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The Old Trades Hall in the Shiprow, Aberdeen. c.1850
302 This area, at the southern end of the Shiprow, was the site of the monastery of the Trinity Friars until 1559 when it was burnt to the ground by Protestant Reformers.
In 1631, having purchased the lands, Dr William Guild, gifted their old chapel and other buildings to be a hospital and meeting house for the seven Aberdeen Incorporated Trades. These were Hammermen, Bakers, Wrights and Coopers, Tailors, Shoemakers, Weavers, Fleshers.
Guild was one of Aberdeen's ministers and afterwards became Principal of King's College.
The Chapel became an Episcopal Church until 1794 when it was removed and replaced by the building seen at the left of the photograph. It was vacated in 1843, when the congregation joined the Free Church, and was then sold and eventually became the Alhambra Music Hall until 1902.
On the right was the Trades or Trinity Hall - often known as the Trinity Hall. It had a projecting wing tower and corbelled angle turret, and was demolished around 1857 for railway development.
The Trades had already moved into their new premises in Union Street in 1846.
This photograph looks south-south-west and is taken from roughly where Trinity Lane is now. The image likely dates from the 1850s, the time of the demolition.
Ebenezer Bain in Merchant and Craft Guilds: A History of the Aberdeen Incorporated Trades (1887) writes the following:
"The extension of the railway system to Aberdeen sealed the fate of the old Trades Hall. When Aberdeen Railway was projected in 1844, the hall and site, which extended from the foot of Shiprow to the near present line of railway, were scheduled [for demolition], and although not required for railway purposes, the buildings had to come down when Guild Street and Exchange Street were constructed. The last of the buildings was taken down in 1857 [...]" (Page 174). The Puffing Briggie
532 A scene of change and renovation in the Denburn Valley. The image looks south from Union Bridge over the suburban platforms of the old Aberdeen Joint Railway Station. The old station's large, curved roof can be seen in the background.
The area we are looking at has seen much change since this time. It is now largely covered by the 1960s retail development on the south side of the bridge, the later Trinity Centre, the development of Wapping Street and Denburn Road, and the building of Atholl House. Though many of the buildings of note we can see in this image are still visible today.
The tall buildings on the far right are the rear of those on Bridge Street. The small street in front of them, going up to Guild Street, is the start of College Street. It is now a partially pedestrianised lane that goes under Wapping Street. The building at the top of this street is the classical style suburban ticket office, built 1909 and now home to Tiffany Hair & Beauty.
Going west along Guild Street's two span road bridge we come to the Great North of Scotland Railway Company's headquarters. This was designed by architects Ellis & Wilson and built in 1894. It is now part of the Station Hotel, along with number 78 next door. The building retains many of its original features. The Guild Street entrance to the Trinity Centre now runs along the western side of this building.
The image also shows features that are no longer present. The covered walkway that can be seen on the near right of the image enabled direct access from the station's central platform to the Palace Hotel on Union Street. The hotel was owned by the Great North of Scotland Railway Co. (GNSR). The walkway was vaulted to pass over the tracks at sufficient height.
Consulting The Joint Station: Aberdeen Station, 1867-1992 (c1992), this image probably dates from 1912 when, in additional to commencing the reconstruction of the Joint Station, the GNSR also laid new loading docks and carriage storage siding in the Hadden Mills site (left of image). This was to ensure that the main station buildings were used purely for passenger traffic.
The walkway that linked Windmill Brae and the Green, known affectionately as the Puffing Briggie, can be seen in the centre of the image. It looks like a section on the left has been temporarily demolished as part of the ongoing work.
The sidings on the extreme left were used for cleaning carriages in the later 20th century. One of our correspondents recounts using the often-unattended carriages, accessible when entering the station from the Green, as an unusually exciting and plush playground during their youth in the late-1940s. Culter
876 This image was taken around 1909 from a hill at the west end of Culter - 7 miles west from Aberdeen looking down on the North Deeside Road towards Banchory. The image shows the cottages known as Clayhills with the houses of Malcolm Road beyond. Hidden in the trees at the right hand side is the statue of Rob Roy overlooking the Leuchar Burn which runs through the wooded valley. Culter Football Club
883 A team photograph of Culter Football Club from the 1931-32 season.
Local historian Brian Coutts has been in touch with names for some of the people shown:
The fourth from the left,of the five men in the back row is David Sangster.
The middle row, of nine men, starts on the left with T. Emsie, the club secretary. 4th along is G. Petrie and the 5th is Arthur Jackson.
