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Allenvale Cemetery from Kincorth
60 An early photograph of Allenvale Cemetery, taking shape in the middle distance, as seen from Kincorth, with Abbotswell Farm in the foreground.
A limited company called the Aberdeen Cemetery Company was established for the purpose of creating this new graveyard. A prospectus inviting public investment was published in the Aberdeen Journal of 29th January 1873. It reads as follows:
"It is well known that in Aberdeen cemetery accommodation is limited and insufficient, and it is generally admitted that its extension is necessary, and cannot much longer be delayed. It is therefore desirable to acquire additional space for that purpose, and to treat it in accordance with modern ideas and practice.
"This company has been formed for the purpose of providing an extensive Cemetery, in the neighbourhood of Aberdeen, suitable in all respects for the purposes of internment, and of easy access - but sufficiently removed from town to preserve its suburban character."
The new cemetery opened in late 1874 and, as we know, was a big hit. It was officially known as the Aberdeen Cemetery but quickly became known as Allenvale Cemetery, after the property on which it was built.
Allenvale saw major extensions in 1912 and 1932. A London syndicate purchased control of the graveyard from the Aberdeen Cemetery Company in 1958. Aberdeen Town Council subsequently took control of the cemetery in 1965 following the then owners going into liquidation and worries about Allenvale's future. Allenvale remains a fine example of a planned Victorian cemetery to this day.
Notable residents of Allenvale include John James Rickard MacLeod (1876-1935), co-discoverer of insulin, James Scott Skinner (1843-1927), fiddler and composer, and Mary Esslemont (1891-1984), the influential doctor. Though, of course, many interned at Allenvale would have their own interesting stories to tell.
In this photograph, Duthie Park, later created on the right, has yet to be landscaped. St. Machar Poorhouse, Fonthill House and Devanha House can all be seen in the distance. Broad Street
665 Broad Street. These buildings were demolished in the early 1900's to make way for the extension to Marischal College and the construction of its frontage. The gateway at the left led through to the College and to Greyfriars Church. The building with the clock was at one time the storage point for Aberdeen's water supply. The clock was removed to the City Hospital. The tenement on the far right was once home to the future Lord Byron and his mother while he attended the old Grammar School in Schoolhill. Future site of Central School (Aberdeen Academy)
697 The block of buildings in the centre of this photo are seen prior to their demolition about 1901. The site had been acquired by Aberdeen School Board for a new central higher grade school. It was to have a frontage along Schoolhill and Belmont Street of 145 feet. The Central School, renamed Aberdeen Academy, was closed in 1970, and has been converted into the Academy Shopping Centre (1999). The small building tucked in next to the tall gable end was not demolished. It was built in 1769 for James Dun, rector of Aberdeen Grammar School which was then situated opposite these buildings. The house was acquired by the School Board to house the caretaker and was later used as classrooms. In 1975, it was restored for use, initially as a children's museum and named James Dun's House. It was subsequently used as offices for Aberdeen City Council and later as a spa and shop. Kelman Memorial Church, Culter
996 Kelman Memorial Church, Culter - in 1843 at the Disruption, the Rev. Robert Thomson set up a Free Church congregation in Culter. They worshipped at a building at Contlaw, 3 miles from the village. In 1893, the congregation, under the Rev. John Kelman, agreed that a more central site was required. The foundation stone was laid on 28 April 1894 and the church, designed by John Rust, was opened on 16 February 1895. This snowy scene shows the Norman style of architecture of the church, which was constructed of granite from Rubislaw Quarry, Aberdeen. After the reunion of the Free Church with the Church of Scotland in October 1929, the decision was taken to rename this church the Kelman Memorial Church in remembrance of Rev. Dr. Kelman, who had died only a few months earlier. This left 2 Church of Scotland churches in Culter but, in March 1999, St. Peter's and Kelman Memorial were amalgamated to form Peterculter Parish Church, with this building chosen to continue for the future. St. Peter's may become a heritage museum. Westburn Park and House in 1910
2122 Westburn House was designed in 1839 by the architect, Archibald Simpson, for David Chalmers of the printing family who published the Aberdeen Journal newspaper.
