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Lower Justice Mill, Union Glen
810 Justice Mills of one kind or another are first mentioned in the 1300s, and were the site of a famous battle. In their final form, an Upper Justice Mill occupied a site later partially covered by the Odeon Cinema building, while the Lower Mill stood in Union Glen, at the bottom of the steep slope with its mill dam above and behind it (see water wheel centre left). The left hand part of the building and the wheel were removed when the cinema was built, the dam was drained and a thoroughfare created into Union Glen, but the central and right hand parts survived, albeit derelict, into the 1960s.
The wagon in front of the buildings is painted with the business name James Alexander & Son, Grain Merchants. The 1866-67 Ordnance Survey large scale town plan of Aberdeen indicates that Lower Justice Mill was a corn mill.
A black cat can also be seen in the centre right of the image and a woman carrying some type of load is in front of the waterwheel.
Correspondent Geoffrey Mann has been in touch to inform us that in 1793 there was a miller at the Justice Mills called George Reid. This information was found from an Old Machar baptismal record for his and Margaret Smith's (his wife) daughter Elizabeth.
Coincidentally, there was another George Reid (1826-1881) who was a partner in the prominent seedsmen and agricultural implement makers, Messrs Benjamin Reid & Co., who had their Bon-Accord Works just to the east of the Justice Mills. The obituary of this later George Reid from The Aberdeen Journal 16/07/1881 states that at the time his death he lived with his two sisters in Justice Mill Lane. Lower Justice Mill
1258 Lower Justice Mill, Union Glen. Justice Mills of one kind or another are first mentioned in the 1300s, and were the site of a famous battle. In their final form, an Upper Justice Mill occupied a site subsequently partially covered by the Odeon Cinema, while the Lower Mill stood in Union Glen, at the bottom of the steep slope with its mill dam above and behind it (see water wheel centre left). The left hand part of the building and the wheel were removed when the cinema was built, the dam was drained and a thoroughfare created into Union Glen, but the central and right hand parts survived, albeit derelict, into the 1960s. Rothienorman Church
1730 Rothienorman is a village about 25 miles north of Aberdeen and 10 miles from Inverurie. The church began as a mission station in 1935, under Inverurie, before being raised to full status in 1947. In 1958, it became a joint charge with Culsalmond but it is now linked with Fyvie. Rev. Alexander Noble has recently been inducted to the charge but, at the time of this photo, the minister was Rev. Rodney Milligan, who had the charge from 1958. The church was designed by the Aberdeen architect, George Bennett Mitchell, in 1936. The roof is supported by arched oak beams which are painted black, as is the bell tower, in contrast to the grey harled walls. The pews came from the United Free Church in Rayne, while the communion table and chains in light oak were gifted by James Dalgarno, in memory of his wife. At first glance, its unusual design makes the passerby think that it is a private house but most visitors regard it as a beautiful building. John Ross of Clochan and Arnage
2033 A portrait of Provost John Ross of Arnage (1665 - 1714). He served as Provost of Aberdeen from 1710-1711. Provost Ross' House on Shiprow, later part of the Aberdeen Maritime Museum, was named after him. Ross died on 15th September 1714 while on business in Amsterdam and is buried in the English Church of that city.
This portrait is said to have been painted in 1685 by Sir John Medina (1659-1710). The painting is at Fyvie Castle and is owned by the National Trust for Scotland. A correspondent informs us that it was donated by the Leith-Ross family, and formerly hung in Leith Hall. Stop 6: Annie Inglis MBE (1922-2010), Aberdeen Arts Centre, Catherine Hollingsworth (1904-1999) and Isabella Fyvie Mayo (1843-1914), 31 King Street
2305 Aberdeen's first lady of the theatre Annie Inglis MBE dedicated her life to drama in Aberdeen, founding Aberdeen Arts Centre and inspiring generations to take to the stage. Born Annie Nicol in 1922, Annie studied English at Glasgow University before taking up a career in teaching. She joined the Monklands Rep in the 1940s, perfecting her directing skills which she would use to great effect in Aberdeen where she founded the Attic Theatre Group, an amateur group, which enjoyed an enviable reputation for performance. Over the years Annie founded Aberdeen's Arts Carnival, Texaco Theatre School, and Giz Giz Theatre Project for Youth. When the Arts Centre was threatened by closure in 1998 Annie ran a hugely successful campaign to save it involving many famous theatre actors who had trod the boards there.
Born in 1904 in Brechin and known by local folk as the 'speakin'wifie' Catherine Hollingworth started her teaching career in 1927 and might have remained a drama teacher but for the road traffic accident in 1933 which led her to use her learning to address the injury to her own speech. This ignited a lifelong interest in speech therapy at a time when there were very few speech therapists. While another pioneer of the profession Lional Logue (as dramatised in The King's Speech) was supporting King George VI in London, Catherine was appointed as the first superintendent of Speech & Drama and Speech Therapy in Aberdeen. In 1942 she founded the Children's Theatre, which went on to develop an international reputation. She had the theory that if you allowed children to play only to children, with no adults in the audience, their creativity and imagination would be much greater.
