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Clifton Road, Aberdeen
213 This view from around 1910 shows Clifton Road looking south at its crossroads with Leslie Road and Hilton Street. Clifton Road runs north from Kittybrewster to Woodside, which was a separate burgh form Aberdeen until 1891. It was originally call Tanfield Road but was renamed in 1894. These mainly granite terraced houses were being built during the 1890s. On the left of the photo are the premises of A.M. Black, grocer. This corner shop, at 104 Clifton Road, was run by Miss Agnes M. Black and Miss Margaret Black between 1902 and 1940. Their home was at 1 Leslie Road. The windows contain adverts for Rowntrees Chocolates and Fry's Pure Cocoa. Gala and Heather Day in the Duthie Park
395 This Adelphi Series postcard shows the Gala Day taking place in Duthie Park on 21st August 1915.
The Gala in Duthie Park and the accompanying Heather Day were both organised to raise funds for the Aberdeen Royal Infirmary.
The Gala Day is one of largest events ever to take place at the park. It was estimated that between 25,000 and 26,000 people attended. Tickets cost 6 pence (6d) for general admission and 2s 6d for carriages or motor cars.
Within the park there was an elaborate programme of entertainment and refreshments organised. Details of the programme were published in a 32 page booklet prior to the event. Upwards of 1,300 people took part in the programme.
Gates to the park opened at 3pm and the event officially commence at 3pm with a grand military parade. Lieut-Colonel A. H. Leith of Glenkindie, Garrison Commander, and Lord Provost James Taggart "took the salute" opposite the Hygiea statue.
The Gala and Heather Day were organised by a distinct committee; Taggart was its president and Alexander Findlay, Superintendent of Cleansing, was its chairman. Councillor H. J. Gray was the secretary and treasurer and Mr John Lints was his assistant. There were also conveners and secretaries for various sub-committees concerned with aspects like entertainment and refreshments.
There was a wide range of entertainment organised for within the park including singing, dancing, gymnastic displays, musical drill, motor cycle gymkhana and bayonet fighting. Various platforms saw performances from acts such as a company lead by D. M. Kinghorn, pierrots directed by Minnie Mearns, Dan Williams, and W. A. Craig's operatic choir. Charles Soutar lead a 500 strong choir of children from the city's public schools.
Practically all naval and military units present in the city were represented at the event and individuals from many of them took part in the sporting competitions. The day also included a 5-a-side football and tug of war competition. Preliminary matches for these took place prior to the day at Pittodrie Park.
The Gala Day was filmed and this was later shown as part of a special programme at the Picture House on Union Street from the 25th of the month.
Over £500 was taken at the gates for the event. Entertainment and refreshments within further increased the figure raised.
Heather Day itself generated another £474. This involved over 1,500 vendors going around all parts of the city selling sprigs of the plant. The sale started on the afternoon of the Friday and continued all through Saturday. Entertainment venues throughout the city were also visited.
The vendors were primarily young women and members of organisations like the boys brigade. Stores present in all areas of the city were replenished from a central depot at 173a Union Street. This in turn was supplied by the cleansing department buildings in Poynernook Road, where the preceding week had seen 200,000 sprigs prepared for sale. Peterhead, Inverurie, Ellon and Banchory organised their own Heather Days for the same fund.
The sum taken from both the Gala and the Heather Day was estimated at considerably over £1,000.
See the report in the Aberdeen Journal, Monday 23rd August 1915 page 8, for further details about the occasion. H Company, 7th Gordon Highlanders
973 When Britain declared war on Germany on 4 August 1914, the Army Reserves and Territorials were immediately mobilised. Great enthusiasm greeted the news and streams of men reported immediately to their depots. The local press reported the "patriotic response from the North" as men from various towns responded to the call. This photo shows the scene at Culter, then a village 7 miles west of Aberdeen, as H Company, 7th Gordon Highlanders (Culter) paraded, watched by crowds of excited children. Within a few days, the press were reporting the busy scenes at the railway station where the normal rail traffic was disrupted as men and war supplies were loaded on to special trains for the journey south. Earl of Fife Coach
2007 Mail coaches began in the 1780s from Edinburgh and by 1835, 27 coaches were running to various places from Aberdeen.
