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Schoolhill
79 Schoolhill looking west, showing the turrets of the house occupied by the artist George Jamesone in the 17th century. The building was demolished in 1886 and the site is commemorated by a plaque on the buildings which replaced it. Powis Gateway, Old Aberdeen
165 Powis Gateway, Old Aberdeen. These curious towers stand at the gate leading to Powis Lodge, almost opposite King's College, Old Aberdeen. They were constructed by John Leslie of Powis, who succeeded his father, Hugh Leslie of Powis, the builder of Powis House (1802).
John Leslie succeeded his father in 1812, and the towers were finished in 1834. The crescent on the top of one of the towers is the crest of the Frasers, the predecessors of the Leslies in the property of Powis.
As indicated in the bottom right, this etching of the gateway is by Aberdeen artist Henry Jackson Simpson (1893-1963), known professionally as Jackson Simpson. He was a prolific and successful local artist who specialised in etchings and watercolours of architecture, land and seascapes and wildlife.
Simpson died at his home at 58 Craigton Road, aged 70, on 28th March 1963. His obituary, which gives an account of his life, featured in the next day's Press & Journal.
He was a native of Aberdeen, the son of William Jackson, an art dealer in Diamond Street. He trained as a lithographer and joined his father in business. He served in WWI with the Northumberland Fusiliers and was awarded the Military Cross for bravery.
In 1935 he took over the family business following the death of his father. He was well travelled around Aberdeenshire and Kincardineshire and this is reflected in his art. University related subjects such as Marischal College, King's College and, here, the Powis Gateway, were among his most well known works.
A keen sportsperson, and prominent freemason, he also set-up the Craigton Club and was highly involved with the Northern Arts Club.
An article titled 'The charming story of Jackson Simpson: Scotland's celebrated etcher' featured on the Press & Journal website, in partnership with the McEwan Gallery near Ballater, on 8th June 2022. The feature was produced to highlight an exhibition of Simpson's work at the aforementioned gallery. Well of Spa
175 In 1615 Dr. William Barclay wrote a treatise extolling the virtues of the Well of Spa and commending the use of its waters to invalids. Then George Jamesone, the artist, while suffering from calculus of the bladder found relief from the mineral qualities of the well. At the beginning of the 20th century, the well was removed and re-erected inside the wall of the old Royal Infirmary at Woolmanhill and water was introduced into it from another source. Later it was moved to a nearby site behind Aberdeen Central Library, beside the Denburn Car Park. Rubislaw Terrace
236 James Skene of Rubislaw was responsible for this fine row of town houses situated in the west end of the city. The houses, now mostly all offices, alternate in pairs. The original plan of design in 1852 was by James Giles, artist, and Messrs. MacKenzie and Matthews, architects. The street still retains a dignified appearance with some attractive architectural features and elevations. Children paddling at the beach
263 Portrait of children paddling at the beach. Note the boy with a hoop, centre of photograph. Portrait of A. B. Hutchison
303 A portrait of A. B. Hutchison (1862-1928) wearing the medal and chain of office as convener of the Incorporated Trades in 1906.
Hutchison was one of the most successful bakers in Aberdeen of his time. He was born in the district of Crimond near Peterhead and he learnt his trade in Dundee. His first of many bakeries was opened at 62 Broad Street.
Following considerable success, he opened the Central Bakery at 123 George Street in 1893. This served as the producing centre for a large number of retail shops.
The business was successfully continued by his family well into the later 20th century. An obituary for Hutchison can be found in the Press & Journal of 18th February 1928, page 8.
