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Collison's Aisle, St Nicholas Church
46 This George Washington Wilson photograph shows the memorial stones inserted in the west wall of Collison's Aisle. Originally called Aisle of the Holy Blood, it formed part of the north transept between the East and West Churches of St. Nicholas and was renamed after 1594, although it probably dates from the 14th century. Members of the Collison family held important civic offices at various times, including Provost in 1521 and 1594, and their place of burial was in this aisle. The memorial stones commemerate Andrew Cullen, Thomas Menzies and his wife Mariene Reid, and Sir John Rutherford. Andrew Cullen was a merchant and Provost of Aberdeen in 1506 and 1535, and the stone shows a sculptered coat of arms above the words "Andrew Cullen Prepositus Abd". Thomas Menzies was Provost in 1525 and (for 40 of the next 50 years), only leaving office in favour of other members of his family. He married Mariane Reid of Pitfodels. The stone has two panels above a shield bearing the Menzies coat of arms, flanked by the initials T.M. The second panel has the initials M.R. and a shield with the Menzies and Reid coats of arms. Beneath is the motto 'Spero in Deo et ipse faciet' - Trust in God and he will perform'. The third stone commemorates Sir John Rutherford of Tarland, first elected Provost of Aberdeen in 1483 and every alternate year until 1492, and again between 1496-1500. He probably died about 1520. Arms of the tailors' tradesmen's guild
300 Arms of the tailors' tradesmen's guild, with motto "In God is our trust", dated 1682 - Tailors are one of the seven Incorporated Trades of Aberdeen Unloading coal
869 A busy scene at Aberdeen Harbour in the early 1900s.
Coal is being unloaded from the ship by means of a conveyor belt. It was then carefully weighed into sacks and loaded, by means of small triangular hoists, onto the waiting horse drawn cart.
Individual weights can be noted on the ground to the right. Clouds of coal dust can be seen emerging from the hold, no one appears to be particularly concerned about this health hazard.
Coal was still in heavy demand at this time for domestic and commercial consumption. Peter Grant, City Librarian 1972-1989
1420 Peter Grant was City Librarian from 1972 until 1989 and is seen here on the steps of the Central Library on Rosemount Viaduct in 1976.
The wrought iron lamp standards topped by large globes were originally designed to hold gas lights. These beacons were only re-wired and lit again in the 1970s, following the wartime blackout. At the same time the "Central Library" inscription appeared giving the building more visibility.
Image copyright of Aberdeen Journals. Itinerant preacher in his motor van
1667 Itinerant preacher in his motor van. Written on the side of his van is "The gift of God is eternal life. Lay hold on eternal life. He that hath the Son hath life" On the front panel is "I bring you good tidings of great joy" St. Machar's Cathedral
1841 St. Machar's Cathedral, Old Aberdeen, showing a field with cows in the foreground. This image looks south east towards the church and may have been taken from the field west of Kettock's Mills and south of Balgownie Lodge.
The photograph likely dates from early 20th century and Aberdeen City Libraries hold a glass lantern slide version in our George Kemp collection. John Ross of Clochan and Arnage
2033 A portrait of Provost John Ross of Arnage (1665 - 1714). He served as Provost of Aberdeen from 1710-1711. Provost Ross' House on Shiprow, later part of the Aberdeen Maritime Museum, was named after him. Ross died on 15th September 1714 while on business in Amsterdam and is buried in the English Church of that city.
This portrait is said to have been painted in 1685 by Sir John Medina (1659-1710). The painting is at Fyvie Castle and is owned by the National Trust for Scotland. A correspondent informs us that it was donated by the Leith-Ross family, and formerly hung in Leith Hall. A School of Dolphins: Peter McFinn at Tillydrone Library
2184 Proud of diversity at St Peter's, our dolphin is inspired by the Gospel Values we aim to mirror - trust, respect, honesty, generosity, tolerance and forgiveness. Each individual in St Peter's has added their fingerprint and the prints were turned into fish because St Peter was a fisherman!
