485

A lithograph print of a drawing by James Skene of Rubislaw (1775-1864). The illustration depicts the Mercat Cross and Tolbooth in the centre of Aberdeen in around 1800. James Skene was a lawyer, amateur artist, and a notable friend of Walter Scott. A short article from the Aberdeen Daily Journal of 23rd February 1912, page 9, indicates that this image was made to illustrate an edition of The History of the troubles and memorable transactions in England and Scotland, from M.DC.XXIV TO M.DC.XLV by John Spalding that was published by the Bannatyne Club in 1829. An engraved version of this image can be found facing page 9 in volume 2 of the abovementioned publication. Titled 'Tolbooth of Aberdeen', James Skene is given as the illustrator and William Penny as the engraver. Walter Scott was the founder of the Bannatyne Club, a text publication society, and James Skene was a member. The club's two volume edition of Spalding's history, drawn from three manuscript copies, was published under Skene's superintendence. John Spalding was a 17th century Aberdeen historian and clerk. His Memorialls of the trubles in Scotland and in England, ad 1624 - ad 1645 is of note as a detailed account of the impact of the Wars of the Three Kingdoms in North-East Scotland. See David Stevenson's entry about Spalding on the Oxford Dictionary of National Biography for more information on his life and his written history. Spalding was commemorated in the name of three Aberdeen clubs devoted to publishing historical sources; the Spalding Club, New Spalding Club, and Third Spalding Club (collectively active between 1839-1960). In 1850-51, the first of these clubs published an improved edition of Spalding's Memorialls of the Trubles. The attributions on the version of the image shown here indicates that it was printed by Aberdeen bookseller and publisher D. Wyllie & Sons and the lithography was undertaken by Taylor & Henderson, another prominent local firm. This image looks north east and depicts the Mercat Cross, carved by Aberdeen master mason John Montgomery and erected in 1686, in the middle distance. The market cross is likely shown in use either as shops or a post office, both purposes it historically served. The cross was repaired in 1821 and moved to its present location, approximately 83 metres east, in 1827. The Tolbooth, a prison, in the centre of this image was built in 1615. Much of the building, which was developed progressively over the years, is now obscured by the Peddie & Kinnear designed Town House completed in 1874. The Tolbooth was converted into a museum which opened to the public in 1995. To the east of the Tolbooth, partially obscured by the market cross in this image, is the New Inn. This building, once the most important hostelry in Aberdeen, was demolished and replaced by the North of Scotland Bank, now the Archibald Simpson's pub, in 1840-42. The illustration otherwise shows a busy scene on Aberdeen's Castle Street. This was a centre of civic activity and important market place for the town. In the foreground are a number of pynours (an Aberdeen term for porters), then an organised craft. Some sense of life in the Castle Street/Castlegate area at the time, particularly of its more eccentric characters, can be found in the book The Aberdeen Worthies (1840) by William Bannerman.

674

Drawing of Castlegate looking west along Union Street. Correspondent Ed Fowler got in touch to point out the salient features of "the Plainstones, Mercat Cross in is original position with the Athenaeum Reading Room, Tolbooth, the New Inn (Freemasons Lodge) and the Aberdeen Bank at the top of Marischal Street. It is one of set of 3 drawings by the same artist employed by Gibb's the Lithographer. The others being the Brig o' Dee, and the Nether Kirk Gate, Benholm Lodging."

697

The block of buildings in the centre of this photo are seen prior to their demolition about 1901. The site had been acquired by Aberdeen School Board for a new central higher grade school. It was to have a frontage along Schoolhill and Belmont Street of 145 feet. The Central School, renamed Aberdeen Academy, was closed in 1970, and has been converted into the Academy Shopping Centre (1999). The small building tucked in next to the tall gable end was not demolished. It was built in 1769 for James Dun, rector of Aberdeen Grammar School which was then situated opposite these buildings. The house was acquired by the School Board to house the caretaker and was later used as classrooms. In 1975, it was restored for use, initially as a children's museum and named James Dun's House. It was subsequently used as offices for Aberdeen City Council and later as a spa and shop.

996

Kelman Memorial Church, Culter - in 1843 at the Disruption, the Rev. Robert Thomson set up a Free Church congregation in Culter. They worshipped at a building at Contlaw, 3 miles from the village. In 1893, the congregation, under the Rev. John Kelman, agreed that a more central site was required. The foundation stone was laid on 28 April 1894 and the church, designed by John Rust, was opened on 16 February 1895. This snowy scene shows the Norman style of architecture of the church, which was constructed of granite from Rubislaw Quarry, Aberdeen. After the reunion of the Free Church with the Church of Scotland in October 1929, the decision was taken to rename this church the Kelman Memorial Church in remembrance of Rev. Dr. Kelman, who had died only a few months earlier. This left 2 Church of Scotland churches in Culter but, in March 1999, St. Peter's and Kelman Memorial were amalgamated to form Peterculter Parish Church, with this building chosen to continue for the future. St. Peter's may become a heritage museum.