The Earl of Fife Coach seems to have started running around 1830, leaving Castle Street every morning at 7am and travelling via Old Meldrum, Turriff, Banff, Portsoy, Cullen and Fochabers where it joined the coaches to Inverness. It would arrive at Banff about 1pm, having changed horses on route.
Coaches were often named from the noblemen in the district in which they ran. The coach's arrival was heralded by a bugle call, and the coachman is described as wearing a blue coat with red trimmings, white hat with a black band, shining shoes and grey spats.
As railways expanded throughout the 1850's coaches were no longer required and gradually disappeared from the roads. This illustration depicts the coach circa 1840. Sir David Stewart
2029 A portrait of Lord Provost Sir David Stewart (1835 - 1919). He served as Provost of Aberdeen from 1889 to 1894. After graduating from King's College in 1855 he joined his father in the firm Messrs. S. R. Stewart & Co., the largest combmaking business in the world. Stewart was the president of the Aberdeen Chamber of Commerce for 1883-84 and was also a member of the School Board. He entered the Town Council in November 1889. One very significant development during his term as Provost was the Aberdeen Corporation Act of 1891. This extended the boundaries of the city to include Old Aberdeen, Woodside and Torry.
He also, somewhat reluctantly, gave his name to Stewart Park. The Woodside amenity was officially opened on the afternoon of Saturday 9th June 1894. The Aberdeen Journal's report of the ceremony has the Provost responding to a toast by stating "he did not know what the park was to be called. It was rather hard lines that he should be put in the position of saying 'No' to the request that had been made, but if he had been properly consulted - he would have advised them not to call it the Stewart Park. He might have possibly been chaffed [chuffed] about it being called the Stewart Park, and taken a good-natured smile, but he did not think he ever gave his consent any way. He felt it would be just as well perhaps if the committee called it 'Hilton' or 'Woodside,' and perhaps they would reconsider it." He left the matter in the hands of the Town Council and the name stood. Stop 10: Sheena Grant MBE, (1941-2010), Grant Room, Marischal College. Cleaner, trade unionist and member of Aberdeen University Court
2309 Sheena Grant was employed as a cleaner at the historic Marischal College from 1984 for over 25yrs. She ensured that the prestigious Mitchell Hall was always kept in meticulous order. Sheena ensured that the academics and support staff were all valued for their work. Sheena was even known to call the principal "Dunkiebaby". Sheena became a dedicated trade unionist at local and national level becoming the first chairperson of Aberdeen University's Unison Branch in 1993, an office she held for almost 20 years. In 2006 Sheena was awarded the MBE for services to education. At first she thought it was a wind up. Sheena was also known for her love of parties and was a well-known darts player in the city. When Marischal College was being refurbished the only room to remain in its original state was the former Senate room and this room was renamed the Grant Room by the building's new occupants Aberdeen City Council when it reopened in 2011. Aberdeen Theatres: His Majesty's Theatre in 1936
3360 The exterior of His Majesty's Theatre on Rosemount Viaduct in May 1936.
Buses line the street outside the building. This is a summer line up of Aberdeen registered touring buses together with their smartly dressed drivers. The destinations of the vehicles include Lossiemouth and Killiekrankie.
The sign above HMT's main entrance advertises showings of two films: In Person with Ginger Rogers and George Brent and Old Gay Dog, about a vet played by Edward Rigby. These screenings were accompanied by a "singing, dancing and orchestral Irish scene" performed on the stage.
More regular film showings at HMT, and superior equipment to do so, were introduced by James F. Donald after he purchased the theatre in 1932.
The fine ionic columned building to the left of the image was originally known as the South United Free Church and later as St Marks Church. The Central Library is beyond. Aberdeen Cinemas: Picture House / Gaumont
3403 The Picture House was opened on 14th December 1914 with an inauguration ceremony chaired by Lord Provost James Taggart. It was built at 181 Union Street by the rapidly expanding English firm, Associated Provincial Picture Houses. Michael Thomson in Silver Screen in the Silver City (1988) explains that construction of the cinema was delayed due to the war.
