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Rubislaw Terrace, Aberdeen in around 1880. This photograph by George Washington Wilson shows the granite splendour of this terrace, which was planned by the architects Thomas Mackenzie and James Matthews, jointly with James Giles, artist. The houses were to be erected on the property of James Skene of Rubislaw, on the north side of Albyn Place. The Aberdeen Journal of 31st March 1852 describes the plans as thus: "The style of architecture possesses in a high degree the rare merit of combining what is new, at least in Aberdeen, with what is, in point of taste exceedingly beautiful". The houses have crowstepped gables and plain windows alternating with bow windows which have a balustrade, and had 11-15 rooms. In 1854, James Matthews actually lived there, and later occupants included a paper manufacturer, a ship owner, and a number of advocates. Today, many of the houses have been converted into offices for legal firms. Granite balustrades and a garden area separate the terrace from Albyn Terrace.

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Mrs Isabella Wilson Legge, was the wife of James Legge, stonemason, who was the first chairman of Aberdeen Charter Union, the organisation of the Aberdeen Chartists. Mrs Legge set up the Aberdeen Female Radical Association as she wanted votes for all adults - not just men but women too. She presided over 18 young women. They held their meetings at the Temperance Hotel at 41 Queen Street and said in a statement issued by the Female Chartists of Aberdeen (12th November 1841) "while we are compelled to share the misery of our fathers, our husbands, our brothers, and our lovers, we are determined to have a share in their struggles to be free, and to cheer them in their onward march for liberty."

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We have to use our imagination a little as the street known affectionately by locals as the 'Gushie' no longer exists other than Provost Skene's House which has the address of 45 Guestrow. In 1823 The General Dispensary, Vaccine and Lying-In Hospital opened in Guestrow, a street that ran parallel to Broad Street from where approximately the Illicit Still is today to where it joined Upperkirkgate. The General Dispensary, Vaccine and Lying-in Hospital gave free medical advice and treatment to all that required it. These early health services were provided for poorer families often living in the East End of Aberdeen who couldn't afford to pay for medicine, vaccines or to see a doctor. Although a team of doctors were employed at the Institution, young medical students from across the road here at Marischal College also undertook some of their training at the Institution. The Lying-In part of the Hospital was for women who, once they had had their babies, would 'lie in' for a few weeks as they had such poor living conditions at home. In 1880 it was recorded that 3327 cases were dealt with in that one year alone. It wasn't until 1892 that midwives were employed, recognizing the need for specialist nursing care for pregnant women. This greatly improved the nursing care provided and understanding of the specific needs of mothers and babies. A famous daughter of Aberdeen who has shaped midwifery throughout the world is Maggie Myles (1892-1988) who wrote her groundbreaking book Textbook for Midwives 'With Modern Concepts of Obstetrics and Neo-natal Care' in 1953, the year before she retired. Maggie produced a further nine editions, each kept up-to-date with the latest developments and best practice. The book has been translated into many languages and is recognized as the leading international textbook for midwives. The book is now in its 15th edition. Born in 1892 in Aberdeen the daughter of a housepainter and former domestic servant Maggie Myles life story is truly remarkable. Migrating to Canada soon after leaving school Maggie would rise to become the director of midwifery education in Philadelphia and Detroit before returning to Scotland in 1939 to be Midwifery Tutor at Simpson Memorial Maternity Pavilion in Edinburgh. Memories: Heather's memories of Billie Maver and the General Dispensary Nora recounts her memories of Maggie Myles Edith shares her memories of Maggie Myles