Stop 7: Miss Bella Walker (1887-1962) and Miss Elsie Moffat (1894-1985) St Katherine's club, West North Street, (now Lemon Tree building)
2306 The next stop is the building now known as the Lemon Tree but this was built especially for St Katherine's Club as is still known affectionately by the older generation as St Kay's.
St Katherine's Club was originally set up in October 1917 for working class girls to have a comfortable meeting place away from the crowded and dismal conditions of their homes during WW1. Held in two rooms in a tenement in the Shiprow, the club was founded by Miss Bella Walker and Miss Elsie Moffat and they provided an environment which was at once domestic, educational and recreational. There were classes in home craft, art and craft, drama and literature, and physical education. The club grew to a membership of over 500 until it moved to the purpose-built YWCA building at 5 West North Street in 1937. It continued to grow and evolved as the needs arose. In the 1960s there was a greater awareness of adolescent, social and personal issues and the 'Open Club' was set up. In 1990 with the money from the sale of the building, the St Katherine's Trust was established and has met twice yearly to make financial donations to local organisations and groups.
Aberdeen Women's Centre, Shoe Lane (1989-2006)
In the former Caretaker's flat of the St Katherine's Club, Aberdeen Women's Centre offered a women-only space for women's groups and classes to meet. With urban aid funding came staff which included the city's first Minority Ethnic Development Worker for women.
Memories:
Memories of the St Katherine's Club 1
Memories of the St Katherine's Club 2 Treasure 32: George Washington Wilson South Africa Photography Collection
2320 George Washington Wilson is one of the great names in 19th century photography, famous for capturing images of people, buildings and landscapes across Scotland. His photography drew attention to the beauty of his country, but his travels further afield are not as well known.
As an innovative pioneer in photography, George Washington Wilson's work reflected the reality and attitudes of society during his lifetime (1823-1893). In our collections we hold a vast selection of photographs and portraits taken by the G. W. Wilson Company in South Africa. These images were taken by his son, Charles Wilson, and Fred Hardie, a company photographer of George Washington Wilson & Co.
The company's photographs of South Africa captured scenes of the country which would have been perceived as unusual and exotic to British people at the time.
South Africa and its Treasures
The majority of British colonization was concentrated in South Africa during the 19th century. In the past, the country was colonized in order to control one of the main trade routes to India. Due to the abundance of resources such as spices and tea, European interest in Africa increased dramatically in the late 19th century, especially with the discovery of gold and diamonds in the 1860s-1880s.
On their return to Britain, George Washington Wilson & Co presented many photographs showing these natural resources, from the Robinson Gold mine in Johannesburg to De Beers Diamond Mines in Kimberley.
Tea was also a very valuable resource, and people in Britain were keen to learn more about its production and its use in South Africa.
Photography and Tourism
The collection held by Aberdeen City Libraries shows local places of interest in South Africa. These photographs capture Cape Town and Johannesburg, two of the biggest cities in the country. Many Europeans emigrated to these cities in the 19th century, due to the discovery of valuable resources in the surrounding area.
With the rapid rise of tourism in this period, George Washington Wilson & Co. looked for new ways to promote and sell their work. Around 1880-1890, they started to commercialize their photography via picture postcards, a relatively new concept in Britain. This new form of media met with huge success as it was easy to write and cheap to send. It soon became the standard way to communicate with friends and family when abroad, a holiday tradition which remains today.
The postcards, in colour and having a standard size, featured many different scenes from South Africa and were viewed as an innovative way to publicize the country - and the works of photographic firms such as George Washington Wilson & Co. Treasure 36: Aberdeen City Libraries' First Book Sale, 24 February 1979
2327 National Libraries Day has been held every February since 2011 to celebrate and raise awareness of libraries, library staff and their communities all over the UK. It is an opportunity for libraries to showcase and promote what they have to offer and to attract as many visitors as possible to local libraries.