The front row, starting again from the left, is A.J. Moir, H. Wilson, L. Cooper, W. Jamieson and an unknown 5th man.
Brian also suggests that the trophy at the front might be the Archibald Cup. Lower Deeside Champion Ploughing Match
1047 This image shows the Committee of the Lower Deeside Champion Ploughing Match held at West Cults Farm on the 11th February 1922. In the centre of the front row, wearing a flat cap was the Secretary William E. Gibson. Behind him was Alexander Thomson, blacksmith in Cults, and to his right, was James Burnett on whose farm the match was held. The other gentlemen came from other farms in the surrounding area. The 'Aberdeen Daily Journal' reported that the weather was excellent and all arrangements were in perfect order. There were 64 competitors who had come from as far as Kinross in the south and Morayshire in the north, each with their pairs of well matched, faultlessly groomed and harnessed Clydesdales. The match was watched by around 2000 spectators. The winner was James Mowat, Newstyle, Foveran who received a silver cup and cash prize. Northfield Farm
1503 Northfield Farm was located at Bannermill behind Northfield Church of Scotland. It was tenanted by the Booth family for centuries. The farm was leased from the Hays of Seaton.
Along with the adjoining farms of West Northfield and Oldtown, the farm was taken over by the Corporation of Aberdeen in 1946 and eventually demolished to make way for the expansion of the housing estate of the same name.
The name Northfield is believed to have come from the area being the most northerly point of the Freedom Lands given to the burgh of Aberdeen by King Robert the Bruce.
(Many thanks to Alexander Gavin for providing information and prompting further research into the history of the farm.) Northfield Farm
1504 Northfield Farm was located at Bannermill behind Northfield Church of Scotland. It was tenanted by the Booth family for centuries. The farm was leased from the Hays of Seaton.
Along with the adjoining farms of West Northfield and Oldtown, the farm was taken over by the Corporation of Aberdeen in 1946 and eventually demolished to make way for the expansion of the housing estate of the same name.
The name Northfield is believed to have come from the area being the most northerly point of the Freedom Lands given to the burgh of Aberdeen by King Robert the Bruce.
(Many thanks to Alexander Gavin for providing information and prompting further research into the history of the farm.) 1929 This illustration shows Queen Victoria receiving the keys of the City of Aberdeen in October 1857 as she travelled to the railway station after a summer spent at Balmoral. The Queen and the Prince Consort had travelled by coach the 60 miles from Balmoral to visit the Earl of Aberdeen at Haddo House on Wednesday 14th October. Their route was decorated with flags and arches at various points. A dinner, with a number of guests, including Lord Provost Webster of Aberdeen, was held at Haddo that evening and huge bonfires on surrounding hills lit the scene. On Thursday 15th October, the Queen and Prince Consort left Haddo, accompanied by the Earl and his son. More decorative arches had been erected on the roads south to Aberdeen. The Lord Provost, magistrates and councillors met the Queen at this Royal Arch near the city boundary at Love Lane (now Nelson Street) on King Street. The arch had been designed by the City Architect, William Smith. It was 15 feet wide, 26 feet high, with two smaller side arches. It was surmounted by the Royal Arms, flags and banners, with the words, "God save the Queen" and "Victoria", on either side in gilt letters. The side arches had the City motto, "Bon Accord", with floral crowns above, with flowers, evergreens and heather decorations. Many of the Guard of Honour wore the Crimean medal. The Lord Provost presented the silver keys on a velvet cushion to the Queen, who touched them, returned them to the Provost and said, "It affords me great gratification to be once more in my City of Aberdeen". The dignitaries returned to their coaches and the procession traveled on to Guild Street railway station, where, after a luncheon, the Royal Party now joined by the Royal children, who had come direct from Balmoral, boarded the train for Windsor. The Spartan Club
2200 'The Spartan Trio', members of the Spartan Club demonstrate hand balancing at a 'Come and Try' a Sport' event at Linksfield Stadium, 1950. Treasure 6: Royal Horticultural Society of Aberdeen
2275 Enthusiastic gardeners who have spent months, if not years, nurturing their plants have the opportunity to display their efforts at flower shows - usually held in August or September. These events for individuals happen all around the country and have a long history.
Britain in Bloom is the national flower show for whole communities. It was the brainchild of Roy Hay, a horticultural journalist. Following a holiday in France where he admired the "Fleurissement de France", he persuaded the British Travel and Holidays Association (later the British Tourist Authority) to organise a similar competition for communities in Britain.
