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You searched for: More Like: 'Statue of Queen Victoria'
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The Castlegate
16 Engraving of the Castlegate, c. 1850. The statue of the last Duke of Gordon, erected in 1844, was removed in the 1950s to Golden Square. Published by G. Shepherd, Broad Street, Aberdeen Broad Street, Aberdeen
25 Drawing of Broad Street, at junction with Queen Street, looking towards Union Street. Spire of the Town House at the left of the image. Victoria Dock
36 A postcard image showing Aberdeen Harbour. The photograph appears to be looking north west along Victoria Dock. It might have been taken from the swing bridges at the bottom of York Place.
HMS Clyde is faintly visible in the distance and various fishing boats are moored along the quaysides. Lodge Walk
50 Lodge Walk which ran from Castle Street to Queen Street dates back to 1754 when the Aberdeen Lodge moved into Chambers at the New Inn. The jail for Aberdeen was at one time the Tolbooth, the spire of which can be seen at the centre of the photograph. Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. St. Nicholas Street
78 St. Nicholas Street at its junction with Union Street, showing the statue of Queen Victoria (right). The premises of H. Samuel the jewellers is on the left. Union Terrace
86 Union Terrace at the junction with Union Street. The imposing building on the left is the Northern Assurance Building (Commercial Union Assurance), designed by A. Marshall Mackenzie and known locally as "The Monkey House". The statue of Prince Albert was relocated to the other end of Union Terrace to make space for the new statue of King Edward VII in 1914. Union Street
88 Union Street at the junction with St. Nicholas Street. The marble statue of Queen Victoria at the corner of St. Nicholas Street was removed to the Town House to prevent further erosion of the marble and a bronze statue of the older Queen was erected in the 1890s. Queen's Cross
90 Queen's Cross, Aberdeen, looking west. Rubislaw Church (architect J. Russell Mackenzie) 1875, is on the right. The structure in the centre of the street was part of the tramways system and was later removed to Hazlehead Park. Provost Skene's House
98 Provost Skene's House, dating from 1545, also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum. Provost Skene's House
100 Provost Skene's House c.1880. The building dates from 1545, and is also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum. Gordon's Hospital
101 Gordon's Hospital from 1731, designed by William Adam, was a school for the education of orphaned boys, endowed by Robert Gordon. His statue, by John Cheere, is seen above the doorway. Although completed by 1739, it was not occupied by pupils until 1750. John Smith remodelled and extended the building in 1833. It became Robert Gordon's College in the 1880s. Rubislaw House
104 Rubislaw House, 50 Queen's Road, Aberdeen. It was designed by J.B. Pirie and built in 1886 for the builder, John Morgan. Aberdeen Grammar School
105 Aberdeen Grammar School, Skene Street, c.1860. This view shows the school which was built by Aberdeen Town Council in Skene Street and opened in October 1863 to replace the old school in Schoolhill. In later years, a statue of Lord Byron was placed in front of the school to commemorate the fact that he attended the old Grammar School in the 1790s. The walls in the foreground indicate where the Denburn used to flow before it was covered over. In July 1986, much of the central area of the school, including the library, was severely damaged by fire and some valuable material was lost. Rebuilding was completed by 1992. The Cowdray Hall War Memorial
122 The Cowdray Hall, War Memorial and Art Gallery taken from Union Terrace Gardens. The Hall was opened by King George V and Queen Mary on 29th September 1925. Rosemount Viaduct
134 Rosemount Viaduct, showing the William Wallace statue, the South Church and the Central Library, c.1900 prior to the building of His Majesty's Theatre. Rosemount Viaduct
154 Union Terrace looking towards Rosemount Viaduct. On the left is St. Mark's Church and on the right His Majesty's Theatre. In front of the theatre is the statue of William Wallace with Prince Albert at the left. Victoria Dock
182 A 20th century postcard image looking north west along Victoria Dock in Aberdeen Harbour. Various trawlers and steamers are shown. A steam paddle tug is towing a steamer in the foreground. Tomb of Bishop Gavin Dunbar
195 The tomb of Bishop Gavin Dunbar at St. Machar's Cathedral, Aberdeen.
Gavin Dunbar was appointed Bishop of Aberdeen on 5th November 1518 and died on 9th March 1532. He became a great benefactor not only of King's College, but of the town.
It was he who took over the plans left after the death of Bishop Elphinstone and created the Bridge of Dee which opened road access to the City, from the south.
Dunbar also built the twin towers at St. Machar's Cathedral and gave its magnificent ceiling at his own expense. It comprises 48 heraldic shields including the arms of Scottish monarchs, nobles, Kings of Europe, and Scottish Bishops.
When he died in 1532, he was buried in the south transept of the cathedral. This was virtually destroyed after the collapse of the great central tower in 1688, and a recumbent statue of white marble of Dunbar was broken into pieces during the Reformation.
The splendor of the six foot richly carved arch of Morayshire freestone is still obvious despite its exposure to the weather. A bishop's mitre surmounts the Dunbar coat of arms and his initials, at the right hand side. Aberdeen Grammar School
196 Facade of Aberdeen Grammar School on Skene Street, designed by James Matthews in 1861-63. The statue of Lord Byron who attended the school for a short time may be seen on the left of the photograph. Victoria Dock
212 An Adelphi Series postcard looking north west along Victoria Dock in Aberdeen Harbour. A steam paddle tug is towing a steamship in the foreground. Rosemount Viaduct
217 Rosemount Viaduct looking towards the Triple Kirks and the statue of William Wallace. The row of buses are probably waiting for a performance at His Majesty's Theatre to finish. Cowdray Hall, 1927
218 Shrine, war memorial, Cowdray Hall, 1927.
The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925.
These were erected at a cost of 80,000 pounds, with the cost of the War Memorial being raised by public subscription.
The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'".
The shrine is of white and grey marble in a niche in the north wall of the Memorial Court, directly opposite the entrance. It takes the form of a table on which is placed the Roll of Honour, printed on vellum, within glass.
The table is supported by trusses decorated in Renaissance style. On either side are the Union Jack and White Ensign, representing Army and Navy, and in the centre is a laurel wreath in gilt bronze.
Also in the picture can be seen the circular balcony or gallery, with a graceful balustrade, grey marble coping and ornate mouldings, which encircles the Court and leads to various picture galleries, one of which can be seen through the doorway War memorial at Cowdray Hall
219 War memorial at Cowdray Hall. The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925. These were erected at a cost of £80,000, with the cost of the War Memorial being raised by public subscription. The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'". |