21

Guild Street, Aberdeen looking down towards the harbour, showing the Tivoli Theatre and Criterion Bar. The bar closed in 2012, but planning permission was granted to convert it to retail premises. The Tivoli reopened in 2013 after major refurbishment, having been closed for a number of years.

25

Drawing of Broad Street, at junction with Queen Street, looking towards Union Street. Spire of the Town House at the left of the image.

32

Holburn Junction, looking towards Albyn Place (right) and Holburn Street (left), with Holburn Central Church in its original form (left), Babbie Law's sweet shop (centre) and the UF Christ's College (right). Babbie Law's corner was redeveloped in the late 19th century.

58

The Denburn looking southward towards and beyond Union Bridge, with the old Bow Brig in the distance and the houses adjacent. The Bow Brig featured largely in the social life of the inhabitants of the area. Note the bleaching green on the right of the print. Illustration taken from a plate drawn by Sir John Carr, 1807

73

A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863. The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library. Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street." The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite. The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply." During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866. After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years. A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral.

79

Schoolhill looking west, showing the turrets of the house occupied by the artist George Jamesone in the 17th century. The building was demolished in 1886 and the site is commemorated by a plaque on the buildings which replaced it.

84

Union Street looking towards Holburn Junction. This section of the street was originally known as Union Place. The spire is that of Gilcomston South Church. Note the railings round the basements of the houses.

89

Union Terrace Gardens looking towards the Union Bridge. The spires of Belmont Congregational Church are on the left. The gardens were laid out in 1891-3. The chimney belonged to Hadden's textile factory in the Green.

97

An image of Shepherd's Court looking towards the Guestrow. The turreted house at 21 Guestrow was occupied by Sheriff-Depute Andrew Thomson and his wife Agnes Divie in 1673.

103

Wallace Tower in the Netherkirkgate looking towards St. Nicholas Church. The tower never had any connection with William Wallace. It is believed to have been the town residence of Sir Robert Keith of Benholm. The name "Wallace" may have been a corruption of "well-house". The Wallace Tower was re-sited at Tillydrone in the 1960s. Correspondent Ed Fowler suggests that the ornamental building shown on the left at the end of the Netherhirkgate, next to the horse and cart, is the Dyers' Hall. The name refers to the Dyers' or Litsters Society who were once an important and wealthy industrial group in Aberdeen. Newspaper notices suggest the building was used as a public house, where societies regularly met, and that it, and other buildings, were demolished in around 1807 to make way for a new street between Union Street and Tannery Street.

112

Wallace Tower in the Netherkirkgate looking towards St. Nicholas Church. The tower never had any connection with William Wallace. It is believed to have been the town residence of Sir Robert Keith of Benholm. The name "Wallace" may have been a corruption of "well-house". The Wallace Tower was re-sited at Tillydrone in the 1960s.

123

This photograph by George Washington Wilson, looking towards Union Bridge, shows the old red-tiled roofed houses in the Windmill Brae area in the 1850s. Most of these were swept away with the construction of the railway and the building of Bridge Street around 1865-1867. The house at the left, on the corner of Union Terrace, was owned by Harry Lumsden of Belhelvie and later by the Northern Club. Its site became part of that occupied by the Northern Assurance Company offices. The spire of the Triple Kirks and the tower of the South Parish Church are visible in the background.

154

Union Terrace looking towards Rosemount Viaduct. On the left is St. Mark's Church and on the right His Majesty's Theatre. In front of the theatre is the statue of William Wallace with Prince Albert at the left.

176

Looking towards Rosemount from Skene Street. Wallfield House can be seen towards the top left of the picture.

183

Castle Street and the Municipal Buildings looking west towards Union Street. The Mercat Cross is seen in the foreground with the spire of the Tolbooth behind it and the Athenaeum on the left.

217

Rosemount Viaduct looking towards the Triple Kirks and the statue of William Wallace. The row of buses are probably waiting for a performance at His Majesty's Theatre to finish.

229

Union Terrace Gardens in the winter, looking across from Union Terrace towards the Belmont Congregational Church.

245

A mid-20th century photograph looking north west towards Victoria Dock in Aberdeen Harbour. It was likely taken from the lock off Waterloo Quay at the foot of York Place. Sheer legs, for the lifting of heavy objects, are visible on the quayside.

268

Union Terrace Gardens looking towards the War Memorial at the Cowdray Hall.

271

The Castlegate, Aberdeen looking west towards Union Street, showing the spires of the Town House and Tolbooth. The building on the right at the corner of Union Street and King Street, was designed by the architect Archibald Simpson as the North of Scotland Bank, later Clydesdale Bank. After its closure as a bank, the building was refurbished and opened in 1997 as a pub named 'The Archibald Simpson'. In the foreground is the statue of the 5th Duke of Gordon which is now in Golden Square. Adjacent to the statue is the shelter used by cab drivers.

285

Union Bridge looking towards the Palace Hotel, built in 1874 for Messrs Pratt and Keith, milliners, who occupied the street level area. It operated as one of a chain of LNER hotels. Its upper stories were destroyed by fire on 31st October 1941, with loss of life and the building was entirely demolished after the war. The site was later occupied by the C and A store.

322

The Gaelic Chapel was founded in the 18th century in response to the increasing numbers of Highlanders who came to the city in search of work. At first, they held services in the East Church of St. Nicholas but, in the 1790s, they obtained ground in the area between Belmont Street and Back Wynd, now known as Gaelic Lane. The opening services in the new church were conducted on 30th August 1795. In 1843, at the Disruption, the whole congregation followed their minister, Rev. Hugh Mackenzie, into the Free Church. By 1882, the church had become old and dilapidated and needed so much renovation that the congregation decided to move. The property was disposed of and was used as a printing office by G. & W. Fraser for a number of years. The congregation moved to a church on Dee Street which had become vacant on the disbanding of the United Free Methodists and it was named St. Columba United Free Church. In 1907, they amalgamated with the High United Free Church and moved to their church at the junction of Belmont Street and Schoolhill. Comparing the scene shown here and large scale historic maps suggests that this is likely a view of the rear of the Gaelic Chapel buildings, looking north, potentially taken from the back of a building on Union Street.

323

A photograph in Aberdeen Harbour looking east from the Inches (near the later site of Commercial Road). The image looks across the old course of the River Dee including its spillwater channel towards Old Torry and Balnagask in the distance. The civil engineering works shown in this photograph are thought to be part of the river diversion, creation of Albert Basin and the associated reclamation of land. The diversion of the River Dee took place roughly between 1868 and 1873.

367

Denburn Valley looking down towards the Union Bridge.