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Print of Old Aberdeen drawn by John Slezer. General view with the Crown Tower of King's College and the spires of St. Machar's Cathedral in the distance. The small building in the right foreground was the Snow Church - St. Mary ad Nives - which was demolished in the 1600's, although part of the burial ground survives.

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A reproduced engraving showing the skyline of Old Aberdeen. The image looks north from around the lands of Sunnyside Farm. In the foreground can be seen two agricultural labourers. On the skyline, going left to right, is the circular Powis Hermitage, on a hill, with its small spire, the twin spires of St. Machar Cathedral in the far distance, the tower of the Old Town House at the end of the High Street, which is protruding above the southern elevation of St. Mary's United Free Church. Moving back along the High Street, the south facing front elevation, with bow windows, of Powis Lodge can be seen above the line of trees. The crown tower of King's College is across the street. The two minarets of the Powis Gateway are just next to it. Further along are the crenelations of Cromwell's Tower. The tower on the far left of the image may be Dunbar's Tower. The minaret gateway was finished in 1834 and this image likely dates from around that period.

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A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863. The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library. Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street." The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite. The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply." During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866. After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years. A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral.

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This image from the Spital looks downhill (northwards) and shows College Bounds. The Powis Gate Towers, near the junction with University Road, can be seen in the distance. Many thanks to correspondent A. G. Duthie for flagging up the image's previous inaccurate description.

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The University of Aberdeen's King's College Chapel in Old Aberdeen during winter. King's College, named for King James IV, was founded in 1495. The Chapel is considered, along with the Ivy Tower, to be one of the oldest surviving parts of the university. It dates from about 1498 - 1509.

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Schoolhill, Aberdeen. The building on the left is Aberdeen Art Gallery. The archway leads to Robert Gordon's College and the building at the far right was Gray's School of Art, which took its name from John Gray, an engineer who paid for the building. It was built in 1884 on the site of the Old Grammar School, hence the name Schoolhill.

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Aberdeen Grammar School, Skene Street, c.1860. This view shows the school which was built by Aberdeen Town Council in Skene Street and opened in October 1863 to replace the old school in Schoolhill. In later years, a statue of Lord Byron was placed in front of the school to commemorate the fact that he attended the old Grammar School in the 1790s. The walls in the foreground indicate where the Denburn used to flow before it was covered over. In July 1986, much of the central area of the school, including the library, was severely damaged by fire and some valuable material was lost. Rebuilding was completed by 1992.

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This photograph taken in 1880 from St. Nicholas Churchyard looks north showing a row of houses which stood between it and Schoolhill. These houses were demolished around 1884 as part of an improvement scheme to widen Schoolhill - named after the old Grammar School which stood nearby. A dwarf wall with ornamental railings was erected in place of these buildings and a porter's lodge was removed from Robert Gordon's College to form a lodge for the sexton at the entrance to the churchyard. The book Aberdeen in Byegone Days: Views of Streets and Buildings, etc. with Letterpress Description (1910) by Robert Anderson (page 26) suggests that the building in the centre of this image was the home of Burnett Carr, the grave-digger and assistant to the sexton of St. Nicholas Church. Newspaper references indicate that Carr, a well known figure, died on 31st May 1844 (Aberdeen Journal, 5th June 1844, page 3, column 2). This photograph looks north and shows the back of Carr's old house.

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The old gateway on Broad Street to Marischal College with the coat of arms of George Keith, Fifth Earl Marischal above it. This was demolished in 1890 to allow for the extension and frontage of Marischal College, which opened in 1906.

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King's College, Old Aberdeen, showing the Crown Tower of King's College Chapel.

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King's College, Old Aberdeen, showing the Crown Tower of King's College Chapel.

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Interior of King's College Chapel, University of Aberdeen, Old Aberdeen, c.1900. King's College was founded by Bishop William Elphinstone under a Papal Bull issued by Pope Alexander VI on 10th February 1495. Marischal College was founded as an independent university in 1593 and the two became the University of Aberdeen in the Fusion of 1860. Work began on the College in 1500 and it took 6 years to complete the Chapel. This photograph shows the interior looking west, showing Bishop Stewart's pulpit on the right, through the nave and choir to the choir stalls and rood screen, with the antechapel behind it. Non-residents entered through the west door and occupied the antechapel, while students entered from the College Library via a special staircase within the rood screen. The central gallery of the screen is still used to house the organ. The 52 choir stalls, commissioned by Elphinstone, are "a unique survival as well as the finest of their king in Scotland". The finely panelled Renaissance pulpit of William Stewart (Bishop 1532-1545) bears his coat of arms and was originally in use in St. Machar's Cathedral. The timber ceiling was constructed soon after 1506 and was probably designed by John Fendour. It consists of a diagonal arrangement of ribs and widely spreading foliage sprigs radiating from centre bosses. The choir stalls and ceiling both show a strong Flemish influence. The Chapel is still in use today for University services and is a popular marriage venue for graduates.

