40

The Hardweird. Part of old Gilcomston, it resembled a small "ferm toon" standing between the foot of Jack's Brae and Upper Denburn and it consisted of 18th and early 19th century artisan and labourers' housing - a product of the period when Gilcomston had a flourishing weaving industry. One of Aberdeen's worst slums, it was cleared during the early 1930s and the playground of Gilcomstoun Primary School now occupies part of the site.

126

The street known as the Hardweird, so named as having been built on the Hardweird Croft. The last street in Aberdeen to show the 'forestairs' that were so common in the older streets of the town. Some of the houses were demolished in 1908. The Hardweird ran from Skene Row to Jack's Brae. Skene Row came off Skene Street, opposite Chapel Street. This photograph looks east and is likely taken not far from the junction of Hardweird and Upper Denburn. These dwellings are those that stood on the south side of Hardweird. The land was later developed as utility type facilities with Skene Street School playing field above.

218

Shrine, war memorial, Cowdray Hall, 1927. The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925. These were erected at a cost of 80,000 pounds, with the cost of the War Memorial being raised by public subscription. The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'". The shrine is of white and grey marble in a niche in the north wall of the Memorial Court, directly opposite the entrance. It takes the form of a table on which is placed the Roll of Honour, printed on vellum, within glass. The table is supported by trusses decorated in Renaissance style. On either side are the Union Jack and White Ensign, representing Army and Navy, and in the centre is a laurel wreath in gilt bronze. Also in the picture can be seen the circular balcony or gallery, with a graceful balustrade, grey marble coping and ornate mouldings, which encircles the Court and leads to various picture galleries, one of which can be seen through the doorway

710

A photograph looking north west up Jack's Brae, from its junction with Upper Denburn, in the Rosemount area. Jack's Brae was named after the owner of property there. This photograph likely dates from the mid-to-late 19th century. The Ordnance Survey town plan of Aberdeen, 1:500 scale, surveyed in 1866-67 depicts a "Coffee Roasting and Grinding Works" at the top of Jack's Brae at its junction with Leadside Road. A large chimney of these works can be seen on the right side of this image in the distance. These works were the premises of John Strachan. In the Aberdeen Post Office Directory for 1867-68, Strachan is described as follows: "Strachan, John, coffee roaster, coffee, sugar, and sugar grinder, Jack's brae" (page 213). Aberdeen City Council's Historic Environment Record describes the site thusly: "Site of meal mills, built in the 18th - 19th Centuries and demolished in the 1980s. The works was two-storey with a basement, comprising a 9-bay range with a single kiln and a three-storey with attic 5 by 6-bay block of later date. There were also two 2-storey store blocks. The mill was originally water powered, later electrically driven. The OS 1st edition map depicts a coffee roasting and grinding works here; they are annotated as corn mills on the OS 25in map published 1924." (link here). The business was known as John Strachan & Sons and the works as Gilcomston Mill. The business was started in around 1852 and John Strachan was succeeded as its proprietor by his son James Strachan (1838-1914). His obituary can be found in the Evening Express of 28th December 1914, page 5. His son, John Strachan, was later to become the business's managing director. The obituary of this later John Strachan can be found in the Press & Journal of 1st July 1935, page 8. At the time of writing in 2022, the site is occupied by a residential complex called Strachan Mill Court - no doubt named after the coffee roasting and milling enterprise.

718

The Hardweird, so named as having been built on the Hardweird Croft, is now the only street in Aberdeen showing the 'forestairs' that were so common in the older streets of the town. The Hardweird ran from Skene Row to Jack's Brae. Skene Row came off Skene Street, opposite Chapel Street. Part of old Gilcomston, it resembled a small "ferm toon" standing between the foot of Jack's Brae and Upper Denburn and it consisted of 18th and early 19th century artisan and labourers' housing - a product of the period when Gilcomston had a flourishing weaving industry. Some of the houses were demolished in 1908. One of Aberdeen's worst slums, it was cleared during the early 1930s and the playground of Gilcoumston Primary School now occupies part of the site.

773

A photograph looking south east down Jack's Brae, past March Lane, towards upper Denburn in 1927. The Ordnance Survey town plan from 1866-67 indicates that the buildings at the foot of Jack's Brae, beyond March Lane, and shown in the centre here, had a tannery to their rear. All these buildings on Jack's Brae were demolished and the land is now a green space. The substantial granite building in the background on the left is Skene Street School, later known as Gilcomstoum Primary School. The wall that can be seen at the junction of Upper Denburn remains at the time of writing in 2022. A city royalty boundary stone, marked "CR" can be seen underneath the March Lane street sign.

