28

Loch Street in the 1980s. Far left, corner of the new Co-op building (1970); left background, St. Paul's Street School (then Aberdeen Education Authority's Music Centre); centre, the Swan Bar, Post Office, The Buttery (A. B. Hutchison). All demolished for the Bon Accord Centre.

43

Shop frontage of T. C. Smith and Co., Electrical Engineers T.C. Smith & Co. first appear in the Aberdeen Directory for 1913/14 when they are listed as electrical, automobile and power engineers. They had garage space for over 200 cars and eight private lockups, and were open day and night, including Saturday. The garage, showrooms and office were at 21-25 Bon-Accord Street; their repair and body building shops were at 20-32 Gordon Street. In 1921-22, they had other premises at 18 Bon-Accord Street, and these are shown in the photograph. The windows have a display of all sorts of electrical equipment including lamps, heaters, radios and Hoovers. The company would appear to have gone out of business around 1943, because in 1946, Scottish Motor Tractor Co. Ltd had taken over their Bon-Accord premises.

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Statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The statue of Queen Victoria was sculpted by Alexander Brodie. The statue was inaugurated in 1866. The marble began to show weathering due to the frost and was moved to the vestibule of the Town House in 1888. The plaster model of the statue can still be seen in the Music Hall.

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A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863. The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library. Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street." The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite. The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply." During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866. After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years. A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral.

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Union Street, Aberdeen, c.1910, showing the Music Hall on the right.

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George Jamesone's House in Schoolhill. This house was generally believed to be the residence as well as the property of George Jamesone, the painter, known as the Scottish Van Dyck. By the 1880s it had become a lodging house, and was demolished in 1886. The site is now marked by a plaque on the buildings which replaced it.

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George Jamesone's House in Schoolhill, c. 1885. This house was generally believed to be the residence as well as the property of George Jamesone, the painter, known as the Scottish Van Dyck. By the 1880s it had become a lodging house, and was demolished in 1886. Its site is now marked by a plaque on the buildings which replaced it.

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Crimonmogate House, Union Street, prior to its demolition in 1963/64. It stood just west of the Music Hall at the corner of Huntly Street. It was designed by John Smith in 1810 as a town house for Patrick Milne of Crimonmogate, Lonmay, near Fraserburgh. By 1840, it had passed to Sir Charles Bannerman and the original arched entrances to the garden behind were replaced by the wings seen in this photo. From 1874, it was the home of the Royal Northern Club until it moved to other premises in 1955. Plans were submitted in 1959 for its demolition, along with the YMCA next door, to make way for a supermarket. Massey's supermarket was opened in 1965. It was a branch of Somerfield, around 2007, and later Sainburys and the Co-op.

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George Jamesone's House in Schoolhill. This house was generally believed to be the residence as well as the property of George Jamesone, the painter, known as the Scottish Van Dyck. The building was demolished in 1886 and its site is now marked by a plaque on the buildings which replaced it.

191

Union Street looking West with the pillars of the Assembly Rooms on the right. This building, more commonly referred to as the Music Hall, was designed by Archibald Simpson in 1820, while the actual Music Hall within, was designed by James Matthews in 1858. The spire belongs to Gilcomston South Church.

193

This 1930s photograph shows the Shuttle Lane slum clearance area situated between East North Street and Frederick Street, before the families were rehoused on new estates. These houses were typical of the cramped, overcrowded tenements to be found in most Scottish cities. Large families would be crammed into 1 or 2 rooms. There might have been a shared toilet on the landings or more commonly outside in the back yard. Infectious diseases such as diptheria and scarlet fever could be spread rapidly with such close contact of families, and infant mortality was high. There was often no drying green so many tenements had iron washing poles which could be slid out of windows when needed. Each family would have their allocated day to use the wash house. Washing clothes was a laborious affair as the mother, maybe with the assistance of an older daughter, would stoke and light the boiler, and trek back and forth with water from an outside tap. Washing would be done by hand and if the weather was bad, then it would have to be hung inside in the kitchen to dry in the heat of the coal fire. However, it seemed that community spirit was warm and close neighbours helped each other in times of crisis. This was a bond that would be broken when families were rehoused in the modern housing estates.

195

The tomb of Bishop Gavin Dunbar at St. Machar's Cathedral, Aberdeen. Gavin Dunbar was appointed Bishop of Aberdeen on 5th November 1518 and died on 9th March 1532. He became a great benefactor not only of King's College, but of the town. It was he who took over the plans left after the death of Bishop Elphinstone and created the Bridge of Dee which opened road access to the City, from the south. Dunbar also built the twin towers at St. Machar's Cathedral and gave its magnificent ceiling at his own expense. It comprises 48 heraldic shields including the arms of Scottish monarchs, nobles, Kings of Europe, and Scottish Bishops. When he died in 1532, he was buried in the south transept of the cathedral. This was virtually destroyed after the collapse of the great central tower in 1688, and a recumbent statue of white marble of Dunbar was broken into pieces during the Reformation. The splendor of the six foot richly carved arch of Morayshire freestone is still obvious despite its exposure to the weather. A bishop's mitre surmounts the Dunbar coat of arms and his initials, at the right hand side.