In addition to running his business, and involvement in the Incorporated Trades, Hutchison was a town councillor, including being made a baillie, served as a Justice of the Peace and was a member of the Wesleyan Methodist Church. Portrait of James Macbeth
304 Portrait of James Macbeth wearing medal and chain of office as Convener of Incorporated Trades in 1904. Portrait of Dr. William Guild
305 Portrait of Dr. William Guild, born in 1586, who in 1633 gifted the old Trinity Monastery and Chapel to be a hospital and meeting house. He was chosen Principal of King's College in 1640 and was deposed in 1651. He died in 1657 and was buried in St. Nicholas Churchyard. Rev. Henry Cowan
306 A photographic portrait of Rev. Henry Cowan (1844-1932), patron of the Incorporated Trades from 1903. His Press & Journal newspaper obituary can be found in the issue for 4th July 1932, page 8. Jamesone's House, Schoolhill
384 George Jamesone's House in Schoolhill. It was originally the manse of St. Nicholas church and became the home of the artist George Jamesone in 1620. By the time this photo was taken in 1885 the building was being used as a lodging house. It was demolished in the 1886 and the site is commemorated by a plaque on the wall of the property built in its place. Powis Gateway, Old Aberdeen
569 Built in 1834 for John Leslie of Powis by Alexander Fraser, the towers formed the east gate and archway from College Bounds, Old Aberdeen. These oriental style towers with minarets have provoked much interest over the years. At one time there was a portrait of John Leslie dressed in Turkish costume, on the walls of Powis House, but there is no obvious connection between the estate and the Middle East. The gateway is also adorned with panels bearing the coats of arms of the Lairds of Powis.
The Estate of Powis was owned by the Frasers - their crest is shown on the towers - until the marriage of an heiress to a Leslie. Powis House was built by Hugh Leslie.
The house was the home of John Leslie, Professor of Greek at King's College. It was subsequently owned by the Burnett Family. In 1936, J.G. Burnett sold most of the estate to Aberdeen Town Council who built a housing estate in the area comprising over 300 residences.
Powis House itself reopened in 1942 as the area's Community Centre and for a while housed a branch of Aberdeen Public Library. Well of Spa
636 In 1615 Dr. William Barclay wrote a treatise extolling the virtues of the Well of Spa and commending the use of its waters to invalids. Then George Jamesone, the artist, while suffering from calculus of the bladder found relief from the mineral qualities of the well. At the beginning of the 20th. century the well was removed and re-erected inside the wall of the old Royal Infirmary, Woolmanhill and water was introduced into it from another source. Later it was moved to a nearby site behind Aberdeen City Library. Gateway to Powis Lodge
654 Built in 1834 for John Leslie of Powis by Alexander Fraser, the towers formed the east gate and archway from College Bounds, Old Aberdeen.
These oriental style towers with minarets have provoked much interest over the years. At one time there was a portrait of John Leslie dressed in Turkish costume, on the walls of Powis House, but there is no obvious connection between the estate and the Middle East. The gateway is also adorned with panels bearing the coats of arms of the Lairds of Powis.
The Estate of Powis was owned by the Frasers - their crest is shown on the towers - until the marriage of an heiress to a Leslie. Powis House was built by Hugh Leslie. By the late 19th century it was owned by the Burnett family and was taken over by Aberdeen City Council in the 1930s and converted into a community centre. Castlegate looking west
674 Drawing of Castlegate looking west along Union Street.
Correspondent Ed Fowler got in touch to point out the salient features of "the Plainstones, Mercat Cross in is original position with the Athenaeum Reading Room, Tolbooth, the New Inn (Freemasons Lodge) and the Aberdeen Bank at the top of Marischal Street.
It is one of set of 3 drawings by the same artist employed by Gibb's the Lithographer. The others being the Brig o' Dee, and the Nether Kirk Gate, Benholm Lodging." Rubislaw Terrace, Aberdeen
709 Rubislaw Terrace, Aberdeen in around 1880. This photograph by George Washington Wilson shows the granite splendour of this terrace, which was planned by the architects Thomas Mackenzie and James Matthews, jointly with James Giles, artist.
The houses were to be erected on the property of James Skene of Rubislaw, on the north side of Albyn Place. The Aberdeen Journal of 31st March 1852 describes the plans as thus: "The style of architecture possesses in a high degree the rare merit of combining what is new, at least in Aberdeen, with what is, in point of taste exceedingly beautiful".
The houses have crowstepped gables and plain windows alternating with bow windows which have a balustrade, and had 11-15 rooms.
In 1854, James Matthews actually lived there, and later occupants included a paper manufacturer, a ship owner, and a number of advocates.
Today, many of the houses have been converted into offices for legal firms. Granite balustrades and a garden area separate the terrace from Albyn Terrace. 13 Skene Square
792 A photograph showing 13 Skene Square in the late 19th century. This tenement is thought to be the birthplace of the genre and portrait painter John Phillip (1817-1867).
