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New Quay
350 New Quay, Aberdeen Harbour. This photograph shows the navigation channel leading from Aberdeen Harbour into the North Sea, with the North Pier in the far distance on the left. The New Quay later became part of Pocra Quay.
The Pier was built by John Smeaton in 1781 and extended on several occasions to provide better access to the harbour. At the corner of the photograph is the customs Watch House, part of which has now been converted into a seafood restaurant.
The brick obilisk in the centre is a ventilation shaft for a sewer which emptied into the channel. A newer sewer outfall has rendered it redundant.
It is popularly known as Scarty's Monument. 'Scarty' was the nickname of William Smith, one of two harbour pilots in the mid-19th century. His duty was to keep watch from the North Pier during rough weather.
Nicknames were often used in the fishing community to distinguish between people of the same surname. Grand Central Cinema, Aberdeen
1149 The Grand Central Cinema on George Street, Aberdeen.
The film being shown is Radio Parade of 1935. This starred Will Hay and dates the photograph to around 1934.
The photograph looks eastwards from Craigie Street towards the cinema on George Street.
The building at 286 George Street had previously been a furniture branch of Allan's Public Supply Stores and was on the site of an old Baptist Chapel.
(Many thanks to correspondent Ed Fowler for the additional information). A School of Dolphins: Funky Fi at Kincorth Library
2168 The child whose design was picked said she chose a fun and bright design because she wanted the dolphin to be noticed by everyone and make them smile. She chose the name 'Funky Fi' for the dolphin. A School of Dolphins: Magic at Central Library
2185 Our dolphin is designed around Magic Mouth language therapy which supports children with Specific Language Impairment. It's a fun strategy we teach children.
All the red sounds on Magic are lip sounds because lips are red.
All the blue sounds on Magic are made using your pointy tongue.
All yellow sounds on Magic are made at the back of our tongue.
All the green sounds are vowels.
Being able to listen to one sound at a time and being able to explain where it is made is an important skill for helping children to achieve clearer speech and is a foundation skill for literacy. William D. Reid
2405 A photograph of Councillor William D. Reid taken from the programme for the 100th film exhibition of the Aberdeen Film Society in January 1950. Reid took over from G. Martin Gray as the Society's chairman in the late 1930s. MAIDINVINYL Records and Plan 9
2668 A photograph taken at the bottom of Rosemount Viaduct, on 24th January 2018, showing two local Aberdeen shops; MAIDINVINYL Records and Plan 9.
MAIDINVINYL Records, 7 Rosemount Viaduct, opened at these premises in April 2017 and sell a large selection of new and second hand records. On their website they state that "we believe that vinyl records are one of the greatest inventions ever made. They present music fans with one of the purest form of sound that any format of recorded music has offered."
Next door at 9 Rosemount Viaduct is the longstanding comic shop, Plan 9. Its name references both its building number and an Ed Wood cult film from 1959. The shop sells a large range of comics, graphic novels, toys, board games and related items. Victory Day picnic at Culter
2741 A photograph of a Victory Day picnic held at Culter on 8th June 1946. Victory Day was a national celebration of winning the second world war. It was a day of pageantry, military parades and community events. In the north of Scotland the celebrations were characterised by merry making and a focus on fun events for families and children, as shown in this image from Culter. Victory Day picnic at Culter
2742 A photograph of a Victory Day picnic held at Culter on 8th June 1946. Victory Day was a national celebration of winning the second world war. It was a day pageantry, military parades and community events. In the north of Scotland the celebrations were characterised by merry making and a focus on fun events for families and children, as shown in this image from Culter. Victory Day picnic at Culter
2743 A photograph of a Victory Day picnic held at Culter on 8th June 1946. Victory Day was a national celebration of winning the second world war. It was a day of pageantry, military parades and community events. In the north of Scotland the celebrations were characterised by merry making and a focus on fun events for families and children, as shown in this image from Culter. The Palace Cinema
2811 The exterior of the Palace Cinema, Bridge Place, Aberdeen. The cinema is advertising showings of It Always Rains on Sundays, a film starring Googie Withers and Jack Warner and released in 1947. This gives the photograph an approximate date. The canopy also advertises Jitterbugs which was a Laurel and Hardy film from earlier in the decade. Queen's Cinema
2812 Queen's Cinema at 120 Union advertising showings of the Shirley Temple film Girl in Pawn, also known as Little Miss Marker, released in 1934. M. K. Gillespie, fruiterer, can additional be seen on the corner with Back Wynd at 116 Union Street. Hazlehead Park
3027 A photograph from the interior of the wooden fort in Hazlehead Park. It was likely installed in the 1970s and was a great source of fun for children visiting the park.
