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Red Cross Ambulance
364 A photograph from the presentation of a new ambulance by Aberdeen District engineering and shipbuilding firms to the Scottish Branch of the Red Cross Society on Monday 29th January 1917.
The vehicle, funded by subscription, was for use in Aberdeen and was handed over to Colonel J. Scott Riddell, the Red Cross Commissar. He can be seen fourth from the left in the group on the right.
The leftmost figure of that grouping is Lord Provost James Taggart. He presided over the presentation event that took place in the Red Cross Transport Headquarters on Holburn Street, visible here in the background. Taggart was a granite sculptor by trade and had a works nearby at 92 Great Western Road.
The location of this photograph is at the junction of Justice Mill and Holburn Street. A branch of the Summerhill Farm Dairy is visible in the background.
An account of the presentation and a list of subscribers can be read on page 3 of The Aberdeen Daily Journal for 22nd January 1917. Henderson's Dairy and Grocery Store
443 Mr and Mrs Henderson, and others, outside their grocery shop at 21 Chattan Place. Mrs Henderson's maiden name was Prentice.
This photograph was taken by Kidd & Stridgen, a photographers based at 9 New Market Gallery.
21 Chattan place was Kenny's Chip Shop in the 1980s and later a Chinese takeaway restaurant.
A copy of this image was kindly lent to the Aberdeen City Libraries for reproduction by William Donald of Udny Green. Mrs Henderson was the sister of his mother-in-law. Milk from the Kirkhill Dairy
2236 Milk being delivered by two milk boys on Victoria Road, Torry. The milk came from the Kirkhill Dairy, Balnagask. The photograph shows a horse drawn cart.
Ian Smith has kindly been in touch to inform us that the man behind the cart is his grandfather, Albert Corbett. He ran Kirkhill Farm for much of his life.
The golden anniversary of Albert and Georgina Corbett (née Todd) was reported in the Press & Journal of 9th September 1970, page 18. The article explains that the couple had left South Kirkhill Farm, where Albert had farmed for 47 years, the previous year, moving to 28 Leggart Terrace.
They met when Georgia, an Aberdonian, moved to Fraserburgh. Albert worked on his family's nearby farm, called Watermill, and delivered milk to Georgina's landlady.
After marriage, and before moving to Balnagask, the couple lived in Strichen and ran a diary there. The article concludes stating, both aged 71, Albert and his wife had two daughters, named Mrs Irene Smith and Mrs Ethel Douglas, and three sons, Bert, James and Alistair. They also had nine grandchildren.
A family notice from the 10th January 1978 issue of the same newspaper states that Albert B. D. Corbett had died after a short illness, aged 79, the day before. A service was held for him on the 12th of that month at the Aberdeen Crematorium, Hazlehead (West Chapel).
Ian also checked with family members and informs us that the boy on the right in this photograph is Andy Cowe, who later moved to Seattle, USA, and on the left is Jocky Milne.
The Ordnance Survey, 25 inch to the mile, map of Balnagask published in 1899 indicates that there was once three houses called Kirkhill in the area; North, South and East.
South Kirkhill was located on the south side of Balnagask Road, a bit to the east of Balnagask House and Mains. East Kirkhill was not far to the east, on the other side of St. Fittick's Road and North Kirkhill was up towards Greyhope Road.
Later maps tell us that the original South Kirkhill was demolished by the early 20th century and by the 1950s East Kirkhill had taken its name. None of the residences remain today, the area of North Kirkhill is now part of Balnagask Golf Club and St. Fittick's Community Garden is now roughly where East (later South) Kirkhill once stood. North Kirkhill used to be the home of the greenkeeper of the golf course.