Although the first competition in 1964 was won by Bath, Aberdeen received a "Special Mention". The city did even better in 1965 when it won the National Trophy. Although it did not win again until 1969, the city then continued its success each year until 1971. However, this achievement led to Aberdeen being debarred from the National Competition in 1972 although it still won the Scottish section. 1973 and 1974 saw Aberdeen winning the National award again, and its record 10th win was in 1998.
A slogan competition was held for the 1968 campaign when the winning entry proclaimed "Aberdeen - Garden City by the Sea".
In order to celebrate Britain in Bloom and Aberdeen's success in the competition we have chosen to highlight our collection of historic prize schedules for the Royal Horticultural Society of Aberdeen's annual exhibition.
The Aberdeenshire Horticultural Society was founded in March 1824 when a meeting of "Practical Gardeners" was held in the New Inn for the "purpose of forming themselves into a Society". The Earl of Aberdeen graciously agreed to be Patron of the Society.
In November 1863, it was announced at the annual general meeting that HRH the Prince of Wales had now agreed to become Patron of the Society and that the Society's name was to be changed to the Royal Horticultural Society of Aberdeen.
The Society's "Prize Schedule for Exhibition" gives details of each of the classes which can be entered, with the prizes which can be won - a sum of money or a cup or medal. In 1920, there were a total of 222 classes and those who exhibited were split into one of four Divisions - professional gardeners; nurserymen and florists; amateurs and working class.
The Schedules also contain the Rules of Competition, the Constitution of the Society and a list of Subscriptions and Donations received - these include names, addresses and amounts given. Our earliest copies of the booklets cover the period 1920 - 1937, although the file is incomplete.
The Society celebrated its 175th anniversary in 1999. To take a closer look at these, and many other Aberdeen historic documents, visit Aberdeen Central Library. Treasure 7: The Reference Library
2276 The Reference Department opened in the new Central Library on 29 August 1892. This photograph from the Library Archive shows a very busy Reference Department in the early to mid 20th century. The bookcases and fittings were of wainscot and mahogany and were described as having "a very handsome appearance". The floor was laid with noiseless cork carpeting and indiarubber matting to ensure "an air of quiet, so essential to the enjoyment of reading". An additional 80 chairs had been provided as part of the improvements in 1905, including 30 for the exclusive use of ladies. Books could be accessed directly off the shelves and the whole department was much brighter and attractive.
The Reference Department, still on the 2nd floor of the Central Library, is now known as the Information Centre. Come and visit anytime to see how the place has changed and to see the Treasures from our Collections exhibition which is running until July 2017. Chemistry Department, University of Aberdeen
2381 The Chemistry Department building of the University of Aberdeen. It is was opened on 17th September 1952 by Sir Robert Robinson, winner of the 1947 Nobel Prize in Chemistry.
It was later renamed the Meston Building in memory of the Rt Hon Baron Meston of Agra and Dunnottar KCSI, VD, LLD Chancellor of the University 1928-1944.
The building was refurbished and expanded in 1968.
This image comes from the Lord Provost of Aberdeen John M. Graham's Christmas card from 1954. Library Bindery
2392 In the 1902-03 Library Committee Minutes, the Librarian reports that a guillotine, "a machine much wanted in the Binder's department", had recently come on to the market in connection with the sale of a printer's stock. It was purchased at auction at a cost of £7.
This picture of the bindery shows the guillotine in the foreground and although it still survives in the Library, it is no longer used. The guillotine features the stamp of J. Greig and Sons Edinburgh, an engineering company based at Fountainbridge, Edinburgh which built machines for the printing, bookbinding and lithographic trades.
Other bindery artefacts which still survive including this wooden sewing frame which was used to stitch the pages of a book together before its covers were glued in position.
Even the Bindery clock, supplied by local company James Hardy and Co., still has a home in the Central Library today. A refurbished High Speed Train
2650 The HSTs currently still run to London but will be soon be replaced by new bi-mode trains. New overnight stock is also due to come into service on the Caledonian Sleeper.
Conversely upgraded HSTs will be introduced on internal ScotRail services from 2018 replacing class 158 and 170 units. A new servicing depot is currently being built at Clayhills adjacent to the station. Work has also started on the Aberdeen to Inverness capacity improvements.
Rail travel is still increasing so hopefully Aberdeen Joint Station will continue to serve for another 150 years.