This photograph comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department. Aberdeen Theatres: His Majesty's Theatre in 1936
3360 The exterior of His Majesty's Theatre on Rosemount Viaduct in May 1936.
Buses line the street outside the building. This is a summer line up of Aberdeen registered touring buses together with their smartly dressed drivers. The destinations of the vehicles include Lossiemouth and Killiekrankie.
The sign above HMT's main entrance advertises showings of two films: In Person with Ginger Rogers and George Brent and Old Gay Dog, about a vet played by Edward Rigby. These screenings were accompanied by a "singing, dancing and orchestral Irish scene" performed on the stage.
More regular film showings at HMT, and superior equipment to do so, were introduced by James F. Donald after he purchased the theatre in 1932.
The fine ionic columned building to the left of the image was originally known as the South United Free Church and later as St Marks Church. The Central Library is beyond. Aberdeen Theatres: Tuberculosis exhibition
3375 Throughout its history the Music Hall in Aberdeen has been used for all manner purposes beyond the performing arts and film screenings.
In March 1912 an exhibition on the infectious disease tuberculosis was held in the Music Hall on Union Street. This striking poster, with the headline "War on consumption", advertised the six-day event and the accompanying series of lectures.
The exhibition was organised by the Town Council of Aberdeen and the National Association for the Prevention of Consumption. The majority of the exhibition was brought to the city by the latter party with local additions from the Aberdeen Public Health Department, the pathological and public health laboratories of the University of Aberdeen and the Aberdeen Mothers' and Babies' Club.
The exhibition arrived in Aberdeen on the 16 March from Dundee where it had been visited by 30,000 people. It had also toured Glasgow, Edinburgh, Liverpool and Hull.
At the close of the "six day crusade against tuberculosis", Lord Provost Maitland described the exhibition and lecture series as "Magnificent" and local paper The Aberdeen Journal stated that the success of the event, "judged by popularity, is beyond all doubt." In total 39,960 attended over the six days, placing Aberdeen behind only Hull which was open for an extra day.
Approximately 20,000 health pamphlets were disseminated around the city, including 15,000 catalogues freely distributed by the Public Health Committee. A copy of this catalogue, which includes an instructive article from Aberdeen's Medical Officer of Health, Matthew Hay, is kept in the collection of Aberdeen Local Studies. Aberdeen Theatres: Fun on an Ocean Liner
3391 A group portrait of Dr Walford Bodie and his theatre company during a production called Fun on an Ocean Liner. This was a revue written by Bodie himself and first staged in 1924. It included a number of scenes and promised "gorgeous scenery" and "startling mechanical electrical effects". Bodie played a character called Capt. Waldon and his wife played Lady Henri.
Bodie (1869-1939) is in the centre of the image with the ventriloquist dummy. The woman sat to the right of him is mostly likely his wife Jeannie Henry (1869-1931), eldest daughter of David Henry (1839-1903), a road surveyor from Macduff, and Margaret Skene Henry (1843-1912). Jeannie performed with Walford as an illusionist and mind-reader under the name of Princess Rubie until her retirement in 1930.
Fun on a Ocean Liner was also known as Ocean Frolics and was performed twice nightly at the Palace Theatre in July 1928. It was advertised in the local newspapers as Walford Bodie's "Great Electrical, Musical, Revusical Extravaganza." Aberdeen Cinemas: Regal / ABC / Cannon
3396 An Aberdeen Journals Archive photograph of the Shiprow entrance to the Regal cinema in February 1961. The cinema is advertising showings of Saturday Night, Sunday Morning with Albert Finney, Linda with Carol White and Alan Rothwell, and Pathé News.
The Regal was opened on Monday 26th June 1954 by Associated British Cinema (ABC). The opening of this substantial cinema was the conclusion of a long and much delayed enterprise.
This Shiprow site was previously the location of Aberdeen's first permanent cinema, Dove Paterson's Gaiety. It had later become the Palladium and had laid shuttered for close to seven years when the owner put the site up for sale in early 1937.
Bert Gates of Aberdeen Picture Palaces (APP) put in an offer and made plans to build a very large cinema at the location. Michael Thomson in Silver Screen in the Silver City (1988) suggests that had this plan gone ahead it would have made the local company a force with which to be reckoned.
