73

A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863. The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library. Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street." The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite. The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply." During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866. After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years. A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral.

98

Provost Skene's House, dating from 1545, also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum.

100

Provost Skene's House c.1880. The building dates from 1545, and is also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. It belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to 1685. In the nineteenth century, it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother. It is now used as a museum.

105

Aberdeen Grammar School, Skene Street, c.1860. This view shows the school which was built by Aberdeen Town Council in Skene Street and opened in October 1863 to replace the old school in Schoolhill. In later years, a statue of Lord Byron was placed in front of the school to commemorate the fact that he attended the old Grammar School in the 1790s. The walls in the foreground indicate where the Denburn used to flow before it was covered over. In July 1986, much of the central area of the school, including the library, was severely damaged by fire and some valuable material was lost. Rebuilding was completed by 1992.

134

Rosemount Viaduct, showing the William Wallace statue, the South Church and the Central Library, c.1900 prior to the building of His Majesty's Theatre.

139

Interior of King's College Chapel, University of Aberdeen, Old Aberdeen, c.1900. King's College was founded by Bishop William Elphinstone under a Papal Bull issued by Pope Alexander VI on 10th February 1495. Marischal College was founded as an independent university in 1593 and the two became the University of Aberdeen in the Fusion of 1860. Work began on the College in 1500 and it took 6 years to complete the Chapel. This photograph shows the interior looking west, showing Bishop Stewart's pulpit on the right, through the nave and choir to the choir stalls and rood screen, with the antechapel behind it. Non-residents entered through the west door and occupied the antechapel, while students entered from the College Library via a special staircase within the rood screen. The central gallery of the screen is still used to house the organ. The 52 choir stalls, commissioned by Elphinstone, are "a unique survival as well as the finest of their king in Scotland". The finely panelled Renaissance pulpit of William Stewart (Bishop 1532-1545) bears his coat of arms and was originally in use in St. Machar's Cathedral. The timber ceiling was constructed soon after 1506 and was probably designed by John Fendour. It consists of a diagonal arrangement of ribs and widely spreading foliage sprigs radiating from centre bosses. The choir stalls and ceiling both show a strong Flemish influence. The Chapel is still in use today for University services and is a popular marriage venue for graduates.

148

Photograph of Woolmanhill taken 1907, looking towards Schoolhill. This image is thought to show the house where Joseph Robertson (1810-1866), the journalist and historian, was born. For more information on Robertson see the entry about him in the Oxford Dictionary of National Biography (available online with an active library membership) and an obituary for him can be found in the Aberdeen Journal of 19th December 1866, page 6. Roberston was mostly likely born at 73 Woolmanhill. He and his family certainly appear to have lived at this address for some time. Robertson is listed at this number in the Aberdeen Directory 1833-34 (D. Chalmers & Co.), page 116. Additionally, a death notice for Robertson's mother, Christian Leslie, features in the Aberdeen Journal of 23rd March 1859, page 5, which gives her address as 73 Woolmanhill. Exactly which of the shown buildings is Robertson's birthplace, or no. 73, is somewhat unclear. A Press & Journal article on "Historic Woolmanhill" from 6th June 1925, page 5, states "it was in the line of houses that separate Blackfriars Street from Woolmanhill that there was born in 1810 Joseph Robertson, who became the most noted antiquary of his day, the most accomplished that Aberdeen has produced." This would suggest that Robertson's birthplace is one of the buildings on the left. This image featured in the Evening Express' 'Flashback' feature from 12th January 1985, page 12. The accompany information states "Joseph Robertson, an eminent historian and one time editor of the 'Aberdeen Observer' was born at 37 Woolmanhill - the tall building in the foreground of our picture - in 1810." This slightly vague description could refer to the building on the right of the image or perhaps to the first tall building on the left side of the road. The latter would accord better with other references. Additionally, the buildings on the right were known as Black's Buildings. The above reference to "37 Woolmanhill" may initially suggest a confusion of 73 Woolmanhill, but the former is not without precedent. In Historical Aberdeen (1905), within an informative chapter on Woolmanhill, G. M. Fraser writes the following on page 149: "Then hardly less remarkable, either in historical knowledge, or general scholarship, was Dr. Joseph Robertson, whose name appears so frequently in these pages, born in the unpretending house, still standing, No. 37 Woolmanhill. It is strange that in Aberdeen there is no public memorial of this distinguished man." If 37 Woolmanhill is the correct address, 1950s Ordnance Survey mapping, which includes building numbers, suggests the relevant house may be the one in the centre of this image, of those on left, in the middle distance, just after the building marked as a tea warehouse.