By 2019 ScotRail services to Edinburgh, Glasgow and Inverness will be operated by refurbished High Speed Trains. The first of these units is seen at Aberdeen Station in September 2017. Town House Extension Foundation Stone
2757 The foundation stone of the Aberdeen Town House extension on Broad Street.
As stated on the stone, it was laid by Lord Provost Robert S. Lennox on 17th November 1975.
The city architects responsible for the extension were I. A. Ferguson and T. C. Watson. It was built by Taylor Woodrow Construction (Scotland) Ltd.
The stone also makes reference to a casket buried five metres below the foundations to commemorate the dissolution of the Corporation of the City of Aberdeen as part of local government reform.
The casket ceremony was held on 15th May 1975 shortly after the last meeting of the Aberdeen Town Council which was being replaced by the City of Aberdeen District Council.
The casket ceremony was the final act of John Smith as lord provost. The official switch over of councils was marked by the "Bon-Accord" bell of the West Church of St Nicholas tolling from 11:50pm to midnight on 15th May. Earlier in the day saw a fireworks display at the Queens Links, pipe bands and a special lunch and church service for members and officials of the corporation. See local newspaper coverage from the time for more details on the occasion.
Around 80 people, including councillors, family and Taylor Woodrow employees watched Lord Provost John Smith place 29 items of interest into the copper clad box. Smith joked, "About the year 3048, an unsuspecting archaeological digger may come upon this box and he will no doubt remark on my genius."
Among the buried items were copies of the Press & Journal and the Evening Express, local books, records and cassettes of Scottish music, local government data, sets of coins of the realm and postage stamps, local stones, a phial of North Sea oil and plans for the Town House extension.
The casket was placed on a crane hook by Aberdeen Town House project manager Tom Nisbet and guided into the ground by foreman Andrew Benzies.
The ceremony was reported in local newspapers and the July 1975 issue of the construction company's magazine, Taywood News. Aberdeen Cinemas: Electric / Capitol
3401 An Aberdeen Journals Archive photograph of the Capitol cinema at 431 Union Street in February 1980. At this time the Capitol was in more regular use as a concert venue than as a cinema. This image shows large numbers of people queuing to get tickets for a performance by the band Genesis.
The Capitol was built as a cinema back in 1933. A few days before its opening, it was advertised in local papers as "Aberdeen's wonder cinema". Opened to large crowds on Saturday 4th February 1933, the Capitol was then the largest venue of its kind in the north of Scotland and had a stage that could be adapted for both film and variety entertainment.
The Capitol was built by Aberdeen Picture Palaces Ltd. on the site of an earlier upmarket cinema called the Electric Theatre that dated from 1910. When the Capitol opened, it was regarded as the most up-to-date theatre in the country due to its complex lightning system, organ music and other modern features, some of them being introduced for the first time in Scotland.
The venue could accommodate more than 2,000 people. The building's plans were prepared by Aberdeen architects Alexander Marshall MacKenzie and Clement George. Local newspapers stressed the local ownership of the cinema and the local craftsmanship that went into its construction.
Aberdeen City Libraries hold a souvenir brochure of the cinema's opening. One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of the adverts provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
On the opening day, Mrs A. D. Hay, wife of the chairman of the Aberdeen Picture Palaces, unlocked the main entrance door with a gold key. This key is still held by the Hay family today. The cinema's first, busy evening featured a variety of entertainment. In addition to the showing of films, there was a ballet performance by the Henrietta Fuller Dancers and Mr Edward O' Henry played the theatre's new top of the line Compton organ.
During the opening ceremony, Bert Gates, another director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them."
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Star Picture Palace
3409 A photograph of the Star Picture Palace at the junction of Park Street and South Constitution Street in the 1920s. The cinema was an undertaking of Bert Hedgley Gates in partnership with his wife Nellie and with financial backing from local businessmen. Bert Gates was among Aberdeen's most influential cinema proprietors. He would go on to be the founding managing director of Aberdeen Picture Palaces, a highly successful company that would play a key role in cinema exhibition in the city.
The ever useful Silver Screen in the Silver City (1988) by Michael Thomson details much of the history of the Star Picture Palace, known as The Star or Starrie, and the activities of Bert Gates. The cinema was converted from the former premises of the Aberdeen East End Mission. Its name was thought to come from a red-stained glass window in the shape of a star that was a legacy of its previous use. The Star's auditorium stood on the south side of South Constitution Street and its entrance, as shown here, was at 23 Park Street, underneath a block of tenements.