943

Stoneywood Works Home Guard. Back Row: Unknown, Unknown, Charlie Thomson, Hector Emslie, Unknown, Bill Irvine, Ed Coutts, John Reid, Jim Smith, Alick Duncan (engineer), Dick Grant, A. Kilgour. 3rd Row: Ralph Davidson, Bob Lawrence, Arthur Smart, Ed McDonald, John Menzies, Bill Kane, Alfred McPherson, Harry Duncan, A. Baigrie, Tom Mitchell, Bill Davidson, Alex Robb, Jim McLean, Bill Denholm, George Sangster (sawmiller). 2nd Row: Gordon Wilson, Jim Davidson, Jim Ross, Unknown, Andy Lawson, Charles Esson, Frank Rundle, Bill Bartlett, Alick Duncan (cutting & rolling), Neil Littlejohn, Bert Campbell, Willie Robbie, Bill Forbes, David Findlater. Front Row: Bill Thomson, Val Michie, Bill Ross, Jack Beveridge, Bill Kitson, Harry Jordan, Jim Murray, Cozens Hardy, Jack Stewart, Jim Duncan, Bert Spence, Bill Pirie, John Sutherland, Alick Davidson, Bill Wright.

1048

Cults and District Recreation Club performed "Mains' Wooin'" in East Church Hall 1923. The players are named as: Piper - G. Wilson, J. W. Robertson, W. Christie, W. A. Thompson, John Kidd, unknown, Jack Morrison, A. Ironside, Bert Anderson, Miss Robertson, Miss Skakle, Peter Walker, John Forsyth, Miss Skakle, Dr Robert Bruce, Mrs Pirie, Miss Ironside, W. Ironside, Miss Robertson, W. Marshall. Front of stage: T. Ambrose, J. Milne, John Salthouse, unknown, D. Kidd, M. Morrison, D. Kidd, John Lovie, J. Adams, Jack Meston.

1515

This photo was taken from the bottom of Jack's Brae, looking eastwards. The road in middle of the photo is the Hardweird and the road to the left of the V-junction is Upper Denburn. (Brian Kennedy, Aberdeen) The partially visible tenements on the skyline in he centre of this image are those at the junction of Skene Street and Rosemount Viaduct.

2178

The whole of Riverbank School voted on the design for Pelorus Jack. We wanted Jack to be colourful and show off the pupil's creativity. The leaf design was chosen to promote looking after the environment and being an eco-friendly school. Also included are the school colours and logo.

2522

On the back of pavement at the top of Jack's Brae, the site of March Lane.

2733

An artwork created by Portuguese artist Bordalo II for the Nuart 2018 Festival that ran from 12th to 15th April of that year. The artwork, depicting a colourful unicorn made from end-of-life materials, is on the eastern side of the Italian restaurant Rustico. The restaurant sits at the junction of Summer Street and Union Row. The words next to the Unicorn read "Endangered dream". This photograph was taken on 10th June 2018.

2788

Thomson's, confectioners, at 402-408 Union Street and Gilcomston South Church on the junction with Summer Street in around 1937. Correspondent Philip Wright tells us that the shop was known as "Sweetie Thomson's" and that it was every child's dream store.

2811

The exterior of the Palace Cinema, Bridge Place, Aberdeen. The cinema is advertising showings of It Always Rains on Sundays, a film starring Googie Withers and Jack Warner and released in 1947. This gives the photograph an approximate date. The canopy also advertises Jitterbugs which was a Laurel and Hardy film from earlier in the decade.

3369

A poster for the Tivoli's summer show of 1945. The show, produced by Horace H. Collins, was called Giggles & Girls and is described as "a riot of lasses and laughter". Performers in the revue included Jack Anthony - "Your Favourite Star Comedian", George Clarkson Jnr. - "The Essence of Personality", Joyce Hampton - "The Young Aberdeen Discovery", Hermon & Constance - "Variety's Vocal Stars", Kaye and Diana Haywood - "Youth and Beauty Personified", Royal Victory Belles, Bertha Ricardo - "The Musical Comedy Miss", Bond Rowell - "The One Man Joy Barrage", Hal Swain and the 3 Swing Sisters - "The Popular Broadcasting Musical Stars". The orchestra was under the direction of Clifford Jordan.