It is a single storey building, with a 2-storey centre gable at the north and a portico of Doric pillars on the west side. It is constructed of brick with a stucco finish.
The 25-acre estate was bought by Aberdeen Town Council in 1900. The lands, which had in early times been used for sheep grazing, were now converted into a public park. The vegetable garden became a recreation ground; the stables and carriage sheds now stored tools; the walled flower garden and orchard were laid out as a bowling green. A pond was created from the burn which runs through the grounds.
The house was first used as refreshment rooms and the veranda, with its wrought iron columns, was added to allow people to enjoy their teas and coffees in the open air. Since then, it has had many uses including a clinic and meeting place for playgroups. Its future is currently under discussion by the City Council.
Westburn Park opened to the public in around May 1901. See Aberdeen Journal 11th May 1901, page 4, and articles thereabouts, for details. There does not appear to have been an official opening ceremony. Westburn Park
2126 A group of children stand outside Westburn House. To the right of the image is the park's drinking fountain.
Westburn House was designed in 1839 by the architect, Archibald Simpson, for David Chalmers of the printing family who published the "Aberdeen Journal" newspaper.
It is a single storey building, with a 2-storey centre gable at the north and a portico of Doric pillars on the west side. It is constructed of brick with a stucco finish.
The 25-acre estate was bought by Aberdeen Town Council in 1900. The lands, which had in early times been used for sheep grazing, were now converted into a public park. The vegetable garden became a recreation ground; the stables and carriage sheds now stored tools; the walled flower garden and orchard were laid out as a bowling green. A pond was created from the burn which runs through the grounds.
The house was first used as refreshment rooms and the veranda, with its wrought iron columns, was added to allow people to enjoy their teas and coffees in the open air. Since then, it has had many uses including a clinic and meeting place for playgroups. Its future is currently under discussion by the City Council. Aberdeen Theatres: The New Pavilion
3380 A poster from 1931 for The New Pavilion at Aberdeen beach. The poster lists many of the acts performing as part of Harry Gordon's Entertainments and gives a start date of 29th June. The box office for the theatre is given as Paterson, Sons, & Marr Wood, 183 Union Street.
In 1908 a young Harry Gordon won a talent competition at the Pavilion and so began his association with the theatre. He entertained visitors at the Beach Pavilion throughout the 1920s and 30s with his stories about the imaginary village of Inversnecky and songs such as "The Auldest Aiberdonian", "Hilly's Man" and "The Rodin Tree".
The Pavilion was closed during the Second World War, though reopened in 1946. Harry Gordon had given up his tenancy by this point. In the 1950s it was advertised as "the city's variety house by the golden sands presenting a bright and breezy variety show with well-known Radio and TV stars".
Resident comedians included Dave Willis and George Lacey and there were occasional appearances by future stars such as Julie Andrews. Plays were performed and films shown throughout the summer months.
In 1962 the Pavilion was re-named the Gaiety and became a licensed restaurant, public bar and lounge. It functioned as a restaurant in the Queens Links leisure complex until the remnants of the original building were destroyed by fire in 2014. Aberdeen Theatres: Aberdeen Arts Centre
3386 In 1960 the education committee of Aberdeen Town Council proposed the conversion of the empty North and Trinity Parish Church into an adult education and civic arts centre. The plan was given final approval in February 1961, much to the delight of Aberdeen's art enthusiasts.
The Evening Express detailed the need for such a venue at the time by describing the difficulties faced by the William Gavin Players, a local drama group, in staging a play earlier that week in the ballroom of the Music Hall. They had to overcome the roar of a nearby wrestling audience, the incessant ringing of an unanswered telephone, a cramped stage and poor acoustics.
A temporary restriction on capital expenditure and a particularly severe winter caused delays for the conversion. Work began in late 1961 and was concluded by the autumn of 1963. The work cost around £33,000 and saw the reconstruction of the interior and a thorough re-vamp for the building's exterior. At one point the new centre was going to be called Longacre, but this idea was scrapped in favour of Aberdeen Arts Centre.