As seen here in 1937, the cinema's entrance was dominated by two squat white marble finish pillars topped by bronze capitals. The atmosphere inside was said to be cosy and luxurious. After conversion, the pre-existing building on Union Street contained the cinema's large foyer and within this was retained a large, original fireplace to warm visitors.
The 900-seater auditorium stood side-on between Union Street and Windmill Brae. With a budget of £12,000, the Picture House was designed by English architects Robert Atkinson and George Alexander. Thomson explains that the architects were inspired along Classical theatre lines and the building featured dark wood walls hung with French tapestries. A large tea-room, called the Tapestry Room, took up the first floor of the Union Street building. Above that, on the top floor, was the manager's office.
Thomson suggests that an early strength of the Picture House was its highly competent orchestra, originally led by pianist W. G. Ross. These were pre-radio days, with recording still in its infancy, so the orchestral playing would have been a significant attraction.
The profits from the Picture House's first screening back in December 1914 were distributed to Aberdeen charities. The first talking picture to be shown at the cinema was The Singing Fool in 1929. The Picture House was an upscale operation and one of the key early venues for cinema exhibition in Aberdeen.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Kellie Castle
4211 A photograph showing the southern elevation of Kellie Castle, or Kelly Castle, near Arbirlot and Arbroath in Angus. The castle sits in a wooded area next to a small river call the Elliot Water.
Historic Environment Scotland's Canmore website, states his that this historic tower house, also once known as Auchterlony, was "the seat of the Elliot family from the 14th to the 17th centuries but the building itself appears to date from the late 15th century at the earliest. After standing in ruins for some time it was restored in the mid-19th century and is still occupied."
This image likely dates from the 1970s. It comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department. Treasure 41: Mary Garden Record Collection
210 We hold a number of original vinyl records in our collections, including those of Mary Garden, a local girl who found global fame as an opera singer in the early 20th Century.
Born at 35 Charlotte Street on 20 February 1874, Mary Garden left her native Aberdeen around the age of nine when the family moved to America in search of better opportunities and a new life.
After a period of uncertainty and several moves, a young Mary accepted a role as a childminder in Chicago, with payment taking the form of singing lessons to further her obvious interest. By 1896, Mary had shown sufficient progress that she accompanied her tutor to Paris in a quest to pursue a career in opera.
Mary's first big break came in 1900, when she performed in the new opera, Louise after the main star became unwell. A series of leading roles followed in 1901, including Thaïs, Manon and Madame Chrysanthème. For the next decade, Mary courted both limelight and controversy as she portrayed leading characters on stage, while being romantically linked to various composers and directors off-stage. Adding fuel to these fires of speculation, Claude Debussy chose Garden to create the title role of his new play, Mélisande, overruling the preference of his own librettist.
At the outbreak of the First World War, Mary attempted to enlist in the French army - but with her identity discovered, she instead turned to nursing at a hospital in Versailles. When she returned to America, she continued to raise funds for the French Red Cross. Her efforts during both war and peacetime generated awards from Serbia and France.
Mary appeared in two silent films - the first released in 1918 - but she found difficulty adapting to the new medium and this separate career never took off. She returned to her first passion and continued to perform in opera until the mid-1930s.
In 1921, Mary was offered the role of director of the Chicago Opera Association, and as she was still performing - undertook both roles with fervour. Under her tenure, the Association took on many new and exciting artists and works.
At the outbreak of war in 1939, Mary chose to remain in Paris, until the German invasion forced her to escape, leaving all of her possessions behind. In June 1940, she returned to Aberdeen but the lure of teaching the next operatic generation proved too strong and she once again travelled to America to coach young stars and give lectures in 1949-1950.
By this time, it appears that Mary's memory had started to suffer - evidenced by the 1951 autobiographical publication Mary Garden's Story which was riddled with factual errors. The book received disastrous reviews and possibly led to her decision to reside permanently in Aberdeen from 1954.
