2719

An Adelphi Real Photograph Series postcard (no. 117) showing Queen's Cross and Fountainhall Road from the top of St. Swithin Street. The postcard gives a good view of Rubislaw Parish Church on the left and building off in the distance is most likely Mile-End Primary School. A horse drawn delivery cart for a firm of confectioners called McPherson is in the centre of the image.

3415

An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen. Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment. He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer". Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse. The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema." The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer. The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House. Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system. The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair". On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas. This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary. By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices. [Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Image © Aberdeen Journals Ltd.

536

An illustration of the Union Works factory on College Street, Aberdeen. This drawing, which looks south across railway tracks outside the Joint Station, is sourced from a book called A Descriptive Account of Aberdeen Illustrated (published by W. T. Pike & Co. in around 1894). This book provides an account of the history and then current operation of Messrs. Alexander Pirie & Sons, owners of the Union Works at the time. The factory likely dates from around 1862. A notice from the Aberdeen Herald newspaper of 17th May 1862, page 4, records Alexander Pirie & Sons moving from the Adelphi to their new premises of Union Works, Poynernook. From the 1860s onwards, the works were owned and operated by Alexander Pirie & Sons, then Pirie, Appleton & Co. and finally Wiggins Teape (Stationery), Ltd. In the late 19th century, the time of the above mentioned book, Messrs. Alex. Pirie & Sons also operated Stoneywood Works at Auchmill, their first and largest site, the Woodside Works and various offices and warehouses around the world. Both Stoneywood and Woodside Works were located on the River Don. As indicated above the illustration, Union Works primarily produced envelopes and enamelled papers. This would be done with paper created in the firm's Donside factories. A Descriptive Account states that Messrs. Pirie were employing nearly 1000 people at the College Street site and between one third and one half of all envelopes in Britain were being made there. The book additionally asserts that the firm were the first to introduce envelope making machines into Scotland. The avenue shown in this illustration to the left of the factory runs from Guild Street in the north all the way down and around the south side of the works to the junction of Wellington Road, South College Street and Marywell Street. The production of envelopes, plus other paper products such as note paper, was continued well into the 20th century by Pirie, Appleton & Co. The Union Works site closed down not long after 1969 when Wiggins Teape began construction of a replacement factory at Dyce (see Evening Express, 4th September 1969, page 7). The site was sold and the works were demolished to make way for the multi-storey office block, St. Machar House. Built by Sir Robert Alpine & Sons for Neale House Properties (Aberdeen) Limited, to a design by architects Mackie, Ramsay & Taylor, construction was well under way by Autumn 1975 (Evening Express, 2nd August 1975, 'Business Bureau' page 6). Below the southern end of St. Machar House, the rest of the old Union Works site is occupied by the College Street Car Park, built by Arup and Partners (Scotland), with consulting architects Baxter, Clark & Paul, and opened on 4th July 1991.