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Marischal College, University of Aberdeen. The caption reads "Marischal College (previous to alteration) from the roof of 75 King Street". It is signed "J. Small, 93" (1893)

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Local historian A.G. Duthie has been in touch to identify this image as the most easterly point of the Old Deeside Road. The photograph is taken from the position of the modern day junction of Great Southern Road and Holburn Street. The house in the background is still visible today. In his book The Old Deeside Road, G.M. Fraser writes, "The commencement of the old road at Hardgate is still, fortunately, to be seen, near Fonthill Road, at the group of ruinous houses connected with what was long known as Palmer's Brewery. The 'lie' of the old houses at the back of the brewery shows the run of the old road, two of the small, dilapidated buildings being clearly the eastmost houses of the old road just where it touched the Hardgate." (p. 19) This scene was photographed for Aberdeen Public Library on 6th July 1917 by Mr. James Ritchie.

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Powis Gateway, Old Aberdeen. These curious towers stand at the gate leading to Powis Lodge, almost opposite King's College, Old Aberdeen. They were constructed by John Leslie of Powis, who succeeded his father, Hugh Leslie of Powis, the builder of Powis House (1802). John Leslie succeeded his father in 1812, and the singular gateway, with the "minarets", dates from about 1830. The towers were finished in 1834. The crescent on the top of one of the towers is the crest of the Frasers, the predecessors of the Leslies in the property of Powis.

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King's College, High Street, Old Aberdeen, showing the Crown Tower of King's College Chapel

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Powis Gateway, Old Aberdeen. These curious towers stand at the gate leading to Powis Lodge, almost opposite King's College, Old Aberdeen. They were constructed by John Leslie of Powis, who succeeded his father, Hugh Leslie of Powis, the builder of Powis House (1802). John Leslie succeeded his father in 1812, and the towers were finished in 1834. The crescent on the top of one of the towers is the crest of the Frasers, the predecessors of the Leslies in the property of Powis. As indicated in the bottom right, this etching of the gateway is by Aberdeen artist Henry Jackson Simpson (1893-1963), known professionally as Jackson Simpson. He was a prolific and successful local artist who specialised in etchings and watercolours of architecture, land and seascapes and wildlife. Simpson died at his home at 58 Craigton Road, aged 70, on 28th March 1963. His obituary, which gives an account of his life, featured in the next day's Press & Journal. He was a native of Aberdeen, the son of William Jackson, an art dealer in Diamond Street. He trained as a lithographer and joined his father in business. He served in WWI with the Northumberland Fusiliers and was awarded the Military Cross for bravery. In 1935 he took over the family business following the death of his father. He was well travelled around Aberdeenshire and Kincardineshire and this is reflected in his art. University related subjects such as Marischal College, King's College and, here, the Powis Gateway, were among his most well known works. A keen sportsperson, and prominent freemason, he also set-up the Craigton Club and was highly involved with the Northern Arts Club. An article titled 'The charming story of Jackson Simpson: Scotland's celebrated etcher' featured on the Press & Journal website, in partnership with the McEwan Gallery near Ballater, on 8th June 2022. The feature was produced to highlight an exhibition of Simpson's work at the aforementioned gallery.

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King's College, University of Aberdeen, Old Aberdeen, showing the Crown Tower of King's College Chapel. Signed W.F.W.

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In 1615 Dr. William Barclay wrote a treatise extolling the virtues of the Well of Spa and commending the use of its waters to invalids. Then George Jamesone, the artist, while suffering from calculus of the bladder found relief from the mineral qualities of the well. At the beginning of the 20th century, the well was removed and re-erected inside the wall of the old Royal Infirmary at Woolmanhill and water was introduced into it from another source. Later it was moved to a nearby site behind Aberdeen Central Library, beside the Denburn Car Park.

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The Old College Gateway on Broad Street, leading to Marischal College. It was demolished in 1904 to make way for the new frontage to Marischal College. It was surmounted by the coat of arms of George Keith, 5th Earl Marischal, founder of the College.

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King's College, University of Aberdeen, Old Aberdeen, showing the Crown Tower of King's College Chapel

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The tomb of Bishop Gavin Dunbar at St. Machar's Cathedral, Aberdeen. Gavin Dunbar was appointed Bishop of Aberdeen on 5th November 1518 and died on 9th March 1532. He became a great benefactor not only of King's College, but of the town. It was he who took over the plans left after the death of Bishop Elphinstone and created the Bridge of Dee which opened road access to the City, from the south. Dunbar also built the twin towers at St. Machar's Cathedral and gave its magnificent ceiling at his own expense. It comprises 48 heraldic shields including the arms of Scottish monarchs, nobles, Kings of Europe, and Scottish Bishops. When he died in 1532, he was buried in the south transept of the cathedral. This was virtually destroyed after the collapse of the great central tower in 1688, and a recumbent statue of white marble of Dunbar was broken into pieces during the Reformation. The splendor of the six foot richly carved arch of Morayshire freestone is still obvious despite its exposure to the weather. A bishop's mitre surmounts the Dunbar coat of arms and his initials, at the right hand side.

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The tomb of Bishop William Elphinstone in King's College Chapel, Old Aberdeen. The bronze and marble monument was designed by Henry Wilson and it is seen here within the Chapel in the 1920's. Due to issues with its size, the monument was eventually relocated to a site outside the Chapel in 1946.

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King's College, University of Aberdeen