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Statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The statue of Queen Victoria was sculpted by Alexander Brodie. The statue was inaugurated in 1866. The marble began to show weathering due to the frost and was moved to the vestibule of the Town House in 1888. The plaster model of the statue can still be seen in the Music Hall.

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A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863. The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library. Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street." The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite. The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply." During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866. After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years. A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral.

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Union Street, Aberdeen, c.1910, showing the Music Hall on the right.

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Queen's Cross, Aberdeen, looking west. Rubislaw Church (architect J. Russell Mackenzie) 1875, is on the right. The structure in the centre of the street was part of the tramways system and was later removed to Hazlehead Park.

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Wallace Tower in the Netherkirkgate looking towards St. Nicholas Church. The tower never had any connection with William Wallace. It is believed to have been the town residence of Sir Robert Keith of Benholm. The name "Wallace" may have been a corruption of "well-house". The Wallace Tower was re-sited at Tillydrone in the 1960s. Correspondent Ed Fowler suggests that the ornamental building shown on the left at the end of the Netherhirkgate, next to the horse and cart, is the Dyers' Hall. The name refers to the Dyers' or Litsters Society who were once an important and wealthy industrial group in Aberdeen. Newspaper notices suggest the building was used as a public house, where societies regularly met, and that it, and other buildings, were demolished in around 1807 to make way for a new street between Union Street and Tannery Street.

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Crimonmogate House, Union Street, prior to its demolition in 1963/64. It stood just west of the Music Hall at the corner of Huntly Street. It was designed by John Smith in 1810 as a town house for Patrick Milne of Crimonmogate, Lonmay, near Fraserburgh. By 1840, it had passed to Sir Charles Bannerman and the original arched entrances to the garden behind were replaced by the wings seen in this photo. From 1874, it was the home of the Royal Northern Club until it moved to other premises in 1955. Plans were submitted in 1959 for its demolition, along with the YMCA next door, to make way for a supermarket. Massey's supermarket was opened in 1965. It was a branch of Somerfield, around 2007, and later Sainburys and the Co-op.

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This photograph shows the Denburn entrance to the second Trinity Hall, home of the Seven Incorporated Trades of Aberdeen. The first Trinity Hall was located on Shiprow and was originally a monastery. The second Trinity Hall was opened on Union Street on 6th March 1847, while the third was opened on Holburn Street in October 1967. Many thanks to correspondent Ed Fowler for correcting the location of this image and supplying the following information on the door: "This portal was constructed using the salvaged Memorial Inscription and Arms panels from the old Bequestor's Gateway to the 1st Tarnty Ha' which stood on Trinity Corner/Putachieside. The Trades had built this fine ornamental gateway with the following inscription: "To ye glorie of God and comfort of the poore this hows was given to the Crafts by Mr. William Guild, Doctour of Divinitie, Minister of Abd: 1633". The buildings were removed when the area was redeveloped in the 1840s but the gateway was built into the Lower Denburn wall of the 2nd Trinity Hall which was opened in Union Street in 1847."

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Blackfriars Street corner, demolished in 1923 to make way for the War Memorial and Cowdray Hall.

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The Cowdray Hall, War Memorial and Art Gallery taken from Union Terrace Gardens. The Hall was opened by King George V and Queen Mary on 29th September 1925.

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The inaugural procession on 23rd December 1899 for the electrification of the Woodside tram route, the first in Aberdeen to be modernised. Lord Provost John Fleming is at the helm, with Tramways Convener Alexander Wilkie standing next to him, and Councillor Alexander Glass has his foot on the platform. Next to Fleming and Wilkie, and above Glass, appears to be Alexander Lyon, provost between 1905-1908. Baillie James Taggart, also later to be provost, is the right-most figure in the back row on the roof of the car. Two to the left of Taggart may be James Walker, provost between 1903-1905. James Alexander Bell, City Electrical Engineer for Aberdeen in the late 19th and early 20th centuries, is the bowler hatted figure on the stairs above Lord Provost Fleming. This inauguration is detailed in an article titled 'Electric tramways in Aberdeen: Opening of Woodside section' in the Aberdeen Journal of 25th December 1899, page 7. It details the celebratory tram trip shown here and a luncheon in the Town and County Hall that followed.