Another woman of culture associated with 31 King Street was Isabella Fyvie Mayo a prolific poet and novelist who wrote under the pen name Edward Garret. Although she was to spend most of her life living in Aberdeen, Isabella was born in London in 1843. She was also a pioneering translator for Tolstoy and became not only his friend but was also friends with Mahatma Gandhi. She became an ethical anarchist, pacifist, anti-imperialist, anti-racist and suffragette campaigner. In 1894 she was elected a member of the Aberdeen School Board, the first woman elected to any public board in Aberdeen and it is in this building that the Aberdeen School Board convened. Aberdeen Women's Alliance: Isabella Fyvie Mayo
2335 A photograph of poet, novelist and translator Isabella Fyvie Mayo (1843-1914) and cat taken from the frontispiece of her Recollections of Fifty Years (London: John Murray, 1910). Aberdeen Local Studies have a copy of this work in our collection. The main concourse of the rebuilt station looking north
2640 In the century since the new station opened has
there have been many changes. 1923 saw the
Grouping of the Railways with the GNSR and NBR
becoming part of the London and North Eastern
Railway (LNER) and the Caledonian part of the
London Midland and Scottish Railway (LMS). In
1948 both were absorbed into the nationalised
British Railways.
The 1930s saw mixed fortunes; new and
improved rolling stock was introduced including
more powerful locomotives. Conversely bus
competition was decimating traffic on branch
lines including Deeside and Buchan; suburban
trains ceased in 1937. During World War 2 all
the glass was removed from the station roof
and replaced by plywood to avoid the effects of
blast and comply with blackout regulations. The
sections were carefully stored under a disused
platform at Fyvie station until the end of the
war. Aberdeen Theatres: Man vs. Stallion at the Music Hall
3373 A glass plate image of the Music Hall on Union Street from the late 19th century.
A young crowd is gathered on the street listening to a brass band. A policeman and bicycles of the time can also be seen.
The advertisements on the steps of the building read "Man vs. Stallion". Using historic newspapers we can work out that this was likely an event called Battle Between Man and Stallion, that took place at the Music Hall on 20th August 1895.
Newspaper adverts from the time read: "To-night at 8, complimentary benefit, and positively the last Five Nights in Aberdeen of Professor Norton B. Smith, THE WORLD'S GREATEST HORSE TAMER, who will handle, on this occasion, the MAN-EATING STALLION, belonging to Mr Youngson Kynoch, Royal Stables, Aberdeen." (Aberdeen Journal, 20/08/1895, page 1) Aberdeen Cinemas: City
3431 An Aberdeen Journals Archive photograph of the City Cinema on George Street in 1963. The cinema is showing a war film called Battle of the Beach starring Audie Murphy.
The City Cinema at 197-199 George Street was opened by Aberdeen Picture Palaces on 4th November 1935. The building, the main part of which was tucked away behind George Street, was designed by Thomas Scott Sutherland.
Michael Thomson in Silver Screen in the Silver City explains that until after the second world war, the City's stock and trade was showing second-runs and lesser features from the programmes of up-town cinemas. The City was also popular with Aberdeen's crowds of holidaymakers in the 1930s. See Thomson's book for more on the design and history of this cinema.
The final film shown at the City was Sign of the Pagan on 20th July 1963. The venue was then converted at a cost of £300,000 into a two-floor bowling alley. Originally called ABC Bowl (later known as the Aberdeen Bowl, Super Bowl and Mega Bowl), it opened on 1st May 1964 with celebrity guests Oliver Reed, Jess Conrad and Julia Foster.
The bowling alley, and with it what remained of the City cinema, was demolished in 2007 to make way for an apartment block and the Hilton Garden Inn hotel.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Treasure 85: Diary of the Battle of the Somme, July-Sept. 1916, by Corporal H. Robertson
297 To mark Remembrance Day on 11 November, we are exhibiting one of the most poignant and remarkable treasures in our collection - the diary of Corporal Harry Robertson featuring a first-hand account of life in the trenches during World War One.
The diary was gifted to former City Librarian William Critchley by Harry Robertson when they met in Motherwell, Scotland. As Robertson had fought in the 1st Battalion of Gordon Highlanders, he suggested that Aberdeen Public Library may be the best place to preserve it.
Robertson was born in Greenock in 1893 and went on to become an analytical chemist with Glasgow City Analysts and Glasgow's Royal Technical College prior to the First World War. In August 1914, he enlisted in the 2nd Dragoons (Royal Scots Greys) and trained with them at Dunbar and York, transferring to the Gordon Highlanders in June 1915. He rose through the ranks to become Sergeant at General Headquarters 3rd Echelon in Rouen in November 1916, where he remained until the end of the war. He was demobilized in March 1919.
In the diary, Corporal Robertson shares his experiences during the 'Big Push' and the Battle of Bazentin Ridge (14-17 July 1916). It was a British victory, but at a huge cost with over 9000 British casualties and losses. The 1st Battalion Gordon Highlanders were part of the 76th Brigade, 3rd Division, XIII Corps of the British Army, commanded by Lieutenant-General Walter Congreve.
View our Treasures exhibition on the interactive screen to read more detailed extracts from the diary and gain an insight into the moving and often traumatic experiences of soldiers on the front line. |