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A photograph showing many large sailing ships in the Upper Dock of Aberdeen Harbour. This image looks north west towards the junction of Market and Guild Street from Regent Road (near the start of Blaikie's Quay). The prominent granite building in the background was at the corner of this junction at 62-68 Market Street. It was a warehouse and offices with shops on the ground floor. The site was redeveloped for the office blocks that can be seen today in around the early 1980s. This block may have been demolished at that time. Prior to the late 19th century continuing development of Market Street and the creation of Provost Jamieson's Quay, the south side of the Upper Dock was the site of various ship building yards, with timber yards behind. The ship shown in front of the building is the City of Aberdeen. It was built in 1862 by John Duthie, Sons & Co. for the China trade. It was altered to barque rigging in 1877 and this be the period of this photograph. The ship has an entry on the Aberdeen Built Ships website.

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Statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The statue of Queen Victoria was sculpted by Alexander Brodie. The statue was inaugurated in 1866. The marble began to show weathering due to the frost and was moved to the vestibule of the Town House in 1888. The plaster model of the statue can still be seen in the Music Hall.

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A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863. The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library. Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street." The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite. The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply." During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866. After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years. A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral.

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St. Nicholas Street at its junction with Union Street, showing the statue of Queen Victoria (right). The premises of H. Samuel the jewellers is on the left.

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Union Street at the junction with St. Nicholas Street. The marble statue of Queen Victoria at the corner of St. Nicholas Street was removed to the Town House to prevent further erosion of the marble and a bronze statue of the older Queen was erected in the 1890s.

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Provost Skene's House, dating from 1545, also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum.

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Provost Skene's House c.1880. The building dates from 1545, and is also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum.

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A 20th century postcard image looking north west along Victoria Dock in Aberdeen Harbour. Various trawlers and steamers are shown. A steam paddle tug is towing a steamer in the foreground.

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An Adelphi Series postcard looking north west along Victoria Dock in Aberdeen Harbour. A steam paddle tug is towing a steamship in the foreground.

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Looking north west along Albert Quay and Albert Basin. Sailing smacks, traditional fishing boats, are moored along the quayside. This is before the days of steam trawlers. An array of barrels for the transport of fish can also be seen. The masts of large sailing ships berthed in Victoria Dock can be seen in the distance.

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A 20th century photograph showing a busy Victoria Dock, looking north west, in Aberdeen Harbour.

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In 1871 Aberdeen Town Council decided to convert nearly 14 acres of Glennie's Parks, which had been used for cattle grazing, into a public recreation ground - Aberdeen's first public park. Aberdeen's lack of a public park up to this point had become a contentious issue. For example, newspaper reports indicate that those opposed to the Municipality Extension Act of 1871 (which extended the boundary of the city, brought the functions of the Police Commissioners under the Council and incorporated the gasworks) repeatedly suggested that the expense involved in the new bill would be better used in the creation of a much wanted public park. It is not unreasonable to suppose that this debate, and criticism of the Council, hastened the creation of Victoria Park. While work likely begun in 1871, it was not until March 1873 that the Improvements Committee of the Council recommended that the new park should be called "Victoria Park". At the same time, they also outlined a series of 13 rules and regulations for agreement by the full Council. There does not appear to have been an official opening for the new amenity. Glennie's Park was not the only site considered for Aberdeen's first public park. Interest in such an undertaking was increasing at the same time as work was underway to divert the River Dee and improve the harbour. The new ground created in this latter project, encompassing the old, more northerly course of the river and the Inches, was a much proposed location for a park. Following the creation of Victoria Park this newly leveled ground was instead given over for buildings related to the expanding fishing industry. A nurseryman called Robert Walker (1848-1930), originally from Perth, was chosen out of 450 candidates to be the city's first public park keeper and appointed to Victoria Park. He was likely largely responsible for the park's initial layout and appearance. His Press & Journal obituary (21/04/1930, p.6) suggests that prior to his appointment the site was "little better than a waste space". Walker subsequently laid out Westburn Park, Stewart Park, Union Terrace Gardens and the Promenade. He also advocated and pioneered the planting of street trees. He served the Corporation for 46 years, retiring in 1919, and must be considered one of the unsung heroes of Aberdeen history. This photograph, taken around 1900, shows one of the main paths leading to a large granite fountain, which was designed by J.B. Pirie. It is built of 14 different types of granite and was presented by the granite polishers and master builders of the city. Since the park is almost in the city centre, it is an oasis of peace with its mature trees and, in spring, there are masses of flowering bulbs scattered through the grass.