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Union Street looking West with the pillars of the Assembly Rooms on the right. This building, more commonly referred to as the Music Hall, was designed by Archibald Simpson in 1820, while the actual Music Hall within, was designed by James Matthews in 1858. The spire belongs to Gilcomston South Church.

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Shrine, war memorial, Cowdray Hall, 1927. The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925. These were erected at a cost of 80,000 pounds, with the cost of the War Memorial being raised by public subscription. The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'". The shrine is of white and grey marble in a niche in the north wall of the Memorial Court, directly opposite the entrance. It takes the form of a table on which is placed the Roll of Honour, printed on vellum, within glass. The table is supported by trusses decorated in Renaissance style. On either side are the Union Jack and White Ensign, representing Army and Navy, and in the centre is a laurel wreath in gilt bronze. Also in the picture can be seen the circular balcony or gallery, with a graceful balustrade, grey marble coping and ornate mouldings, which encircles the Court and leads to various picture galleries, one of which can be seen through the doorway

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War memorial at Cowdray Hall. The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925. These were erected at a cost of £80,000, with the cost of the War Memorial being raised by public subscription. The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'".

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Union Bridge and the Trinity Hall from Union Terrace Gardens. Trinity Hall was the home of the Incorporated Trades until they moved to their new Hall at the junction of Holburn Street and Great Western Road. This building, designed by John and William Smith in 1846, was incorporated into Littlewoods Store and the Trinity Shopping Centre.

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Rubislaw Church, Queen's Cross in the wintertime. Rubislaw Church was built in 1875 by architect J. Russell Mackenzie.

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Union Terrace Gardens looking towards the War Memorial at the Cowdray Hall.

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Union Street looking west. The photograph shows the Music Hall and a busy street scene. There are many pedestrians and people can be seen riding bicycles. A tram, number 30, to Castle Street is in the background. Ornate street lamps can be seen on the left. Tram lines divide the cobbled streets and power lines are visible overhead.

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Trinity Hall Gateway, Aberdeen. This ornamental gateway was erected at the original Trinity Hall in the Shiprow - the meeting place of the Incorporated Trades of Aberdeen - and dates from 1632. The left of the three panels contained the Guild family coat of arms and the initials D.W.G - Dr William Guild who gifted the building to the Trades. The central inscription reads: 'To ye glorie of God and comfort of the Poore, this Hows was given to the crafts by Mr William Guild, Doctor of Divinitie, Minister of Abdn:1633'. The inscription on the right hand panel reads: 'He that pitieth the poore lendeth to the Lord and that which he hath given will he repay' Prov. 19.17. The gateway was removed in the 1850's when the new hall was erected in Union Street in 1846, and was rebuilt into a side wall. However, later reconstruction work in the 1890's led to the demolition of the gateway although fragments were preserved in the hall.

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This area, at the southern end of the Shiprow, was the site of the monastery of the Trinity Friars until 1559 when it was burnt to the ground by Protestant Reformers. In 1631, having purchased the lands, Dr William Guild, gifted their old chapel and other buildings to be a hospital and meeting house for the seven Aberdeen Incorporated Trades. These were Hammermen, Bakers, Wrights and Coopers, Tailors, Shoemakers, Weavers, Fleshers. Guild was one of Aberdeen's ministers and afterwards became Principal of King's College. The Chapel became an Episcopal Church until 1794 when it was removed and replaced by the building seen at the left of the photograph. It was vacated in 1843, when the congregation joined the Free Church, and was then sold and eventually became the Alhambra Music Hall until 1902. On the right was the Trades or Trinity Hall - often known as the Trinity Hall. It had a projecting wing tower and corbelled angle turret, and was demolished around 1857 for railway development. The Trades had already moved into their new premises in Union Street in 1846. This photograph looks south-south-west and is taken from roughly where Trinity Lane is now. The image likely dates from the 1850s, the time of the demolition. Ebenezer Bain in Merchant and Craft Guilds: A History of the Aberdeen Incorporated Trades (1887) writes the following: "The extension of the railway system to Aberdeen sealed the fate of the old Trades Hall. When Aberdeen Railway was projected in 1844, the hall and site, which extended from the foot of Shiprow to the near present line of railway, were scheduled [for demolition], and although not required for railway purposes, the buildings had to come down when Guild Street and Exchange Street were constructed. The last of the buildings was taken down in 1857 [...]" (Page 174).