175

In 1615 Dr. William Barclay wrote a treatise extolling the virtues of the Well of Spa and commending the use of its waters to invalids. Then George Jamesone, the artist, while suffering from calculus of the bladder found relief from the mineral qualities of the well. At the beginning of the 20th century, the well was removed and re-erected inside the wall of the old Royal Infirmary at Woolmanhill and water was introduced into it from another source. Later it was moved to a nearby site behind Aberdeen Central Library, beside the Denburn Car Park.

276

Aberdeen Central Library, Rosemount Viaduct decorated seen from Skene Terrace.

318

On the 16th August 1884, a great demonstration took place in Aberdeen in support of the Franchise Bill. Over 10,000 men including members of 33 different trades, assembled on the Esplanade and, to the music of 20 bands, paraded through the city street on way to the Links. This photograph shows the processions snaking down Guild Street. The figures dressed in white towards the front of the procession are likely from the contingent of bakers and millers, of whom there were 300 in number. This may be the end of their group, with a band and the shore labourers behind them. Describing the procession, the pamphlet The Franchise Bill Demonstration at Aberdeen, on Saturday, 16th August, 1884 states the following: "The millers and bakers, who came next, presented, perhaps the best show in the whole procession. Dressed in white from head to foot, they made a strikingly conspicuous display amid the variegated draping of the other demonstrators." (Page 7). The pamphlet goes on to describe the various banners and displays carried by the millers and bakers. Aberdeen City Libraries have a copy of The Franchise Bill Demonstration at Aberdeen, on Saturday, 16th August, 1884 in our Local Studies Reserve Stock (Lo 329) and this can be consulted at Aberdeen Central Library. The pamphlet states that it is compiled chiefly from local newspaper reports.

333

Aberdeen Central Library was designed by George Watt but has been added to over the years. This image shows the library decorated for the city's celebrations of the coronation of Edward VII and Queen Alexandra that were held on Saturday 9th August 1902. The new monarchs had been crowned the previous year. The decorations on Schoolhill and Rosemount Viaduct were carried out under the direction of Mr Stewart, superintendent of Stewart Park. See the Aberdeen Daily Journal of Monday 11th August 1902 for an extensive report on the coronation celebrations.

465

Aberdeen Central Library on Rosemount Viaduct. c.1980.

472

Provost Skene's House, dating from 1545, also known as Cumberland's Lodging when it was occupied by the Duke of Cumberland during his pursuit of Jacobites in 1746. Belonged to Sir George Skene of Rubislaw, Provost of Aberdeen from 1676 to1685. In the nineteenth century it had become the Victoria Lodging House and was only saved from demolition in 1938 by the intervention of the Queen Mother.

652

Aberdeen Football Club's open top bus parade of the European Cup Winners' Cup in 1983. The photograph looks north west across Union Street towards its junction with Union Terrace. Aberdeen defeated Real Madrid 2-1 in the final held in Gothenburg, Sweden on 11th May 1983. The conquering heroes landed, cup in hand, at Aberdeen Airport at 14.40 the next day. The team received a rousing reception and were given a celebratory cake on arrival from an offshore catering company. It was then on to the open top bus for the journey from Dyce to Pittodrie. Grampian Fire Brigade lined-up their engines outside their Anderson Drive headquarters as a unique guard of honour for the team as they headed for the city centre. As shown here, the city streets were packed with fans of all ages, including some who had travelled back from Gothenburg. Lord Provost Alex Collie, the Queen Mother and Margaret Thatcher all provided messages of congratulations. Celebrations ended at a teeming Pittodrie. Aberdeen FC had another triumphant tour through the city centre only 10 days later after they beat Rangers 1-0 in the Scottish Cup Final at Hampden Park. The match was on the Saturday 21st May and the parade in Aberdeen was the next day.