This month our selection from the Library archive brings the focus to a Library event the likes of which has never been seen before or since in Aberdeen City Libraries. The photograph shows the queue for the first ever Library book sale held in the Ballroom of the Music Hall on Saturday 24 February 1979, when well over a thousand people swarmed through the doors to grab a bargain. The Press and Journal covered the event with the headline: "Bonanza Day for Bookworms; bargain hunters pack the Music Hall".
In September 1978 the Aberdeen District Council's library committee agreed to a recommendation from City Librarian Peter Grant to hold a sale of more than 30,000 books which had been withdrawn from stock for various reasons. There was also considerable duplication of stock following local government re-organisation in 1975 when Aberdeen inherited six former county branch libraries.
Books were divided into three categories: Children's, Adult Fiction and Non-Fiction (including reference books) and prices were kept low at 20p for fiction books and non-fiction titles slightly more at 50p.
Best sellers included children's books purchased by play groups, out of date encyclopaedias and Whittaker's Almanacs, and bound volumes of National Geographic Magazine. By the end of the day, the event was deemed an overwhelming success, selling over 13,000 books and raising more than £3645 for the purchase of new stock.
The hard work and dedication of the Library staff was recognised by the Convener of the Library Committee Councillor Henry Rae who said "It turned out to be a resounding success and this was achieved by the dedication of the staff".
Primrose Ward, Maternity Hospital
2408 A photograph of the Aberdeen Maternity Hospital's Primrose Ward at its Castle Terrace location. It shows three nurses looking after a number of patients in bed and recently born children in cots.
The hospital moved to Castle Terrace in 1900 and the number of beds steadily increased from 18 in 1904 to 32 by the mid 1930s.
The cost of the new building in Castle Terrace was covered by donations, including a generous gift of £3000 from the Trustees of the late Thomas Primrose, advocate of Aberdeen. The ward was presumably named after this benefactor.
There were three wards in 1912; the Primrose Ward, the Alice Ward and a private ward.
This image featured on the backcover of many of the hospital's annual reports. Aberdeen Local Studies hold copies of these reports for the years 1912 to 1947. Aberdeen Maternity Hospital
2409 A photograph of the new Aberdeen Maternity Hospital buildings at Foresterhill. The Aberdeen Maternity Hospital joined the Joint Hospital Scheme late after encouragement from the Medical Officer of Health, other concerned bodies and public opinion. The hospital's site at Foresterhill was gifted by the University of Aberdeen's Medical School and the Aberdeen Royal Infirmary.
Building of the new maternity hospital began in 1934 after being delayed by a lack of funds. It was opened in 1937 with 32 beds at a cost of £52,000. An extra 8 beds were added in 1939 by means of internal reconstruction and in 1941 an antenatal annexe, built by the Town Council and joined to the Maternity Hospital by a corridor, opened with 28 beds.
For more details on the Aberdeen Maternity Hospital please see 'History of the Aberdeen Joint Hospital Scheme and Site' by N. J. Logie and 'The History of Midwifery in Aberdeen' by G. P. Milne, both in Aberdeen Medico-Chirurgical Society: A Bicentennial History 1789-1989 (1989).
This image comes from the hospital's annual report for 1939. Aberdeen Local Studies hold these reports from 1912 to 1947. Aberdeen Maternity Hospital
2410 A photograph of the Aberdeen Maternity Hospital buildings at Foresterhill. They opened in 1937 at a cost of £52,000.
This image comes from hospital's annual report for 1939. Aberdeen Local Studies hold these reports from 1912 to 1947. Aberdeen Eye Institution
2424 The doric portico and entrance to 142 King Street during its time as the Aberdeen Eye Institution. Previously known as the Aberdeen Ophthalmic Institution, this specialist eye hospital was founded in 1835 by Sir James McGrigor and Dr. John Cadenhead. It was originally located on the south end of Belmont Street and moved to 142 King Street in 1903.
142 King Street was built by the architect John Smith as his family home and office in around 1817. The expansion of King Street and nearby streets surrounded the villa with access from King Street was through a small pend. After the Aberdeen Eye Institution the building was occupied by the Boilermakers Social Club into the early 2000s.