The completed venue was opened on 18th October 1963 by Sir Herbert Read (1893-1968), an art critic, poet and anarchist philosopher. In his speech Read criticised the main political parties of the day for neglecting the development of the arts and the human imagination in favour of a blind drive for scientific and technological efficiency.
In addition to the 385-seat auditorium, the venue had an exhibition space, a lounge, and a tea bar. The Arts Centre has remained the focal point for local arts groups and arts education to this day. It has also served as a meeting place and provided a useful stage for theatrical productions of all types.
In 1998, facing the need to cut £17.5 million from their budget, Aberdeen City Council withdrew their funding from the Arts Centre. This left the future of the venue in danger. A popular campaign to avoid its closure was led by Annie Inglis MBE (1922-2010), Aberdeen's first lady of theatre.
This led to the Aberdeen Arts Centre Association taking over the venue on a voluntary basis and the eventual formation of the Castlegate Arts Limited, a company with charitable status who continue to run the venue today.
Over the years the Arts Centre has played host to many noted local theatre groups like the Attic Theatre Co., The Revue Group, the aforementioned William Gavin Players, Phoenix Theatre, the Gilbert & Sullivan Society, Aberdeen Opera Company, Confederate Theatre, Dragongate Theatre, and no doubt many more. It remains a much-loved venue for performers and audiences of all ages. Aberdeen Cinemas: Electric / Capitol
3402 A photograph showing the Capitol façade in January 2021.
By the 1960s and 70s the Capitol was increasingly being used as a venue for live events. Michael Thomson credits its survival over the Majestic, closed down in September 1973, as due to the Capitol's superior stage facilities. The Donald family, the venue owners, had the stage enlarged in 1975.
Appearances by popular groups like the Bay City Rollers in 1974 suggested the future for the venue at the time. The Capitol also saw performances by the Rolling Stones, Roy Orbison, Queen, Boyzone and Chuck Berry among many others. The Capitol ceased showing films in 1995.
The Capitol contained a restaurant, and subsequently bar, in the cinema's former café area around this period. 1993 saw the opening of the Art Deco and cinema themed bar Oscars in this space.
The Capitol functioned as a wonderful venue giving North-East audiences the chance to see top performers for many years. It became increasingly uneconomic to run and the curtain finally came down on the venue on Monday 15th December 1997.
The building was later converted into a nightclub and restaurant called Jumping Jaks and the Chicago Rock Café that opened in around 2003. These closed down in 2008 and the Capitol laid empty for some time.
In 2013 Knight Property Group began plans to redevelop the site as a modern office complex. The £30m project retained and restored the cinema's original façade and employed an Art Deco style in its foyer entrance to reference the history of the building. The venue's auditorium that had been much altered and had fallen into disrepair was demolished. The launch of the new office complex was held on 10th June 2016. His Majesty's Theatre: Glass panel drawings
3480 Drawings of the coloured glass panels at HMT. These drawings were made of the 360 panes by the then technical director Edi Swan in case there was any damage or breakage in the future. [Image from the Aberdeen Performing Arts Archive.]
Aberdeen Market 16 - Beauty Salon
4392 The subject of this Roddy Millar photograph is unit 10 in the Aberdeen Market building as occupied by the Beauty Salon.
This busy establishment was located in the eastern end of the building next to the main Market Street entrance (to the left of this image).
As indicated by the price list on the window, Beauty Salon offered an extensive array of nail treatments, alongside other cosmetic treatments such as eyebrow tinting and shaping. A large number of nail polishes and products can be seen within the premises.
A line of seats is available outside for those waiting for appointments.
At the edge of the photograph a small plaque with opening times for the Market building can be seen attached to the wall. This would have been for visitors as they entered from Market Street.