3417

The Regent was opened as the second, companion cinema of Jack Poole, after his transformation of the Palace on Bridge Place that had opened in 1931. The Justice Mills location was selected and the cinema was constructed on the eastern end of the historic Upper Mill. A cinema was able to utilise the sloping nature of the site in the way few other projects could. Michael Thomson in Silver Screen in the Silver City (1988) states that work progressed on the new cinema at an excellent rate with virtually all material and labour coming from local sources. The sparkling Rubislaw granite frontage was the work of masons Edgar Gauld of Gilcomston Terrace. Wood for the joinery work came from Sweden and Finland. The Regent was Aberdeen's first all-new cinema since the Torry Picture House a decade before. It was also the first cinema designed by Thomas Scott Sutherland, who had previously been a designer of, and dealer in, houses, notably the granite bungalows of the Broomhill estate. The impressive new cinema opened on Saturday 27th February 1932, to an audience mostly of guests, with the main feature being a melodrama called Over the Hill. Reporting on the opening, the Evening Express wrote the following: "Even though Aberdeen has many magnificent edifices, there is nothing quite so distinctive as the modern design of the front of the new Regent. Fine use has been made of straight lines and curves placed in sharp contrast, and the face that looks through the entrance to Justice Mill Lane on Holburn Street has an imposing dignity about it and yet an elusive gaiety in its composition. It is built of grey granite decorated with bands of red terracotta, and a polished black granite base." The frontage was floodlit by night and outlined by Aberdeen's neon display. Above the gantry was the large, neon "Regent" sign which made the cinema a beacon at night. The Regent and the Palace were then advertised as "Aberdeen's Super Two". The Regent's manager John K. Stafford Poole, son of Jack Poole, was aged only 21 when the Regent opened and his innovative promotion and displays became a signature of the cinema. The younger Poole regularly invited the Gordon Highlanders to screenings and in return they would afterwards march, pipes a-skirl, through the cinema and along Union Street back to their barracks. The Regent proved hugely popular and was soon out-performing the Palace. The success of Poole's Regent prompted Aberdeen Picture Palaces to undertake the creation of their own super-cinema, the Capitol, which would open in 1933. The same year also saw the release of King Kong and the publicity stunt of a human dressed as an ape rampaging on the frontage of the Regent. On 16th July 1936 it was announced that another southern company called County Cinemas had acquired all the Poole picture houses, those in Devonport, Derby and Plymouth, as well as the Palace and Regent in Aberdeen. In 1939 County Cinemas merged with the larger Odeon chain. In July 1940 the "Regent" sign came down to be replaced with one that read "Odeon". As part of this powerful national circuit, the cinema could rival any in Aberdeen for showing major features. [Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]

4385

A Roddy Millar photograph of the easternmost Hadden Street doors of the Aberdeen Market building. This passageway with stairs came out on to Hadden Street just to the east of the junction with Exchange Street. The walls have been decorated with multi-coloured spots of varying sizes and the doors feature adverts for Dream Beauty Studio, Combo Café and Restaurant, and Thomson's Quality Butchers. Photograph taken on 26/02/2019.

4390

A photograph by Roddy Millar showing the unit occupied by Aberdeen Vinyl Records in the now demolished Aberdeen Market. As indicated on their sign, and by the wares on display, this was and continues to be a local business buying and selling vinyl records. There is also a bookstand shown outside the unit promoting copies of FITEVER!, an Aberdeen and Doric based comedy book. Since the closure of the Market, Aberdeen Vinyl Records has moved to premises at 101-103 Union Street. The owners of the shop also produce a podcast. D&S Discounts, selling various types of bag and racks of puzzle books and novels, can be seen further along. In the distance beyond it, are the Dream Beauty Salon and Combo Café & Restaurant. Also seen in the top right of the image is one of the illuminated box signs for the Market which were dotted around the building. Photograph taken on 27/02/2019.

4394

A Roddy Millar photograph of Dream Beauty Studio within the Aberdeen Market building. This image gives a clear picture of how the units within the market were of varying sizes and layouts. As listed on its sign, Dream Beauty Studio offered many salon treatments including threading, tinting, waxing, hair extensions, facial and make-up. At the time of writing in 2024, Dream Beauty Studio's website indicates that it has premises within Tesco at Danestane, Asda at Garthdee and within the Trinity Centre. This image also provides another view of Outifts, a retailer seen earlier within this collection. Further down the corridor, part of Madame Mew's can be seen. Photograph taken on 26/02/2019.