This image comes from an Annual Report & Abstract of Accounts for the hospital from the 1911. Aberdeen Local Studies hold a number of these reports from the period 1896 to 1913. Aberdeen Eye Institution
2425 A small ward in 142 King Street during its time as the Aberdeen Eye Institution. Previously known as the Aberdeen Ophthalmic Institution, this specialist eye hospital was founded in 1835 by Sir James McGrigor and Dr. John Cadenhead. It was originally located on the south end of Belmont Street and moved to 142 King Street in 1903.
142 King Street was built by the architect John Smith as his family home and office in around 1817. The expansion of King Street and nearby streets surrounded the villa with access from King Street was through a small pend. After the Aberdeen Eye Institution the building was occupied by the Boilermakers Social Club into the early 2000s.
This image comes from an Annual Report & Abstract of Accounts for the hospital from the 1911. Aberdeen Local Studies hold a number of these reports from the period 1896 to 1913. Aberdeen Eye Institution
2426 The interior of 142 King Street during its time as the Aberdeen Eye Institution. Previously known as the Aberdeen Ophthalmic Institution, this specialist eye hospital was founded in 1835 by Sir James McGrigor and Dr. John Cadenhead. It was originally located on the south end of Belmont Street and moved to 142 King Street in 1903.
142 King Street was built by the architect John Smith as his family home and office in around 1817. The expansion of King Street and nearby streets surrounded the villa with access from King Street was through a small pend. After the Aberdeen Eye Institution the building was occupied by the Boilermakers Social Club into the early 2000s.
This image comes from an Annual Report & Abstract of Accounts for the hospital from the 1911. Aberdeen Local Studies hold a number of these reports from the period 1896 to 1913. Aberdeen Harbour
2428 An early 20th century postcard showing Regent Quay and the Aberdeen Harbour Board Office. A Great North of Scotland wagon is also visible.
The prominent location of the new 4-storey Harbour Offices overlooked the Upper and Victoria Docks and the nearby Regent Bridge.
The building was designed by A. Marshall Mackenzie of the Matthews & Mackenzie architectural firm. It was built between 1883 and 1885. In addition to the Harbour Offices the building included warehouses for wholesale merchant, Messrs C. & A. Johnstone.
See the Aberdeen Journal of 19th November 1884, page 5, for an extensive description of the building as it neared completion.
The construction of the Italian renaissance style building followed the introduction of steam trawling to Aberdeen in around 1882 and the subsequent harbour boom. The building replaced an earlier Harbour Board office, which newspaper articles indicate was near the foot of Marischal Street.
One outstanding feature of the new building is the attractive clock tower. At the time of construction it was described as the only tower in the city with a granite dome. The expense and final form of the tower was a subject of great debate.
The Aberdeen Harbour Trust Port, modern successor to the Harbour Board, occupies the building to this day.
The buildings to the left of the Harbour Offices were demolished in the second half of the 20th century during an extension to Virginia Street. Treasure 31: Hays' Isometrical View of Aberdeen 1850
2586 In September 1850 an advert appeared in the local papers of Aberdeen for "Hays' Isometrical View of Aberdeen, giving a Distinct and Correct View of the Whole City and Environs". We hold copy of the plan from 1850 in our Local Studies collection.
The plan was available to purchase for 3s. 6d. and measured 34 inches by 19 inches. Carvers and gilders, J. & J. Hays, had premises at 2 Market Street where they also sold prints and optical instruments. At the bottom left of the image we see the words George Wilson, Delt. (abbreviation of delineator, i.e. the artist). George Wilson was to find fame a few years later as George Washington Wilson when he became one of Scotland's premier photographers.
George Washington Wilson
George Washington Wilson was born in 1823 at Waulkmill of Carnousie in Banffshire and left school at 12 years of age to be an apprentice carpenter. He practised his artistic skills by drawing portraits of friends and neighbours and, after training at art schools in Edinburgh and London, he returned to Aberdeen to become an art teacher and portrait painter.