Mary died in 1967 in the House of Daviot, a country hospital near Inverurie, aged 92. Fifty friends attended a small ceremony. A small commemorative plaque is located at 41 Dee Street where the Garden family lived, and a small garden is dedicated to her memory in Craigie Loanings.
Although she remains relatively little known in her native Aberdeen, Mary's legacy is considerable in the United States - particularly in Chicago where her stewardship of the Opera Association is still remembered fondly.
Treasure 103: Royal Wedding Posters
324 The 21st March marks the 146th wedding anniversary of Queen Victoria's sixth child, Princess Louise, and the 9th Duke of Argyll, the Marquis of Lorne. Aberdeenshire has always held the Royal family in high regard, largely due to their associations with the county and their Balmoral residence. As a result, the wedding of Princess Louise and the Scottish Marquis of Lorne in 1871 was cause for great celebrations in Aberdeen. In Aberdeen City Libraries' collection we hold three posters that testify to these celebrations, and serve as a perfect example of Victorian poster design. The Aberdeen Journal of 22 March 1871 described the union thus:
"The happy union hailed with so much satisfaction throughout the realm and especially in Scotland, was celebrated in Aberdeen with feelings of as great loyalty as in any part of Her Majesty's wide dominions. The attachment which Her Royal Highness the Princess Louise has shewn to her home in the Highlands has endeared her in an especial manner to those whom her Royal mother is pleased to call her neighbours; while her high artistic accomplishments and well-known kindliness of heart have, not less than her royal station, made her alliance with one of our most promising young Scottish nobles, an event of more than usual interest."
View our Treasures exhibition on the interactive screen to find out more about this royal couple and how their marriage unfolded in the following years. Glen Cinema Poster
407 A poster for the Glen Cinema in Culter advertising showings of Home at Seven (1952), Bride of the Gorilla (1951), Call of the Jungle (1944) and Prison Mutiny (1943).
The Glen Cinemas company showed films in various venues throughout the North East of Scotland during the 1930s to early 60s. One of these venues was Culter Community Centre.
Glen Cinemas was founded in 1936 by a local man called Arthur M. Burns. The company folded in 1961. Cinema equipment from the Culter Glen Cinema remained in the community centre for around 21 years before being sold by Burns to the London based collector Ronald Grant.
Grant was born in Banchory and worked as a projectionist in the Playhouse, Majestic and Kingsway cinemas in Aberdeen. He was also the assistant general manager of the Cosmo 2 in Diamond Street, before moving to the British Film Institute in London in 1967. The Ronald Grant Archive of Film and Cinematic Memorabilia remains active today.
Glen Cinemas also operated in the Shepherd's Hall in Bucksburn (also known as the Argosy Ballroom).
See the Aberdeen Press & Journal article 'Culter "upset" over cinema history loss' from 14th September 1982, page 3, and Michael Thomson's book Silver Screen in the Silver City (1988) for more information on Glen Cinemas. Act Anent Murthering of Children
487 This 19th July 1690 act, as the title suggests, regards dead children. Specifically, it draws attention to mothers who 'conceal her being with Child'. The act declares that, should a child die, their mother would be tried for murder if they did not use others' assistance or declare that they were pregnant. This would remain the case if the deceased child were without wounds or bruises. The act declares that it must be read across the land, at all Parish Churches.
At the time, the Scottish Parliament was particularly concerned about undeclared births, infanticide and the abandonment of children. Parliament desired to rid councils of the expense of caring for these abandoned children. As a result, this act was passed.
The act posed particular difficulties for single mothers of illegitimate children, who did not desire to call attention to the fact. Accused women were typically unmarried and employed as servants. This act increased executions of mothers in Aberdeen - in 1705, four women from Aberdeen were hanged for murdering a child, with a further three executions carried out in 1714. The legal status of the law was unique in that it presumed the woman guilty. Of all offences against the person, it was the second most common in indicting women. (Annie Harrower-Gray, Scotland's Hidden Harlots and Heroines: Women's Role in Scottish Society From 1690-1969 (2014), pp. 44-45). |