4395

A photograph by Roddy Millar showing Combo Café & Restaurant within the Aberdeen Market building. This was a popular multicultural restaurant. Spanning across many countries, its menu offered Italian, Turkish, Greek and Scottish cuisine. Seen on the exterior of the seating area are pizza boxes advertising prices for the different sizes of pizza on offer. In the corridor outside the café is a coin vortex donation box for the Royal National Institute of Blind People (RNIB). In the background of this image, on the left, can be seen the premises of Dream Beauty Studio. Photograph taken on 26/02/2019.

4396

This photograph by Roddy Millar looks west down the main corridor of the Aberdeen Market building. It gives a good representation of the initial view a visitor would encounter having came in via the large Market Street entrance, located to the rear of this image. On the left can be seen Ai to Ai, offering cosmetic treatments for eyelashes and eyebrows, Aberdeen Vinyl Records is further on, identifiable by the baskets of records, then D&S Discounts and Dream Beauty Studio at the very rear. On the right, starting at the back and coming forward, is Outfits, Combo Café & Restaurant, Liberty Hair and the Market Heel & Key Bar in the foreground. The Market Heel & Key Bar offer shoe repairs, watch batteries, luggage, shopper trolleys, belts, key cutting and slippers. Due to the closure of the Market, this business moved to nearby premises at 88 Union Street. Photograph taken on 26/02/2019.

166

The front page of the Aberdeen Bon-Accord and Northern Pictorial Annual from 1939. This "Special Number" was published on the 14th December of that year and cost 1 shilling. It was designed and produced by Henry Munro Ltd, 22 Union Row, Aberdeen. The illustration by H. Ireland depicts a young boy, with a Jack Russell dog, mimicking a Pipe Major. A epigram reads "In dowie days, when few have Hert to sing - - Lat's Hear the Pipes." Aberdeen Local Studies holds this and many other Aberdeen Bon-Accord and Northern Pictorial annuals. These bound volumes are available to consult at Aberdeen Central Library.

441

This image was digitised from Artistic Aberdeen: A Sketch Book (1932) by W. S. Percy. The book describes the scene as follows: "Jack's Brae, leading up from Hardweird. This name and street go back to the middle of the eighteenth century when the Council of the Burgh permitted the land to feuded out by "John Jack, manufacturer at Gilcomstone, at the yearly value of 8s. sterling." It was never, in actuality, a very pretty or charming part of the town, and is now less so than ever. Doubtless, in years soon to come, clearance schemes will include Jack's Brae; this drawing will be one of its best memorials."

470

A broadside from 1811 announcing the exclusive show of Mr Bannister, referred to as "the first comedian of the British stage". This would have been the actor John (or Jack) Bannister (1760-1836). An entry, written by Joseph Knight and revised by Nilanjana Banerji, for Bannister can be found in the Oxford Dictionary of National Biography (available online with an active library membership). Bannister was a pupil of David Garrick, of the Drury Lane Theatre in London, and was one of the foremost comic actors of his day. For six nights, Bannister was to perform in a comedy, Bold Stroke for a Wife, a comic song, The Tortoise-shell Tom-cat, and a farce, The Prize; or 2, 5, 3, 8. These appearances in Aberdeen may have been part of a tour of the provinces and Ireland that Bannister commenced in 1809. His ODNB entry explains that the tour, comprising a monologue entertainment and songs, was called Bannister's Budget and was a financial, popular, and critical success. Appealing to the expected high level of the entertainment, the reputation of the performer, and the great distance from Aberdeen to London, the theatre's manager, Mrs Mudie, hoped the public would understand slightly increased ticket prices for seats in the theatre's boxes and pit. Tickets could be purchased from a variety of local booksellers; Messrs. Stevenson, Mortimer, Gordon, Spark and Watson or from a Mr. Phillips at the theatre's box office. The Theatre Royal mentioned in this document, the first permanent one built in Aberdeen and opened in 1795, is no longer in use. It was turned into a church after the construction of Her Majesty's Opera House (later the Tivoli Theatre), which opened in 1872. This playbill broadside was printed by Chalmers & Co. The document is referenced and transcribed in an Aberdeen Journal article from 26th November 1906, page 3, titled 'Two Aberdeen play-houses'. The article suggests that this might be "one of the earliest specimens of a local playbill probably in existence."