By the late 1840's Wilson was attracted by the work of Fox Talbot in the new art of photography and after initial experiments with a homemade camera, he advertised a business offering photographic portraits before eventually expanding into landscape photography.
A Bird's Eye View of History
Wilson created this panoramic view of the city by making numerous sketches from the roofs of high buildings and then merging them into one comprehensive drawing. We are looking north across the city from the harbour with Union Street running horizontally across the centre and Old Aberdeen in the far distance. We can see how small the city actually was at this time - open fields are visible just to the north of the west end of Union Street.
A key to the most prominent buildings was provided and it is interesting to see which buildings have survived until today, often with additions, and which had yet to be built. Robert Gordon's Hospital (now College), Marischal College, and various churches including the Triple Kirks and St Nicholas East and West are all still standing but the West Prison, Castlehill Barracks and the Poorhouse have been demolished.
Bird's Eye View 1889
In December 1889, the Aberdeen Free Press offered its readers an updated version of the Bird's Eye View as a supplement to their newspaper. Numerous changes to the landscape of the city had taken place since Wilson's view. Bon Accord Mine
2683 This photograph of an information panel at the Bon Accord Mine in South Australia was kindly donated by one of our users at Culter Library.
As described on the panel, the site is part of a section of land purchased in 1846 by the Scottish Australian Mining Company of Aberdeen. The mine's name was taken from Aberdeen's motto.
The mine buildings and site, located near the town of Burra, are now owned by the Australian National Trust and operated as a museum.
The numbers in the bottom right of the image suggest the photograph was taken in 1991. King Edward Statue Unveiling
2709 An Adelphi Series postcard showing the public unveiling of the statue of King Edward VII at the corner of Union Bridge and Union Terrace in October 1914.
A large crowd assembled for the event despite inclement weather. The statue, which was funded by public subscription, was designed by Alfred Drury and unveiled by Lord Bryce. It replaced a statue of Prince Albert that was moved to the area in front of the Central Library at the other end of Union Terrace.
Aberdeen Local Studies hold two copies of this postcard. In reference to the statue, someone has written on the rear of one: "Very nice. If you saw it you would say they could cut anything in granite".
The other postcard appears to have the latter part of a longer message dating from the First World War period. It is addressed to Camille Briendo at Châtéau de Nantes and reads "I hope I shall be accepted but as I am slightly short-sighted, I may be rejected. Perhaps I shall see you before this war is over. As soon as I know, I shall write you. As long as I am here I shall".
Also of interest in the postcard's image is a large sign for James Bannochie & Sons at their premises at 19 Belmont Street. They were a well established firm of plasterers and tilers in Aberdeen. James Bannochie died aged 70 on 29 June 1909.
The roof of the building at 49 Belmont Street, then known as the Trades Hall, and what would eventually become the Belmont Cinema, is painted to read "Coliseum". The Coliseum Cinema was opened on 22 August 1910 and was run by Messers Walker and Company. Walford Bodie
2996 In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain.
He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street, Aberdeen on 11 June 1869, he was the son of a journeyman baker called William Bodie and his wife Margaret and received his education at Robert Gordon's College.
He went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon' and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on the Earth.
At Aberdeen City Libraries we hold a family photograph album that offers an insight into the life and times of Bodie and his amazing family.
The inscription on this image reads "To Dear Nan with Fondest Love Sam". Jeannie Henry Bodie a.k.a. Princess Rubie
2997 In 1890 the magician Walford Bodie married Jeannie Henry (1869-1931), eldest daughter of David Henry (1839-1903), a road surveyor from Macduff, and Margaret Skene Henry (1843-1912). Jeannie performed with Walford as an illusionist and mind-reader called Princess Rubie until her retirement in 1930.
Jeannie was one of as many of eight daughters and four of them went on to play important parts in the Bodie show. One of her sisters was Annie "Nan" Henry (1880-1970) and this image comes from an album of hers we hold at Aberdeen City Libraries. |