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Union Street looking west. The photograph shows the Music Hall and a busy street scene. There are many pedestrians and people can be seen riding bicycles. A tram, number 30, to Castle Street is in the background. Ornate street lamps can be seen on the left. Tram lines divide the cobbled streets and power lines are visible overhead.

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This area, at the southern end of the Shiprow, was the site of the monastery of the Trinity Friars until 1559 when it was burnt to the ground by Protestant Reformers. In 1631, having purchased the lands, Dr William Guild, gifted their old chapel and other buildings to be a hospital and meeting house for the seven Aberdeen Incorporated Trades. These were Hammermen, Bakers, Wrights and Coopers, Tailors, Shoemakers, Weavers, Fleshers. Guild was one of Aberdeen's ministers and afterwards became Principal of King's College. The Chapel became an Episcopal Church until 1794 when it was removed and replaced by the building seen at the left of the photograph. It was vacated in 1843, when the congregation joined the Free Church, and was then sold and eventually became the Alhambra Music Hall until 1902. On the right was the Trades or Trinity Hall - often known as the Trinity Hall. It had a projecting wing tower and corbelled angle turret, and was demolished around 1857 for railway development. The Trades had already moved into their new premises in Union Street in 1846. This photograph looks south-south-west and is taken from roughly where Trinity Lane is now. The image likely dates from the 1850s, the time of the demolition. Ebenezer Bain in Merchant and Craft Guilds: A History of the Aberdeen Incorporated Trades (1887) writes the following: "The extension of the railway system to Aberdeen sealed the fate of the old Trades Hall. When Aberdeen Railway was projected in 1844, the hall and site, which extended from the foot of Shiprow to the near present line of railway, were scheduled [for demolition], and although not required for railway purposes, the buildings had to come down when Guild Street and Exchange Street were constructed. The last of the buildings was taken down in 1857 [...]" (Page 174).

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A photograph showing Princess Beatrice at Aberdeen Music Hall to open a bazaar in aid of the Sick Children's Hospital. The bazaar took place in the Music Hall on Saturday 29th and Sunday 30th October 1898. Princess Beatrice, then known as Princess Henry of Battenberg, opened the bazaar the day before on Friday 28th October. The opening ceremony was covered in the Aberdeen Journal of 29th October 1898, page 5. The article states that Beatrice arrived by train at the Joint Station before travelling to the Music Hall from Guild Street by the horse drawn carriage that we can see here. The route travelled and much of the surrounding area were specially decorated for the occasion. The various businesses and buildings along the route decorated their own premises and many of these decorations are described in the newspaper report. The city gardeners Peter Harper of Duthie Park and Robert Walker of Victoria Park were tasked with creating floral displays. Harper decorated the interior of the Joint Station and the Music Hall, while Walker decorated the route between the two. The special royal train arrived at the joint station a couple of minutes before its scheduled time of 12:15pm. Beatrice was greeted at the station by a large civic and military reception and crowds of onlookers. The newspaper report indicates that travelling in the horse drawn carriage with Beatrice was Miss Minnie Cochrane and Lord William Cecil, both were royal courtiers. The man sat in the carriage is therefore most likely the latter. Following the opening ceremony, Beatrice was entertained at a luncheon at the Palace Hotel by the directors of the Royal Aberdeen Hospital for Sick Children. Beatrice and her party returned to Balmoral on a train leaving the station at 2:45pm. The newspaper also tells us that Messrs. Walker & Company, cinematographers, Bridge Street, filmed the procession as it passed along the railway bridge on Guild Street. Assistant photographers with still cameras captured the rest of proceedings. This photograph was likely taken by one of these assistants. A sign for Walker & Company can be seen hanging above the Music Hall entrance. This dates the image as belonging to this later royal visit by Princess Beatrice. She previously visited the city on 27th September 1883 to open an earlier bazaar for the Children's Hospital and to open the newly created Duthie Park

318

On the 16th August 1884, a great demonstration took place in Aberdeen in support of the Franchise Bill. Over 10,000 men including members of 33 different trades, assembled on the Esplanade and, to the music of 20 bands, paraded through the city street on way to the Links. This photograph shows the processions snaking down Guild Street. The figures dressed in white towards the front of the procession are likely from the contingent of bakers and millers, of whom there were 300 in number. This may be the end of their group, with a band and the shore labourers behind them. Describing the procession, the pamphlet The Franchise Bill Demonstration at Aberdeen, on Saturday, 16th August, 1884 states the following: "The millers and bakers, who came next, presented, perhaps the best show in the whole procession. Dressed in white from head to foot, they made a strikingly conspicuous display amid the variegated draping of the other demonstrators." (Page 7). The pamphlet goes on to describe the various banners and displays carried by the millers and bakers. Aberdeen City Libraries have a copy of The Franchise Bill Demonstration at Aberdeen, on Saturday, 16th August, 1884 in our Local Studies Reserve Stock (Lo 329) and this can be consulted at Aberdeen Central Library. The pamphlet states that it is compiled chiefly from local newspaper reports.