Gate's plans were thwarted however when another offer for the property from ABC (Cinemas) was accepted. ABC were a major cinema operator throughout the UK, at the time second only to the Rank Organisation, which owned the Odeon and Gaumont chains. ABC's arrival in Aberdeen would offer stiff competition to local companies such as APP. Both in terms of having the best venues and having the best films to show in them.
ABC's arrival in Aberdeen did not go smoothly, however. It was not until 1939 that the cinema's plans received official approval. War was declared not long after construction had begun and in 1941 the project was stopped by government restrictions that halted the construction of non-essential buildings where roofing had not already been started. Only the outer shell had been built at Shiprow and the building would subsequently lie incomplete for over a decade.
After much campaigning, including by local MP Hector Hughes, the government finally gave its consent and on 28th October 1953 ABC announced that work on the Regal would recommence. The plans for the cinema were modernised and construction was quickly finished.
The completed Regal was an impressive, modern cinema with a seating capacity of 1,914. Its inaugural film was The Knights of the Round Table and the opening gala was attended by stars Richard Todd and Anne Crawford.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Regal / ABC / Cannon
3397 A photograph of the Union Street entrance to the ABC Cinema in around 1963. The canopy above the entrance advertises It Happened at the World's Fair with Elvis Presley and Joan O'Brien. This was an MGM film and the ABC had first rights to films from this company, a big draw for the public.
Prior to ABC's arrival in Aberdeen in 1954, MGM films were previously first shown in Aberdeen Picture Palace's Capitol on Union Street.
This cinema on Shiprow and Union Street had been known as the Regal since opening in 1954. In March 1962 ABC rationalised the names of its cinemas and this venue, along with many Regals around the UK, became known simply as the ABC. An earlier Regal vertical sign was replaced by the new one we can see in this photograph.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Regal / ABC / Cannon
3399 An Aberdeen Journals Archive photograph of two baby elephants, from the Robert Brothers Circus, attending a matinee screening of The Tales of Beatrix Potter at the ABC Cinema in Union Street on Wednesday 28th July 1971. This was a promotional stunt for the cinema and circus that was performing at the Queen's Links from 26th July to 7th August.
The two elephants were called Maureen and Catzeila and were accompanied by staff from the circus. The Tales of Beatrix Potter was a ballet film directed by Reginald Mills based on the children's stories of English author and illustrator Beatrix Potter. The elephants sat in the front row for the screening of the film.
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Picture House / Gaumont
3406 An Aberdeen Journals Archive photograph showing the exterior of the Gaumont Cinema at 181 Union Street in October 1972. Promotion for Doomwatch, the British science-fiction film, Cabaret, starring Liza Minelli and The Concert for Bangladesh can all be seen.
This image dates from when the Rank Organisation, the cinema's owners, applied to Aberdeen City Council for permission to demolish the venue and redevelop the site for shops and office space.
As detailed in Michael Thomson's book Silver Screen in the Silver City (1988) the Rank Organisation had a special department that considered cinema sites they owned that could be profitably redeveloped by the company. Aberdeen was experiencing a pre-oil property boom and the early 1970s saw the closure and redevelopment of a number of cinemas.
The final night of the Gaumont was Saturday 6th October 1973. The last film to be shown as The Lovers with Paula Wilcox and Richard Beckinsale. This photograph was used in the preview of the cinema's final night in the Evening Express of the day before.
The majority of the cinema was demolished not long after. The façade of the upper floors was retained as it was listed as of architectural and historic interest. The site laid empty for some time due to the financial recession of 1974-75 and subsequent uncertainty over its occupancy. In 1976 the site was redeveloped as a Job Centre and shops.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Casino
3410 An Aberdeen Journals Archive photograph of the Casino cinema in around 1963.
The Casino cinema was opened on Wales Street on 7th February 1916 by John Peter Kilgour, a dealer in various waste materials. It had close competition with Bert Gate's Star Picture Palace just around the corner on Park Street. Michael Thomson in The Silver Screen in the Silver City describes the Casino as the second of Aberdeen's purpose-built picture halls. It and the "Starrie" served the population of the city's east end for many years.
The Casino was built on the site of Kilgour's factory yards. The architects for the project were George Sutherland and Clement George. The building's "Spanish villa" design is described by Thomson as unique for Aberdeen and highly unusual throughout Scotland. One distinctive feature was the low square tower at the Park Street side of the building that was topped by a red-tiled concave pyramidal roof. Thomson writes that features of the building combined to "bring a welcome splash of colour and gaiety to an otherwise drab corner of the city."
Following the death of John Peter Kilgour in 1920, the running of the Casino and his waste business was taken over by his son, Ormande L. Kilgour.