688

Library Fountain which stood adjacent to the original Central Library building. It was removed to make way for the extension which housed the Commercial Library, later known as the Business and Technical Department and subsequently as the Media Centre.

694

Union Terrace looking towards the Central Library.

721

This G.W. Wilson photograph shows the row of terraced houses built in the West End of Aberdeen in the late 1870's. They were designed by J. Russell Mackenzie. The granite houses had three bays with wrought iron balconies at first floor level. The central and end houses were designed by Ellis and Wilson around 1884 - they have bay windows with a pediment above. The 1892 Census shows that the occupants included an advocate, and a wine merchant with houses having 14, 18 or 22 rooms. Today most of the buildings have been converted into offices. At the right can be seen the spire of Rubislaw Church, designed in 1874, also by Mackenzie. Rather strangely, it is made of sandstone, especially in an area dominated by granite, and is distinguished by its gothic tower with leaded spire which was added a few years later.

757

Provost Skene's House, Guestrow. It probably dates from 1545. It was called Cumberland's House, from the six-week residence there of the Duke of Cumberland in 1746. By the 19th century, it had become the Victoria Lodging House and was due for demolition but was saved by the intervention of Queen Elizabeth the Queen Mother, in 1938. It has since been restored and is now a museum.

762

Provost Skene's House, Guestrow. It probably dates from 1545. It was called Cumberland's House, from the six-week residence there of the Duke of Cumberland in 1746. By the 19th century, it had become the Victoria Lodging House and was due for demolition but was saved by the intervention of Queen Elizabeth the Queen Mother, in 1938. It has since been restored and is now a museum.

763

Provost Skene's House, Guestrow. It probably dates from 1545. It was called Cumberland's House, from the six-week residence there of the Duke of Cumberland in 1746. By the 19th century, it had become the Victoria Lodging House and was due for demolition but was saved by the intervention of Queen Elizabeth the Queen Mother, in 1938. It has since been restored and is now a museum.

802

Rosemount Viaduct with (from left to right) Aberdeen Central Library, St. Mark's Church and the statue of William Wallace.

803

Rosemount Viaduct from Union Terrace Gardens. St. Mark's Church and the Central Library are on the left with the statue of William Wallace pointing towards the site of His Majesty's Theatre.

1098

This photograph of Morison's bridge, or the Shakkin' Briggie, is reproduced from the book 123 Views of "Royal Deeside" (1903). This volume was printed and published at the office of the Aberdeen Daily Journal and Evening Express, 18-22 Broad Street, Aberdeen. The photographs that feature in the book were taken by Mr. William J. Johnston of Rockcliffe, Banchory. William Jaffrey Johnston (1864-1914) was a professional photographer, considered an expert in outdoor photography, and was well known around Deeside. He was also a church organist, latterly with Banchory's South U.F. Church for 16 years. Johnston died aged 48 on 13th January 1914. A death notice, brief obituary and tribute from the Rev. W. Cowan can be found in the local newspapers of the time. An article about the release of the album of views can be found in the Aberdeen Daily Journal of 1st June 1903 on page 5. Copies of the book can be consulted in the Local Studies collection at Aberdeen Central Library. The description that accompanies this image of the bridge reads as follows: "Cults Bridge was erected in 1837, so that parishioners on the north side of the river might have better means of access to the Church of Banchory-Devenick than the then 'parish boat' afforded. The donor was Rev. Dr. Morison, the minister of the parish. But the growth of Cults has been such that the parish has been re-arranged, and the village has now its own churches." (page 7).

1099

Built in the 16th century, Provost Skene's House is now one of Aberdeen's few remaining examples of early burgh architecture. The house, also sometimes known as Cumberland House has a long and chequered history. Our illustration was taken prior to the restoration of the building in the early 1950's. It was opened to the public by the Queen Mother in 1953. To the left of the illustration can be noted a Bedford bus, indicating that this area was formerly a bus stop for tourist coaches. To the right can be seen the buildings in the Upperkirkgate.