St. Mary ad Nives - which was demolished in the 1600's, although part of the burial ground survives. Old Aberdeen
71 A reproduced engraving showing the skyline of Old Aberdeen. The image looks north from around the lands of Sunnyside Farm.
In the foreground can be seen two agricultural labourers. On the skyline, going left to right, is the circular Powis Hermitage, on a hill, with its small spire, the twin spires of St. Machar Cathedral in the far distance, the tower of the Old Town House at the end of the High Street, which is protruding above the southern elevation of St. Mary's United Free Church.
Moving back along the High Street, the south facing front elevation, with bow windows, of Powis Lodge can be seen above the line of trees. The crown tower of King's College is across the street. The two minarets of the Powis Gateway are just next to it. Further along are the crenelations of Cromwell's Tower.
The tower on the far left of the image may be Dunbar's Tower.
The minaret gateway was finished in 1834 and this image likely dates from around that period. Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. College Bounds, Old Aberdeen
74 This image from the Spital looks downhill (northwards) and shows College Bounds. The Powis Gate Towers, near the junction with University Road, can be seen in the distance.
Many thanks to correspondent A. G. Duthie for flagging up the image's previous inaccurate description. |