The use of the name Kirkhill likely refers to the nearby old St. Fittick's Church and the hilly terrain of Balnagask and Torry. J. Webster of Derbeth Farm Dairy
2244 J. Webster of Derbeth Farm Dairy on his milk round in a Swift car. He is outside a small general shop. Union Street from Rose Street, Aberdeen
2723 An Adelphi Real Photograph Series postcard (no. 156) showing the western end of Union Street. On the left can be seen a sign for Findlay's Dairy (at 457 Union Street) and on the right is the spire of Gilcomston South Church. In the street are horse drawn carts, cyclists and the number 43 tram to Bridge of Dee. Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. 31-33 Union Street
3829 Maypole Dairy Co., Ltd, a dairy, at 31 Union Street and G. H. Swapp, an optician, at 33 Union Street. Part of the door to Thomsons', a branch of the confectioners, at 35 Union Street can be seen on the right. Above G. H. Swapp can be seen offices of Mackay Brothers and Co., passenger, shipping, railway and tourist agents at 35a Union Street. The entrance to this business was beyond Thomsons'. This images dates from 1937. Books You Can Borrow from Aberdeen Public Library
461 This is the front cover of Books You Can Borrow from Aberdeen Public Library from November 1949. The publication was a quarterly pamphlet created by Aberdeen's library service that was aimed at the general public. It provided thematic lists of recommended titles that had been recently added to the lending stock.
Each number featured an introductory editorial that would provide updates on the activities of the library service or make comment on the subject of books and reading.
Issue number 1 of Books You Can Borrow from Aberdeen Public Library was published in October 1941. It begins with a section entitled 'Introducing Ourselves' by the then City Librarian, Marcus K. Milne. He writes "The issue of a Reading List is an experiment, the success of which depends on the use of the Library by its readers. It will be readily understood that it is only possible to give a selection of the books added to the Library, but the selection is a catholic one and no doubt everyone will find something to their taste."
Published in the midst of the Second World War, early issues of the pamphlet include many lists relating to the conflict; 'The Empire Fights', 'Blue Prints for Peace', and 'Wings Over Europe'. There are also many perennial and more everyday subjects such as 'Days in the Sun', 'General Literature', and 'Photography'. Each issues concludes with a listing of 'Stories for All Moods'.
There are also pages of illustrated adverts for local businesses at the beginning and end of each pamphlet. Companies such as Jamieson & Carry, Balgownie Dairy and Bakery and the Aberdeen Wireless College feature in issue number 1.
The illustrated front cover, showing Aberdeen Central Library, is believed to be the work of Fenton Wyness, the prolific local historian, architect, and artist.
At Aberdeen City Libraries we hold a collection of these pamphlets bound into 2 volumes, dating from issue 1 to number 33 from June 1954. It is likely the publication was stopped after this number, though this is not stated in the final editorial, as one might expect.
During this period, there was also regular, though shorter, listings of new additions to the Library's stock published in the Evening Express newspaper under the Books You Can Borrow title.
Milne concludes his introduction to the first issue with the following suggestion: "When you have finished with this Bulletin do not destroy it - pass it on to a friend, especially if he is not a reader from the Public Library." Observations on the making, curing, and casking, of butter (1 of 2)
515 This is the front page of a three-page broadside style pamphlet. The inner two pages can be seen here.
This oversized pamphlet provides instructions as to how to make butter. It was authored by the Agricultural Association, following precedent set in Ireland and the experience of curers in Aberdeen.
The pamphlet is a remarkable piece of food and hygiene history. The first step of the broadside, for instance, warns against cross-contamination and having foreign items in the dairy factory. Twelve steps follow, dictating best practices for making and storing butter. Observations on the making, curing, and casking, of butter (2 of 2)
516 There are the inner two pages of a three-page broadside style pamphlet. The front page can be seen here.
This oversized pamphlet provides instructions as to how to make butter. It was authored by the Agricultural Association, following precedent set in Ireland and the experience of curers in Aberdeen.
The pamphlet is a remarkable piece of food and hygiene history. The first step of the broadside, for instance, warns against cross-contamination and having foreign items in the dairy factory. Twelve steps follow, dictating best practices for making and storing butter.
The pamphlet was printed by D. Chalmers & Co. of Aberdeen. |