359

The Linn o'Dee is 65 miles west of Aberdeen and over 1200 feet above sea level. It is about a mile west of Inverey, the last settlement on Deeside and marks the end of the public road. The stone bridge which replaced a wooden structure was opened by Queen Victoria in September 1857. Salmon can often be seen here leaping upwards to their spawning grounds. The area is still a popular tourist attraction with views of the Cairngorms in the distance. Linn is a Scottish word for a rocky gorge with pools.

364

A photograph from the presentation of a new ambulance by Aberdeen District engineering and shipbuilding firms to the Scottish Branch of the Red Cross Society on Monday 29th January 1917. The vehicle, funded by subscription, was for use in Aberdeen and was handed over to Colonel J. Scott Riddell, the Red Cross Commissar. He can be seen fourth from the left in the group on the right. The leftmost figure of that grouping is Lord Provost James Taggart. He presided over the presentation event that took place in the Red Cross Transport Headquarters on Holburn Street, visible here in the background. Taggart was a granite sculptor by trade and had a works nearby at 92 Great Western Road. The location of this photograph is at the junction of Justice Mill and Holburn Street. A branch of the Summerhill Farm Dairy is visible in the background. An account of the presentation and a list of subscribers can be read on page 3 of The Aberdeen Daily Journal for 22nd January 1917.

369

Queens Cross Free Church, Aberdeen. This photograph taken by G.W. Wilson whose house was almost adjacent. In 1877, the Free Church discussed the possibility of a church to cater for those who lived in the increasingly popular west end of the city. They secured a triangular site at the junction of Albyn Place and Carden Place at Queens Cross. Competitive designs were sought and John Bridgeford Pirie, of Pirie and Clyne, architects, were successful with his French Gothic design in granite. The steeple is 150 feet high and the grand entrance doorway is flanked by massive pillars leading into the nave where there was space for around 800 worshipers. There is a circular window in the east end, stained glass windows having been gifted by members of the congregation. The building was opened for worship on 17th April 1881, and the popularity of its first Minister, the Rev Dr George Adam Smith brought large audiences to the church. Smith was later to become Principal of Aberdeen University. The church became the only one of the city's free churches to have instrumental music when it acquired an organ built by Henry Willis. Queens Cross became Church of Scotland in 1929 when the Church of Scotland and the United Free Church merged. Various extensions have taken place, including a new hall and vestry in 1939, and the building was extensively restored in 1980.

370

On the 16th of August 1884, a great demonstration took place in Aberdeen in support of the Franchise Bill. A procession by over 10,000 men including members of 33 different trades assembled on the Esplanade, and to the music of 20 bands, paraded through several principal streets before making its way to the Links, where many speeches were made. This photograph shows the procession marching down Guild Street.

481

The Denburn, Aberdeen, in around 1865. The Triple Kirks are in the centre of the photograph with the Belmont Congregational Church in the foreground. In 1850, the Aberdeen Railway Co. which later amalgamated with the Scottish Midland Junction Co. to form the Scottish North Eastern Railway, brought the line from the south into the city. In 1864, after great debate, the Denburn Valley Junction Railway Scheme was adopted - forming a direct link between Kittybrewster and Guild Street. This photograph shows the commencement of the work. The new Joint Station opened in 1867

498

The Denburn, Aberdeen. The Triple Kirks are in the distance with the spires of St. Nicholas Congregational Church in the foreground. In 1850, the Aberdeen Railway Co. which later amalgamated with the Scottish Midland Junction Co. to form the Scottish North Eastern Railway, brought the line from the south into the city. In 1864, after great debate, the Denburn Valley Junction Railway Scheme was adopted - forming a direct link between Kittybrewster and Guild Street. This photograph shows the commencement of the work. The new Joint Station opened in 1867.

500

The Denburn. In 1850, the Aberdeen Railway Co. which later amalgamated with the Scottish Midland Junction Co. to form the Scottish North Eastern Railway, brought the line from the south into the city. In 1864, after great debate, the Denburn Valley Junction Railway Scheme was adopted - forming a direct link between Kittybrewster and Guild Street. This photograph shows the commencement of the work. The new Joint Station opened in 1867

502

A Leith registered fifie leaving Aberdeen Harbour. The white building seen behind the sails is the Round House, the Harbour Master's office, on the New Quay at Fittie. The fifie was a fast wind-powered sailing boat favoured for herring fishing on much of Scotland's east coast from the 1850s until well into the 20th century. Its main features were the vertical stem (front) and stern (back) and the wide beam (width) making them stable in the water. Fifies had two masts, a main dipping lugsail and a mizzen sail. Fifie's were increasingly decked following the recommendations of Captain Washington's 1849 report into the Moray Firth fishing disaster. See SCRAN's webpage on Scottish sail powered fishing boats for more information on the subject. The Tidal Harbour is in the background, beyond the landing stage of Pocra Quay's Lower Basin.