Photograph taken on 27/02/2019. Treasure 9: Sketch of Proposed Denburn Gardens
179 The future of Union Terrace Gardens has been the subject of much debate over the years and its original development also led to much discussion in Town Council meetings and in the local newspapers.
In 1868, the architect James Matthews suggested that the area of Union Terrace should be turned into a pleasure ground for the people and the following year this "Sketch of the Proposed Denburn Gardens", drawn by the land surveyor James Forbes Beattie, was published. It includes the area between Belmont Street to Union Terrace and from Union Street to the Royal Infirmary, Woolmanhill.
The gardens are shown laid out with paths and shrubbery but Beattie has also depicted the buildings in the surrounding streets, including the recently completed Belmont Street Congregational Church. Further to the north can be seen the spire and complex of the three churches built for the West, South and East Free Church congregations in 1843-44. The buildings which remain are currently known as the Triple Kirks.
A pedestrian bridge crosses the railway towards Union Terrace and the row of houses known as Denburn Terrace. These were demolished under the City Improvements Scheme of 1883 which eventually led to the construction of Rosemount Viaduct and would have stood on the site of the ornamental plot opposite the Central Library.
This plan acts as a snapshot of the area and provides an interesting comparison with the modern layout of the streets surrounding the Gardens.
After much discussion and negotiation with neighbouring proprietors, the Town Council sanctioned work on laying out the Gardens on the land between the wooded bank at Union Terrace and the railway. Work began in November 1877 and, when the gates were finally opened to the public on 11 August 1879, the band of Gordon's Hospital (forerunner of Robert Gordon's College) played a "selection of pleasing airs" prior the opening ceremony. The official name was now Union Terrace Gardens but it was more popularly known to generations of visitors as the "Trainie Park". The Pavilion
255 A poster from 1931 for The New Pavilion at Aberdeen beach. The poster lists many of the acts performing as part of Harry Gordon's Entertainments and gives a start date of 29th June. The box office for the theatre is given as Paterson, Sons, & Marr Wood, 183 Union Street.
In 1908 a young Harry Gordon won a talent competition at the Pavilion and so began his association with the theatre. He entertained visitors at the Beach Pavilion throughout the 1920s and 30s with his stories about the imaginary village of Inversnecky and songs such as "The Auldest Aiberdonian", "Hilly's Man" and "The Rodin Tree".
The Pavilion was closed during the Second World War, though reopened in 1946. Harry Gordon had given up his tenancy by this point. In the 1950s it was advertised as "the city's variety house by the golden sands presenting a bright and breezy variety show with well-known Radio and TV stars".
Resident comedians included Dave Willis and George Lacey and there were occasional appearances by future stars such as Julie Andrews. Plays were performed and films shown throughout the summer months.
In 1962 the Pavilion was re-named the Gaiety and became a licensed restaurant, public bar and lounge. It functioned as a restaurant in the Queens Links leisure complex until the remnants of the original building were destroyed by fire in 2014. Treasure 70: Official Report of the Fourth Olympiad, London, 1908
270 To celebrate the 31st modern Olympic Games taking place in Rio 2016, we have chosen a treasure which sheds some light on how the games have evolved over time by looking at the official report of the 4th Olympiad, held in London in 1908.
Originally scheduled to take place in Rome, the Italian organisers declared themselves unable to host the competition, citing amongst other reasons, an eruption of Mount Vesuvius. As the runner-up in the award of the 1908 Games selection, it was proposed that they be held in London instead.
The London Olympics of 1908 was the first to feature a purpose-built stadium and set the standard for all future Games. Another Olympic first was the fact that the sports arena included a swimming tank, whereas previous swimming competitions had taken place in open water. It also fixed the official distance of the modern marathon at 26 miles and 385 yards - the additional yards being added to ensure the finish line was in front of the Royal Box.
The Summer Olympics of 1908 featured 2,008 athletes from 22 countries. By comparison, Rio de Janeiro will host over 10,000 male and female athletes from 207 nations, and feature 306 events in 28 Olympic sports.
The 1908 Games were hailed as a great success - particularly considering the short preparation time, and they founded several key features of modern Olympic Games.
