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Marischal Street
818 In 1766, the Town Council of Aberdeen acquired a property known as the Earl Marischal's Lodging which had laid unoccupied for a number of years. It was then demolished to allow a street to be built to create improved access between the harbour and the Castlegate. It was named Marischal Street in his honour.
This view of the west side shows the properties at No 46 and 48 and an adjacent church. William Kennedy (1759-1836), advocate, lived in No. 46, where he wrote his two volume history of the city - Annals of Aberdeen.
Next door at No. 48 was the home of Dr William Dyce, father of the eminent artist William Dyce (1806-1864). Both of these properties have now been converted into flats.
The church shown on the left was built in 1881 on the site of the Theatre Royal built in 1795. It closed as a theatre in 1872 prior to the opening of Her Majesty's Theatre and Opera House (Tivoli) in Guild Street. This building is now occupied by the Elim Pentecostal Church. Aberdeen Theatres: Man vs. Stallion at the Music Hall
3373 A glass plate image of the Music Hall on Union Street from the late 19th century.
A young crowd is gathered on the street listening to a brass band. A policeman and bicycles of the time can also be seen.
The advertisements on the steps of the building read "Man vs. Stallion". Using historic newspapers we can work out that this was likely an event called Battle Between Man and Stallion, that took place at the Music Hall on 20th August 1895.
Newspaper adverts from the time read: "To-night at 8, complimentary benefit, and positively the last Five Nights in Aberdeen of Professor Norton B. Smith, THE WORLD'S GREATEST HORSE TAMER, who will handle, on this occasion, the MAN-EATING STALLION, belonging to Mr Youngson Kynoch, Royal Stables, Aberdeen." (Aberdeen Journal, 20/08/1895, page 1) Aberdeen Theatres: Blue Beard at the Theatre Royal
3383 A poster for the Theatre Royal in Aberdeen advertising productions of Blue Beard and The Momentous Question.
Prior to the opening of the Tivoli in 1872 the Theatre Royal in Marischal Street was the longstanding and historic home of theatrics in Aberdeen. Aberdeen Theatres: The old Theatre Royal building
3384 This building was originally the Theatre Royal before being converted into a church in the 1870s.
The Theatre Royal was the first permanent theatre built in Aberdeen. It was opened in 1795 and was funded by subscription. It cost £3,000 and could seat 600 people.
The Theatre Royal was very popular with Aberdeen's high society until the 1830s when it began to fall into decline. Shortly after the opening of Her Majesty's Theatre the building was sold to the Church of Scotland. Aberdeen Theatres: The Palace Theatre building
3387 The former Palace Theatre as seen on 14th July 2018 from outside the Royal Hotel on Bath Street. The building was designed by John Rust and opened in 1898. It was on the site of an earlier music hall, the People's Palace, which had burned down two years before. The building has seen much development and varied use over the years.
It showed variety and "legitimate" theatre at different points during the earlier 20th century. It was rebuilt and opened as a cinema in 1929 and was substantially extended in 1931.
The cinema closed down in 1959 and it was converted into a dance hall and later a nightclub. His Majesty's Theatre: Auditorium
3446 The auditorium showing the stalls and stage right stack of boxes. The Royal Box is at the bottom. [Image from the Aberdeen Performing Arts Archive.] Theatre Royal Poster
259 A poster for the Theatre Royal in Aberdeen advertising a productions of Blue Beard and The Momentous Question. Treasure 80: The Great Wizard of the North's Hand-Book of Natural Magic by John Henry Anderson
291 Ninety years since the Aberdeen Magical Society was founded, we feature a rare edition of the Hand-book of Natural Magic written and published by the famous 'Wizard of the North', John Henry Anderson, one of the best magicians of the 19th Century.
The book reveals 128 experiments "adapted for performance at the parlour or drawing-room table or fire-side? practicable without expensive chemical or mechanical apparatus".
The book features tricks such as The Conjuror's Table, The Gun Trick, and The Self-Balancing Pail, in addition to a number of card tricks and ruses.
For nearly forty years of his life, John Henry Anderson baffled appreciative audiences with his popular performances, which often featured advanced and intricate props. The 'Wizard of the North' travelled around the world delighting audiences in many countries, including Australia and America.
John Henry Anderson died in February 1874 and was buried alongside his mother Mary Robertson, in Mither Kirk graveyard in Aberdeen. He had many imitators and the great Houdini himself said he was one of his mentors. Houdini paid his respects to John Henry Anderson when he visited the Granite City in 1909.
In 1930, the Aberdeen Magical Society arranged to have the gravestone of Professor Anderson restored "as a mark of respect to this past-master in the art of conjuring entertainment" (Press and Journal, 8 August 1930).