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A photograph showing Princess Beatrice at Aberdeen Music Hall to open a bazaar in aid of the Sick Children's Hospital. The bazaar took place in the Music Hall on Saturday 29th and Sunday 30th October 1898. Princess Beatrice, then known as Princess Henry of Battenberg, opened the bazaar the day before on Friday 28th October. The opening ceremony was covered in the Aberdeen Journal of 29th October 1898, page 5. The article states that Beatrice arrived by train at the Joint Station before travelling to the Music Hall from Guild Street by the horse drawn carriage that we can see here. The route travelled and much of the surrounding area were specially decorated for the occasion. The various businesses and buildings along the route decorated their own premises and many of these decorations are described in the newspaper report. The city gardeners Peter Harper of Duthie Park and Robert Walker of Victoria Park were tasked with creating floral displays. Harper decorated the interior of the Joint Station and the Music Hall, while Walker decorated the route between the two. The special royal train arrived at the joint station a couple of minutes before its scheduled time of 12:15pm. Beatrice was greeted at the station by a large civic and military reception and crowds of onlookers. The newspaper report indicates that travelling in the horse drawn carriage with Beatrice was Miss Minnie Cochrane and Lord William Cecil, both were royal courtiers. The man sat in the carriage is therefore most likely the latter. Following the opening ceremony, Beatrice was entertained at a luncheon at the Palace Hotel by the directors of the Royal Aberdeen Hospital for Sick Children. Beatrice and her party returned to Balmoral on a train leaving the station at 2:45pm. The newspaper also tells us that Messrs. Walker & Company, cinematographers, Bridge Street, filmed the procession as it passed along the railway bridge on Guild Street. Assistant photographers with still cameras captured the rest of proceedings. This photograph was likely taken by one of these assistants. A sign for Walker & Company can be seen hanging above the Music Hall entrance. This dates the image as belonging to this later royal visit by Princess Beatrice. She previously visited the city on 27th September 1883 to open an earlier bazaar for the Children's Hospital and to open the newly created Duthie Park

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The ship yard of Alexander Hall and Company. Two ships under construction. c.1862

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Queens Cross Free Church, Aberdeen. This photograph taken by G.W. Wilson whose house was almost adjacent. In 1877, the Free Church discussed the possibility of a church to cater for those who lived in the increasingly popular west end of the city. They secured a triangular site at the junction of Albyn Place and Carden Place at Queens Cross. Competitive designs were sought and John Bridgeford Pirie, of Pirie and Clyne, architects, were successful with his French Gothic design in granite. The steeple is 150 feet high and the grand entrance doorway is flanked by massive pillars leading into the nave where there was space for around 800 worshipers. There is a circular window in the east end, stained glass windows having been gifted by members of the congregation. The building was opened for worship on 17th April 1881, and the popularity of its first Minister, the Rev Dr George Adam Smith brought large audiences to the church. Smith was later to become Principal of Aberdeen University. The church became the only one of the city's free churches to have instrumental music when it acquired an organ built by Henry Willis. Queens Cross became Church of Scotland in 1929 when the Church of Scotland and the United Free Church merged. Various extensions have taken place, including a new hall and vestry in 1939, and the building was extensively restored in 1980.

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Union Bridge c. 1863 before the construction of Bridge Street in 1865/7, looking north. Correspondent Ed Fowler has provided the following further information on the image: The pantiled cottages in the left foreground were occupied by handloom weavers who in the early 19th century worked for the cotton factory of Gordon Barron and Company. This was sited until 1830 on the corner of Belmont Street and Schoolhill. The site of the factory was subsequently used for the construction of Archibald Simpson's three Free Churches, which nestled under the prominent red brick spire. Bricks for the spire were salvaged from the Dee Village demolition. To the right of the image is the Denburn entrance to the Trinity Hall. This memorial doorway to Dr William Guild was salvaged from the gateway to the first 'Tarnty Ha'. Sadly it was later lost during demolition work for the Trinity Shopping Centre.

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Dwelling House on Queens Cross designed by Russell Mackenzie for the celebrated photographer George Washington Wilson. 1865. This was only the second house to appear on the circle.