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A mid-20th century photograph looking north west towards Victoria Dock in Aberdeen Harbour. It was likely taken from the lock off Waterloo Quay at the foot of York Place. Sheer legs, for the lifting of heavy objects, are visible on the quayside.

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HMS Clyde in Aberdeen Harbour. She was a training vessel for the Royal Naval Reserve and was moored in the Upper Dock before being scrapped.

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A photograph of the building understood to have served as the Harbour Office from 1837 to 1885. It was replaced by the 4-storey harbour offices, designed by A. Marshall Mackenzie, and built on Regent Quay between 1883 and 1885. This older office is thought to have stood at the foot of Marischal Street, to the north west of Regent Bridge, just above the harbour's Upper Dock.

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A photograph showing the largest of the three substantial chimneys stalks that were located at the brick and tile works in Torry, located between Sinclair Road and Victoria Road. This is one of three photographs on the Silver City Vault taken during the demolition of this Torry landmark on Saturday 12th September 1903. A full account of the demolition can be read in the Aberdeen Daily Journal from 14/09/1903, page 6. The report tells us that the hexagonal stalk was 175 feet in height, consisted of 155,00 bricks and weighed 500 tons. The demolition was overseen by Mr Peter Tawse, a well known contractor. Two years previously in 1901, the Seaton Brick and Tile Company had relocated their works from the site in Torry to Balgownie. Seaton Brick and Tile Company was formed in 1884 after taking over the Northern Patent Brick and Tile Co., which operated a works at Seaton Links. They moved to the Torry works shortly afterwards. The company continued operation at Balgownie until going into voluntary liquidation on Friday 1st August 1924. This was reported, with a short history of the company, in the next day's Press & Journal (page 6).

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A photograph showing Princess Beatrice at Aberdeen Music Hall to open a bazaar in aid of the Sick Children's Hospital. The bazaar took place in the Music Hall on Saturday 29th and Sunday 30th October 1898. Princess Beatrice, then known as Princess Henry of Battenberg, opened the bazaar the day before on Friday 28th October. The opening ceremony was covered in the Aberdeen Journal of 29th October 1898, page 5. The article states that Beatrice arrived by train at the Joint Station before travelling to the Music Hall from Guild Street by the horse drawn carriage that we can see here. The route travelled and much of the surrounding area were specially decorated for the occasion. The various businesses and buildings along the route decorated their own premises and many of these decorations are described in the newspaper report. The city gardeners Peter Harper of Duthie Park and Robert Walker of Victoria Park were tasked with creating floral displays. Harper decorated the interior of the Joint Station and the Music Hall, while Walker decorated the route between the two. The special royal train arrived at the joint station a couple of minutes before its scheduled time of 12:15pm. Beatrice was greeted at the station by a large civic and military reception and crowds of onlookers. The newspaper report indicates that travelling in the horse drawn carriage with Beatrice was Miss Minnie Cochrane and Lord William Cecil, both were royal courtiers. The man sat in the carriage is therefore most likely the latter. Following the opening ceremony, Beatrice was entertained at a luncheon at the Palace Hotel by the directors of the Royal Aberdeen Hospital for Sick Children. Beatrice and her party returned to Balmoral on a train leaving the station at 2:45pm. The newspaper also tells us that Messrs. Walker & Company, cinematographers, Bridge Street, filmed the procession as it passed along the railway bridge on Guild Street. Assistant photographers with still cameras captured the rest of proceedings. This photograph was likely taken by one of these assistants. A sign for Walker & Company can be seen hanging above the Music Hall entrance. This dates the image as belonging to this later royal visit by Princess Beatrice. She previously visited the city on 27th September 1883 to open an earlier bazaar for the Children's Hospital and to open the newly created Duthie Park