Explore the life and work of the great wizard, and find out more about Aberdeen Magical Society in our interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Professor Anderson at the Royal Lyceum Theatre
424 A programme/advertisement for performances of John Henry Anderson (1814-1874) at the Royal Lyceum Theatre, London in November 1855.
Anderson, better known as "The Great Wizard of the North", was born at Craigmyle in Kincardine and became a prominent 19th century magician.
This large programme (50 x 26 cm) details the various acts in the performance and those involved. Most of the performers are given exotic pseudonyms like Hermes Trismagistus, the Wizard of Greece. The Wizard of Scotland, however, is simply called Michael Scott.
The other side of the programme features a reprinted article about Anderson from The Times of 4th September 1855 and one on 'Spiritualism in London' from the Hartford Times of 10th August. Mr Bannister's first night
470 A broadside from 1811 announcing the exclusive show of Mr Bannister, referred to as "the first comedian of the British stage".
This would have been the actor John (or Jack) Bannister (1760-1836). An entry, written by Joseph Knight and revised by Nilanjana Banerji, for Bannister can be found in the Oxford Dictionary of National Biography (available online with an active library membership). Bannister was a pupil of David Garrick, of the Drury Lane Theatre in London, and was one of the foremost comic actors of his day.
For six nights, Bannister was to perform in a comedy, Bold Stroke for a Wife, a comic song, The Tortoise-shell Tom-cat, and a farce, The Prize; or 2, 5, 3, 8.
These appearances in Aberdeen may have been part of a tour of the provinces and Ireland that Bannister commenced in 1809. His ODNB entry explains that the tour, comprising a monologue entertainment and songs, was called Bannister's Budget and was a financial, popular, and critical success.
Appealing to the expected high level of the entertainment, the reputation of the performer, and the great distance from Aberdeen to London, the theatre's manager, Mrs Mudie, hoped the public would understand slightly increased ticket prices for seats in the theatre's boxes and pit.
Tickets could be purchased from a variety of local booksellers; Messrs. Stevenson, Mortimer, Gordon, Spark and Watson or from a Mr. Phillips at the theatre's box office.
The Theatre Royal mentioned in this document, the first permanent one built in Aberdeen and opened in 1795, is no longer in use. It was turned into a church after the construction of Her Majesty's Opera House (later the Tivoli Theatre), which opened in 1872.
This playbill broadside was printed by Chalmers & Co. The document is referenced and transcribed in an Aberdeen Journal article from 26th November 1906, page 3, titled 'Two Aberdeen play-houses'. The article suggests that this might be "one of the earliest specimens of a local playbill probably in existence." Tragedy of Douglas; or, The Noble Shepherd
488 This broadside advertises a play on Saturday 20th November 1813 at the Theatre Royal on Marischal Street. The play is Douglas; or, The Noble Shepherd. Printed locally by John Booth of North Street, the broadside modestly declares the play to be of equal quality to any production outside of London.
Accompanying the play were comical songs, a ballad, and a reworking of Shakespeare's Taming of the Shrew by David Garrick, titled Catharine & Petruchio.
The broadside indicates locations that tickets may be bought, the "Public Library" and the "Musical Repository", and other productions available for viewing. The play's cheapest ticket, for the gallery, cost 1 shilling. This was approximately half a shilling shy of the cost of a loaf of bread (Aberdeen Journal, 7th July 1813).
Douglas was a five-act tragedy authored by John Homes. Performed first in 1756 Edinburgh, it was a resounding success, with productions put on across the eighteenth and nineteenth centuries, travelling as far a field as North America. That being said, that week's edition of Aberdeen's Journal only gave the announcement of the play's arrival one line, buried in the third page.
The play's contents was often changed by Home, depending on its audience. The play examines the deep tension between Scotland's people and its nationhood, particularly in regard to Scotland's cultural independence from Britain. On the play's first night in 1756, the play so inspired one playgoer with patriotism that he shouted "Whar's yer Wully Shakespeare noo!" in the middle of the performance. (Megan Stoner Morgan, Scottish Literary Review, vol. 4, no. 1 (2012)).
The play also left a deep impression on the Scottish Enlightenment philosopher David Hume. Regarding the broadside, it is interesting to note that Douglas, not the Shakespearean comedy, was the headline act.
The play's protagonist, Douglas, is played by an H. Johnston, most likely a 36-year-old Henry Erskine Johnston. A portrait of him playing the title role is held at the National Portrait Gallery. Impressively, he also serves as Petruchio in Garrick's Catherine & Petruchio. Likewise, other actors play characters in both productions. |