2476

A photograph from an Adelphi Series postcard showing a southern portion of Duthie Park. The image looks east across the park's old Lower Lake towards Arthurseat House. This lake was expanded, and made more rectangular, in the 1920s. This was undertaken to provide improved facilities for the sailing of model yachts and for skating and curling in winter. From the time of the park's creation, this earlier lake contained two spray fountains at either end. The more easterly of these is shown here. Arthurseat House dates from before the creation of the park, when the land was owned by Arthur Dingwall Fordyce. The house remained, primarily as a museum, until it was demolished in 1934. For a detailed account of the park, its history and creation, see the article 'Miss Duthie's Gift: History and Description of the Park' in the Aberdeen Journal of 26th September 1883 (published the day before the park's official opening) and the park's entry in Historic Environment Scotland's Inventory of Gardens and Designed Landscapes - reference number GDL00166. Also shown in this picture is the park's main rockery, described in the Aberdeen Journal article as follows: "A most picturesque rockery has been built upon the brow of the rising ground to the west of Arthurseat House, and immediately above the pond we have just been describing. It is very extensive, being upwards of 100 feet in length and 66 feet broad at the widest part, and is composed of different kinds of peculiar stones, broken into all manner of fantastic fragments, which are set-up on end in groups and cone-like eminences. A footway winds through it from end to end; and as the spaces between the stones are occupied by Alpine plants and flowers of various kinds, the whole as viewed from the low ground in front presents a most charming appearance."

3424

This photograph from the collection of the Aberdeen Journals Archive shows the Majestic Cinema on Union Street in 1972. This super-cinema at 234 Union Street was designed by architect Thomas Scott Sutherland and was built on the site of Aberdeen's first purpose-built picture house, La Scala. A public company called Caledonian Theatres Ltd., with James Brebner of the Belmont as managing director, was formed for the purpose of acquiring the site of La Scala and some nearby buildings and constructing a large new cinema. The Majestic opened on 10th December 1936 with a film called Eliza Comes to Stay as its main feature. In his autobiography, Sutherland states that the Majestic was his finest design. Michael Thomson in Silver Screen in the Silver City suggests that the cinema's style could be described, "without too much facetiousness", as "Sutherland Perpendicular". Sutherland's characteristic long window panels were set in side panels on the building's Kemnay granite front. Decorative neon stripes were placed between each column. At the top of the front elevation was the neon "Majestic" sign and below that, in the centre, was the space to advertise the venue's programme. In 1938 James F. Donald (Aberdeen Cinemas) Ltd. acquired Caledonian Theatres and the Majestic operated as part of the Donald circuit from then on. In time the cinema closed down with the site marked for redevelopment. The Majestic showed its last film, Kelly's Heroes, on Saturday 29th September 1973. The cinema and the neighbouring Clydesdale Bank building were soon demolished. On the site was built a new £1.5 million office block called Caledonian House. This was opened on 25th February 1976. [Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Image © Aberdeen Journals Ltd.