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This view was taken in the Castlegate on 26th January 1901 at the proclamation of Edward VII as King in succession to Queen Victoria. Because of her recent death a jubilant celebration was out of the question. However, the Town Council and other public dignitaries assembled to form a procession from the Town House on the left to the Market Cross at the right. A crowd of 100,000 attended with windows and roofs all occupied. Cheers were given as the National Anthem was played by the Band of the First Volunteer Batallion (Gordon Highlanders). The procession then returned to the Town House where the health of the King was pledged and God save the King was sung.

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A large dry dock was built in the Albert Basin in 1885 for the repair and overhaul of ships. It was demolished in 1924-27 to make way for the covered fish market.

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The Linn o'Dee is 65 miles west of Aberdeen and over 1200 feet above sea level. It is about a mile west of Inverey, the last settlement on Deeside and marks the end of the public road. The stone bridge which replaced a wooden structure was opened by Queen Victoria in September 1857. Salmon can often be seen here leaping upwards to their spawning grounds. The area is still a popular tourist attraction with views of the Cairngorms in the distance. Linn is a Scottish word for a rocky gorge with pools.

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A large dry dock for the repair and overhauling of ships was opened at the eastern end of the Albert Basin in 1885. It was demolished in 1924-27 to make way for the covered fish market.

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This photograph, looking south east from Regent Quay, shows the old Regent Bridge located at the bottom of Marischal Street. As shown here it could swing open to allow ships to enter and exit the Upper Dock from Victoria Dock. The bridge was later replaced by a steel framed swing bridge operated from Regent Bridge House located at its south west end on Jamieson's Quay. The new bridge opened on 29th December 1904. An account of its construction can be read in the Aberdeen Journal of that date. In the background of this image is HMS Clyde, a Navy Reserve Ship for the training of cadets.

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This image taken in 1898, shows two prominent Aberdeen citizens crossing St. Nicholas Street under the watchful gaze of a statue of Queen Victoria. The building behind them was then the Town and County (now Clydesdale) Bank. These two individuals were lifelong friends and both came from a poor background, however their industry and intelligence, combined with self education led to their successful careers. William Cadenhead on the left began work in a thread factory but later became a traveller for a wine and spirit merchant, eventually succeeding to the business. He died on 11th December 1904 aged 85. William Carnie on the right was apprenticed as an engraver, but his ambition to write for newspapers was fulfilled when he began on the North of Scotland Gazette. In 1861, Carnie was appointed as Clerk and Treasurer of Aberdeen Royal Infirmary and the Royal Lunatic Asylum. After his retirement he wrote three volumes entitled Reporting Reminiscences covering the period 1850-1876, recollecting local events and people he knew. He died on 2nd January 1908 aged 83.

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This photograph shows a rather delapidated house in the once fashionable area of the Guestrow in the centre of Aberdeen. The word "Guestrow' may derive from 'Ghaistrow' because of the street's proximity to St. Nicholas Churchyard where 'ghaists', ie ghosts might be thought to roam. The tiled roofs and outside stairs were typical of these early houses. Note the handcart propped up outside. The Guestrow area was part of a slum clearance initiative by the Town Council in the late 1920s and 30s when most of the buildings there were demolished. Correspondent Ed Fowler plausibly suggests that this is the dwelling house in the T-shaped Mitchell Court. Post Office directories and old maps tell us that the entrance to the court was just beside a public house at number 41 on the Guestrow. If this is correct then the large building in the background is likely to be Provost Skene's House, then probably known as the Victoria Lodging House.