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Cullerlie Stone circle
4220 A photograph looking north west from Cullerlie Stone Circle at sunset. A house on the road towards Garlogie can be seen in the background.
The stone circle is located approximately 11 miles west of Aberdeen. Not far south from the Loch of Skene.
Aberdeenshire Council's leaflet The Stone Circle Trail (2022) describes Cullerlie as follows:
"Restored Stone Circle, comprising circa 10 m in diameter. Within the stone circle, 8 small kerb cairns were added which when excavated contained burnt bone, charcoal, flint tools and pottery. The central cairn is the largest, at 3.4 m in diameter, and is the only one to have a double kerb. This stone circle is seen as a later development of the Recumbent Stone Circle tradition."
Historic Environment Scotland's website suggests the stone circle may be around 4,000 years old. It describes Cullerlie as "an unusual site, with few parallels. However it may be best regarded as a rare survival of what once may have been a type of monument common in the lowlands of north-east Scotland."
This photograph likely dates from the 1970s or 80s. It comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department Treasure 106: The Art of Illuminating
327 To further help celebrate the year of History, Heritage and Archaeology, we have on display this month some beautifully illustrated Victorian guides to medieval manuscript illumination:
- "The Art of Illuminating As Practiced in Europe from the Earliest Times." Selected & Chromolithographed by W. R. Tymms. With an Essay and Instructions by M. D. Wyatt Architect. (1860)
- "The Art of Illumination and Missal Painting. A Guide to Modern Illuminators". By H. Noel Humphreys. (1849)
- "Lessons in the Art of Illuminating. With Practical Instructions, And a Sketch of the History of the Art". By W. J. Loftie, B.A, F.S.A (1895)
One of the most iconic of all "Victorian" styles is that of the Gothic Revival. The idealistic and romantic ideas of chivalry, courage, modesty and beauty appealed to Victorian sensibilities. Furthermore, the rose-tinted notion of the Middle Ages as being an age of pastoral charm with knights in shining armour and damsels in distress, all cocooned in a nicely packaged and organised feudal system, served as an antidote to the rapid expansion and technological advances brought on by the Industrial Revolution. The new found interest in the study of medieval illuminated manuscripts was a consequence of this feeling, and as such we see a number of guides to and facsimiles of medieval manuscripts in the latter half of the 19th century.
To see some more beautiful examples of illuminated manuscript illustration, have a look at our online exhibition on the interactive screens. |