The image is included as a plate in Historical Aberdeen: the Castle and the Castle-hill, the Snow Church, the Woolmanhill and neighbourhood, the Guestrow by G. M. Fraser (1905).
Fraser indicates that the tablet that can be seen above the door was put up in memory of John Phillip by his friend William Brodie (1815-1881), the sculptor.
Fraser elaborates as follows:
"The first plate on the house, 13 Skene Square, was placed there by William Brodie, the sculptor. that house was pulled down six years ago, but fortunately Mr George Watt, architect, the proprietor of the house erected on the spot, has, with much public spirit, placed a bronze tablet on the new house telling that Phillip's house stood on that site. I wish we could be absolutely certain that Phillip was born here. There can be no doubt that he lived here as a child, but it suggestive that in the detailed notices of Phillip in the Aberdeen papers at the time of his death, it was said that he was born in Windy Wynd, where his father was a shoemaker. See Aberdeen Journal, 6th March, 1867; Aberdeen Free Press, 1st March, 1867. Marischal Street
818 In 1766, the Town Council of Aberdeen acquired a property known as the Earl Marischal's Lodging which had laid unoccupied for a number of years. It was then demolished to allow a street to be built to create improved access between the harbour and the Castlegate. It was named Marischal Street in his honour.
This view of the west side shows the properties at No 46 and 48 and an adjacent church. William Kennedy (1759-1836), advocate, lived in No. 46, where he wrote his two volume history of the city - Annals of Aberdeen.
Next door at No. 48 was the home of Dr William Dyce, father of the eminent artist William Dyce (1806-1864). Both of these properties have now been converted into flats.
The church shown on the left was built in 1881 on the site of the Theatre Royal built in 1795. It closed as a theatre in 1872 prior to the opening of Her Majesty's Theatre and Opera House (Tivoli) in Guild Street. This building is now occupied by the Elim Pentecostal Church. King Street
1241 On April 4th 1800 an act was passed authorising the construction of two new major streets in the centre of Aberdeen. Union Street going westward from Castlegate and King Street going north. The latter was named in honour of George III.
The building on the left was designed by Archibald Simpson in 1839 for the North of Scotland Bank. On the roof can be seen the terracotta sculpture of Ceres, goddess of plenty, by artist James Giles.
The horse-drawn tram heading towards Union Street is the Rosemount Circular. Portrait of three young girls in Union Terrace Gardens
1512 Portrait of three young girls in Union Terrace Gardens. St Mark's Church and the Wallace Statue are in the background. The absence of His Majesty's Theatre dates the picture to before 1906. Newpark
1521 A photograph of the gateway and avenue of Newpark. Located between Sheddocksley and Kingswells, this property was once known as Cuttlehill.
In Historical Walks and Names (1927) local historian G. M. Fraser writes:
"You descend Brimmond Hill at the south-west corner, and passing between the properties of Fairley and Cloghill, you presently pass the farm of Gillahill (properly Gallowhill), on your left, and strike the western end of the "Lang Stracht," near the property of Newpark. This is a comparatively recent name for Cuttlehill, the property that once formed part of Sheddocksley, and was bought in 1777 by Robert Dyce of Aberdeen, father of the well-known physician, Dr. William Dyce, of Cuttlehill, whose town house for many years was No. 48 Marischal Street. In this country residence of Cuttlehill, the old entrance gate and avenue of which are still in existence, was born on 19th September, 1806, William Dyce, afterwards William Dyce, R.A., a gifted artist, who took a leading part in decorating the House of Lords, and better still, who, having been sent by the government to report on the Art schools of the Continent in the middle of the last century, was the means of re-organising the art education system of Great Britain. It is singular that this accomplished man, although he is commemorated on a monumental brass in Streatham Parish Church, where he latterly stayed, is as yet unremembered by any mark on his father's house in Aberdeen, where he passed the early part of his life."
Newpark and the gated and avenue, though likely thoroughly modified, can still be seen today.
Other sources suggest that William Dyce, the above mentioned artist, was born at 48 Marischal Street. His birthplace remains something of a mystery. There is no indication of the location in the old parish register record of his baptism at St. Nicholas Kirk. Portrait of smartly dressed couple
1542 This image has not yet been indexed. Use the Comments button below the image to enter information about the photograph.
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