64

A lithograph print of a drawing by James Skene of Rubislaw (1775-1864). The illustration depicts the Mercat Cross and Tolbooth in the centre of Aberdeen in around 1800. James Skene was a lawyer, amateur artist, and a notable friend of Walter Scott. A short article from the Aberdeen Daily Journal of 23rd February 1912, page 9, indicates that this image was made to illustrate an edition of The History of the troubles and memorable transactions in England and Scotland, from M.DC.XXIV TO M.DC.XLV by John Spalding that was published by the Bannatyne Club in 1829. An engraved version of this image can be found facing page 9 in volume 2 of the abovementioned publication. Titled 'Tolbooth of Aberdeen', James Skene is given as the illustrator and William Penny as the engraver. Walter Scott was the founder of the Bannatyne Club, a text publication society, and James Skene was a member. The club's two volume edition of Spalding's history, drawn from three manuscript copies, was published under Skene's superintendence. John Spalding was a 17th century Aberdeen historian and clerk. His Memorialls of the trubles in Scotland and in England, ad 1624 - ad 1645 is of note as a detailed account of the impact of the Wars of the Three Kingdoms in North-East Scotland. See David Stevenson's entry about Spalding on the Oxford Dictionary of National Biography for more information on his life and his written history. Spalding was commemorated in the name of three Aberdeen clubs devoted to publishing historical sources; the Spalding Club, New Spalding Club, and Third Spalding Club (collectively active between 1839-1960). In 1850-51, the first of these clubs published an improved edition of Spalding's Memorialls of the Trubles. The attributions on the version of the image shown here indicates that it was printed by Aberdeen bookseller and publisher D. Wyllie & Sons and the lithography was undertaken by Taylor & Henderson, another prominent local firm. This image looks north east and depicts the Mercat Cross, carved by Aberdeen master mason John Montgomery and erected in 1686, in the middle distance. The market cross is likely shown in use either as shops or a post office, both purposes it historically served. The cross was repaired in 1821 and moved to its present location, approximately 83 metres east, in 1827. The Tolbooth, a prison, in the centre of this image was built in 1615. Much of the building, which was developed progressively over the years, is now obscured by the Peddie & Kinnear designed Town House completed in 1874. The Tolbooth was converted into a museum which opened to the public in 1995. To the east of the Tolbooth, partially obscured by the market cross in this image, is the New Inn. This building, once the most important hostelry in Aberdeen, was demolished and replaced by the North of Scotland Bank, now the Archibald Simpson's pub, in 1840-42. The illustration otherwise shows a busy scene on Aberdeen's Castle Street. This was a centre of civic activity and important market place for the town. In the foreground are a number of pynours (an Aberdeen term for porters), then an organised craft. Some sense of life in the Castle Street/Castlegate area at the time, particularly of its more eccentric characters, can be found in the book The Aberdeen Worthies (1840) by William Bannerman.

179

The future of Union Terrace Gardens has been the subject of much debate over the years and its original development also led to much discussion in Town Council meetings and in the local newspapers. In 1868, the architect James Matthews suggested that the area of Union Terrace should be turned into a pleasure ground for the people and the following year this "Sketch of the Proposed Denburn Gardens", drawn by the land surveyor James Forbes Beattie, was published. It includes the area between Belmont Street to Union Terrace and from Union Street to the Royal Infirmary, Woolmanhill. The gardens are shown laid out with paths and shrubbery but Beattie has also depicted the buildings in the surrounding streets, including the recently completed Belmont Street Congregational Church. Further to the north can be seen the spire and complex of the three churches built for the West, South and East Free Church congregations in 1843-44. The buildings which remain are currently known as the Triple Kirks. A pedestrian bridge crosses the railway towards Union Terrace and the row of houses known as Denburn Terrace. These were demolished under the City Improvements Scheme of 1883 which eventually led to the construction of Rosemount Viaduct and would have stood on the site of the ornamental plot opposite the Central Library. This plan acts as a snapshot of the area and provides an interesting comparison with the modern layout of the streets surrounding the Gardens. After much discussion and negotiation with neighbouring proprietors, the Town Council sanctioned work on laying out the Gardens on the land between the wooded bank at Union Terrace and the railway. Work began in November 1877 and, when the gates were finally opened to the public on 11 August 1879, the band of Gordon's Hospital (forerunner of Robert Gordon's College) played a "selection of pleasing airs" prior the opening ceremony. The official name was now Union Terrace Gardens but it was more popularly known to generations of visitors as the "Trainie Park".

270

To celebrate the 31st modern Olympic Games taking place in Rio 2016, we have chosen a treasure which sheds some light on how the games have evolved over time by looking at the official report of the 4th Olympiad, held in London in 1908. Originally scheduled to take place in Rome, the Italian organisers declared themselves unable to host the competition, citing amongst other reasons, an eruption of Mount Vesuvius. As the runner-up in the award of the 1908 Games selection, it was proposed that they be held in London instead. The London Olympics of 1908 was the first to feature a purpose-built stadium and set the standard for all future Games. Another Olympic first was the fact that the sports arena included a swimming tank, whereas previous swimming competitions had taken place in open water. It also fixed the official distance of the modern marathon at 26 miles and 385 yards - the additional yards being added to ensure the finish line was in front of the Royal Box. The Summer Olympics of 1908 featured 2,008 athletes from 22 countries. By comparison, Rio de Janeiro will host over 10,000 male and female athletes from 207 nations, and feature 306 events in 28 Olympic sports. The 1908 Games were hailed as a great success - particularly considering the short preparation time, and they founded several key features of modern Olympic Games. View our touchscreens to find out more about the controversies of the 1908 Olympics, and some of the record-breaking medal winners.