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In September 1850 an advert appeared in the local papers of Aberdeen for "Hays' Isometrical View of Aberdeen, giving a Distinct and Correct View of the Whole City and Environs". We hold copy of the plan from 1850 in our Local Studies collection. The plan was available to purchase for 3s. 6d. and measured 34 inches by 19 inches. Carvers and gilders, J. & J. Hays, had premises at 2 Market Street where they also sold prints and optical instruments. At the bottom left of the image we see the words George Wilson, Delt. (abbreviation of delineator, i.e. the artist). George Wilson was to find fame a few years later as George Washington Wilson when he became one of Scotland's premier photographers. George Washington Wilson George Washington Wilson was born in 1823 at Waulkmill of Carnousie in Banffshire and left school at 12 years of age to be an apprentice carpenter. He practised his artistic skills by drawing portraits of friends and neighbours and, after training at art schools in Edinburgh and London, he returned to Aberdeen to become an art teacher and portrait painter. By the late 1840's Wilson was attracted by the work of Fox Talbot in the new art of photography and after initial experiments with a homemade camera, he advertised a business offering photographic portraits before eventually expanding into landscape photography. A Bird's Eye View of History Wilson created this panoramic view of the city by making numerous sketches from the roofs of high buildings and then merging them into one comprehensive drawing. We are looking north across the city from the harbour with Union Street running horizontally across the centre and Old Aberdeen in the far distance. We can see how small the city actually was at this time - open fields are visible just to the north of the west end of Union Street. A key to the most prominent buildings was provided and it is interesting to see which buildings have survived until today, often with additions, and which had yet to be built. Robert Gordon's Hospital (now College), Marischal College, and various churches including the Triple Kirks and St Nicholas East and West are all still standing but the West Prison, Castlehill Barracks and the Poorhouse have been demolished. Bird's Eye View 1889 In December 1889, the Aberdeen Free Press offered its readers an updated version of the Bird's Eye View as a supplement to their newspaper. Numerous changes to the landscape of the city had taken place since Wilson's view.

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A photograph of 35-37 Marischal Street taken in July 2018. Historic Environment Scotland's listed building information states "The simple classical styling of Nos 35-37A forms a significant part of the Street's lengthy run, contributing to its refined character. The building was constructed at some point between 1767, when plans for the street were laid out, and 1789, when Alexander Milnes' map showed that the East side of the street was completed by that date." (link) Some of the ground floor rooms have been converted into commercial premises. A cememorative plaque to George Thomson (1804-1895), ship owner and lord provost, can be seen in the image. See Aberdeen City Council commemorative plaques website here for more details.

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The cinema on Belmont Street had operated as the Belmont from 24th June 1935. On 4th January 1938 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had acquired a controlling share in Caledonian Theatres, who ran the Majestic on Union Street and the Belmont. Michael Thomson credits Caledonian Theatres' financial difficulties at this time to their inability to book the best films. An organisation known as the Ship Contractors' and Ship Wrights' Association had a right to sell bond on the Belmont Street property that included both the cinema and the headquarters of the Aberdeen Trades Council. From 1946 onwards the aforementioned association tried to sell the property and this was contested by the Trades Council. This fight went all the way to the House of Lords but the Trades Council's appeal was dismissed in January 1949. Caledonian Theatres had attempted to purchase the building outright from the Ship Contractors' and Ship Wrights' Association but this sale was interrupted by the Aberdeen Sheriff Court following an appeal from the Trades Council. In the end the building was sold to the NAAFI (Navy, Army and Air Force Institutes) in February 1952 to be converted into their new Aberdeen headquarters. Following this sale, the Belmont cinema closed on down 29th March 1952. Its final film was The Steel Helmet an American film, directed by Samuel Fuller, about the Korean War. In mid-1956 NAAFI moved its accounts operations out of Aberdeen and put the block up for sale. On 22nd April 1958 the Clydesdale Supply Co. Ltd. moved from premises at 11^1/2 Rose Street to the former Trades Hall and cinema at 49 Belmont Street. The large premises were employed as the warehouse for the company's wide range of clothing, household goods, furniture, radios, televisions and radiograms. Clydesdale appear to have occupied the building until around 1962. This Aberdeen Journals Archive photograph from 1966 likely shows the building when it was unoccupied. During the early 1980s the building was used as a carpet showroom. In October 1994 plans were announced by Aberdeen City Council to create a media centre at 49 Belmont Street. This included three cinema screens, educational facilities and a café bar. The building was converted for this purpose but funding could not be secured for its operation. The revamped cinema finally opened as The Belmont Picturehouse in September 2000 and was operated by the Picturehouse company. This firm was later bought by Cineworld and had to relinquish the lease on The Belmont in adherence with competition law. In 2014, the Centre for the Moving Image was selected to take on its management and the much-loved cinema became the Belmont Filmhouse. [Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Image © Aberdeen Journals Ltd.