View our touchscreens to find out more about the controversies of the 1908 Olympics, and some of the record-breaking medal winners. Treasure 83: Aberdeen Roll of Honour
295 Following the end of hostilities in the conflict which became known as 'The Great War', numerous efforts were made up and down the country to pay heartfelt thanks and ensure future generations would never forget the terrible losses suffered.
A National Roll of Honour was created by the War Office in 1922. This was an enormous work, and took information from official casualty lists. The work was produced to meet the demand for information to be used on many public memorials.
Aberdeen's public memorial involved the construction of the Memorial Court in the Art Gallery. The city's Roll of Honour was to be placed upon a marble pedestal within.
The Roll drew together many separate lists provided by Churches, the University of Aberdeen, schools, guilds and businesses. The final copy of the Roll contained five thousand and forty names.
During the dedication of the War Memorial in September 1925, the ceremonial copy of the Roll of Honour was placed under glass by Mr Peter Tocher, an ex-serviceman who lost five sons during the conflict.
Duplicate copies were made to ensure that the public could view them. Our Treasure for November 2016 is the copy of the Roll of Honour presented to Aberdeen Central Library by Mr James Davidson, the Town Clerk.
View our interactive exhibition on the touchscreen to find out more about how Aberdeen's Roll of Honour was compiled and what makes it unique to those from others cities. Burgh Hall from Annals of Woodside and Newhills by Patrick Morgan (1886)
305 In 1837 a small building presently known as the Burgh Hall was used as a parish school for the children of Woodside. The building also doubled as a venue for many social gatherings over the years.
In 1876 a new school was built on the site of the current Woodside Primary and it was then that the old school became known as the Burgh Hall. The Burgh Hall continued to be use by the community for various events, clubs, sports and so on. It was also the meeting place for the Woodside Pensioners Club.
The hall has recently fallen into disrepair and its future is uncertain. sadly it is not in such a good condition now. Inhabitants' Petition
507 This broadside, entitled 'Defence of the Links. Inhabitants' Peition' was issue by J. Urquhart, of the Lemon Tree on 23rd June 1856. It refers to a dispute between two rival railway company directors, James Adam and John Duncan.
Duncan desired to create an Aberdeen to Peterhead and Fraserburgh railway line, whilst Adam wanted a Formartine and Buchan line. The broadside dates to 1856, a year of fierce debates over the future of the railways. Permission was only granted for the construction of a line in 1858, and was awarded to Adam.
Duncan's line was particularly controversial for it desired to be built into the area known as the Links. Duncan had tried to begin construction before the inhabitants of the Links had discussed the issue. This caused uproar amongst the Links' inhabitants, particularly as Duncan was required to follow parliament's say on the matter before beginning construction himself. This broadside details the matter. Duncan is elsewhere denounced, here, for providing false information about the return value of his project for investors. This broadside defends the way in which attendees of a committee meeting were listed in a petition. This had been criticised by the Herald, as can be seen in this broadside. Links Encroachment
509 This broadside, entitled 'Links Encroachment' and a reprint of the 21st June 1856 edition of the Aberdeen Herald, refers to a dispute between two rival railway company directors, James Adam and John Duncan. Duncan desired to create an Aberdeen to Peterhead and Fraserburgh railway line, whilst Adam wanted a Formartine and Buchan line. The broadside dates to 1856, a year of fierce debates over the future of the railways. Permission was only granted for the construction of a line in 1858, and was awarded to Adam.
Duncan's line was particularly controversial for it desired to be built into the area known as the Links. Duncan had tried to begin construction before the inhabitants of the Links had discussed the issue. This caused uproar amongst the Links' inhabitants, particularly as Duncan was required to follow parliament's say on the matter before beginning construction himself. This broadside details the matter. Duncan is elsewhere denounced, here, for providing false information about the return value of his project for investors. This broadside lists attendees of a committee in support of Duncan's construction plans. It criticises Duncan's party for enlarging the real number of attendees at the meeting. |