In the silent era the venue was a stronghold of cine-variety, showing all manner of performances in-between film screenings. In February 1936 the cinema celebrated its 20th birthday and a cake was cut by Kilgour and one the Casino's oldest patrons, a Mrs Stewart.
In November 1939 Bert Gates and Aberdeen Picture Palaces bought a controlling interest share in the Casino. The Beach Boulevard, which opened on 25th May 1959, ran directly outside the cinema and gave the Casino a prominent location. In March of that year the cinema was given a thorough renovation.
Despite its new prominent location and recent renovation, the Casino closed down as a cinema on Saturday 3rd October 1959. A spokesperson for the Donald Cinemas Group stated in the Evening Express at the time that the closure was due to the housing in the area being pulled down and people moving to new estates. Michael Thomson suggests that the proximity of the relatively new first-run Regal in Shiprow might also have drawn away the hoped-for holiday crowds from the Casino.
In 1961 the empty Casino was sold to local bookmakers James Rennie and Arthur Forbes to be used as a bingo hall. This was at the height of bingo's popularity and the Casino proved too small. The bingo operation was moved to the Kingsway Cinema which had showed its final film, Warlord of Crete on 3rd February 1962.
The area around the Casino was earmarked for redevelopment by Aberdeen Town Council. The cinema building was compulsorily purchased and, after spending some time as a store, was demolished at the same time as the Star in 1971. The site is now occupied by a residential development.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Picturedrome / Cinema House
3411 The Cinema House was located at the corner of Union Terrace, Skene Terrace and North Silver Street. The building was designed by Arthur H. L. Mackinnon and originally built in 1897-1898 as a clubhouse for the Aberdeen Union Club. Mackinnon (1870-1937) was a local architect who also designed the Aberdeen Fire Station on King Street and Mile End School.
The building's first recorded use for cinematographic purposes was a New Year Holiday Carnival organised by the pioneering Aberdeen cinematographer and exhibitor William Walker in December 1901. Alongside an early picture show the extravaganza featured the popular fiddler James Scott Skinner and a conjurer called Harry Marvello.
It was a Londoner by the name of Henry N. Philips who came to Aberdeen and in June 1910 converted this building into Aberdeen's second permanent cinema: the Picturedrome. The enterprise was a great success and Philip's formed a company called British Animated Pictures to run the cinema.
The 'Drome's first manager was Harry Fenton. He also appeared on the cinema's stage as a singer. This was a time when cinemas would often show a mixture of films and variety performances. The venue had a pianist called Hal Scott who would accompany performances and provided musical ambience.
The Picturedrome was noted for showing the film productions of Thomas Edison's Edison Studios and for consistently good stage turns.
In 1923 the Picturedrome/Union Club block was sold to the Loyal Order of Ancient Shepherds. They were one of the 19th century friendly societies in which people would band together prior to the development of more comprehensive welfare provision. The Shepherds continued to run the cinema for a period. A sign for the society can be seen in the top left of this image.
In May 1924 the cinema was taken over by James F. Donald. He was the patriarch of the Donald family that played a prominent role in the history of cinemas and theatres in Aberdeen. Restored and improved, the venue reopened on the 11th August of that year as the Cinema House. Donald initially held the premises on a 20-year lease, but would go on to buy the property outright.
This photograph, taken from in front of the Central Library, dates from around 1934 and shows the cinema advertising Father Brown Detective and The Lemon Drop Kid. Also visible next door at 2 Skene Terrace is a branch of the successful grocer and provision merchants, Wilburn Ltd.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Picturedrome / Cinema House
3412 A photograph of the Cinema House on Skene Terrace from the Aberdeen Journals Archive collection.
This cinema operated successfully for many years at this location. It was in January 1971, with Where Eagles Dare - the Richard Burton and Clint Eastwood action adventure, that the venue showed its final film. Its closure, just a few months short of its 61st year, was blamed on the film industry's lack of support for cinemas and its location out of the very centre of town will not have helped.
This photograph dates from April 1970 and so shows the building nearing the end of its time as a cinema. The promotion outside the Cinema House is for showings of El Dorado, the Howard Hawks western with John Wayne and Robert Mitchum. At the time the cinema was operated by the Donald family's Aberdeen Cinemas Ltd. Company.
Next to the Cinema House in this photograph can be seen a branch of Lombank Limited, which specialised in credit finance and leasing facilities for commerce, the motor trade, industry and agriculture. This office, originally a branch of Lombard Banking and Lombank, opened at 44 Union Terrace in late 1960.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. |