The cinema opened in March 1911 and showed a mixture of films and music. Bert and Nellie would stand behind the screen and add dialogue, sound effects and commentary to the silent films being shown. They also added topical references and allusions to well-known local figures. Both had backgrounds as stage artistes and their performances became a popular feature of the Star.
In 1913 the successful cinema was expanded, doubling its capacity, as Aberdeen Picture Palaces acquired the building and some houses to its rear. Thomson states that the remodelled Star was advertised as "Absolutely the Finest and Most Handsome Interior Out of Glasgow".
The Star had direct competition when the Casino cinema opened just around the corner on the north side of Wales Street on 7th February 1916. Thomson suggests that Gates responded to the Casino's popular and innovative cine-variety performances by programming his own varieties and mini revues. These included Miss Madge Belmont, "America's Handcuff Queen" and Birteno's Golden Grotto, "the most gorgeous electrical dance spectacle ever seen in Aberdeen - a display of serpentine and fire dancing by Belle Lumière, with marvellous kaleidoscopic colour effects".
The Star Picture Palace showed its first talkie, King of the Khyber Rifles, on 13th October 1930. In November 1932 the cinema suffered a fire caused by a dropped cigarette. The damage was relatively minor however and only put the Star out of action for a fortnight.
By the beginning of the second world war, the area around the Star was becoming depopulated as housing on Hanover Street and Albion Street was demolished to make way for the new Beach Boulevard. Bert Gates acquired control of the Casino in November 1939 with the idea of combining it with the Star to create one super-cinema that fronted onto the new thoroughfare.
Thomson explains that business was concentrated on the Casino and later that month the Star closed as a cinema for good. In 1939/40 it served as an indoor fun-fair and as the Boulevard Ballroom for the remainder of the war. The Star building was demolished, at the same time as the Casino, in 1971 to make way for a housing development.
Michael Thomson addresses the use of jam-jars for cinema admission in the first appendix to Silver Screen in the Silver City (1988). This includes an account of the Star Picture Palace from Ethel Kilgour who remembered going there as a child. Her description concludes as follows: "It was a great little cinema, jam-jar entry fee and all, and it was a form of escapism for so many children in a world so depressed between the wars".
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Picturedrome / Cinema House
3413 This photograph shows the Picturedrome/Cinema House building in the mid-to-late 1970s, after it had ceased being a cinema. As with many cinemas at the time, it was converted into a bingo hall. In 1981 it was rechristened Casino Bingo.
In the Evening Express of 22nd December 1986 it was announced that Coral Social Clubs of Nottingham had purchased the Kingsways on King Street and Casino Bingo on Skene Terrace. Both were former cinemas owned by James F. Donald (Aberdeen Cinemas) that were then operational as bingo halls.
The chairman of James F. Donald (Aberdeen Cinemas), Richard Donald, confirm the sale of the venues and expressed sadness to see them go, particularly the old Cinema House hall that had been in the family firm for over 50 years and that he had managed as a 14-year-old. Both venues were retained as bingo halls by Coral Social Clubs, which later became known as Gala Bingo.
In 1995 the Cinema House building was redeveloped and opened as a 350-capacity live entertainment centre. It was named the Playhouse after the old Donald owned cinema located at the west end of Union Street.
The new Playhouse offered live music, cabaret and dancing. At the time of opening a spokesperson for the owners, Balgownie Development Company Ltd., said "We're offering a full night's entertainment where they can come in have a meal and enjoy a night of cabaret and dancing all under the one roof". Interior changes were kept to a minimum in the redevelopment to retain the atmosphere (Evening Express, 21/10/1995, p. 4).
1995 also saw the opening of the Stage Door Restaurant in the North Silver Street side of the building. The eatery was from the same team that operated Aberdeen's Courtyard Restaurant and retained a number of design features from its time as a cinema. The restaurant had an impressive large bowed ceiling and theatre related wall illustrations. This space was later occupied by a computer gaming and esports hub called Engage Gaming. In 2020 this company changed their name to Reset Gaming and moved to premises on John Street.
After the Playhouse, the main part of the building was occupied by the Forum from 1998 and operated as a well-known concert and events venue. Most recently it was a venue called The Assembly, which sadly closed down in 2019. Pocra Quay
3568 This is a photograph taken from the Pocra Quay looking south-east across the harbour.
The hill of Balnagask is visible in the background. The image depicts a line of steam drifters, which were primarily used to catch herring.
A number of ships registered in Banff are visible with drifter Winner (BF1805) in the front. It was built in 1905 by William Geddes for John, James and Peter Reid from Portgordon.
Between 1915-1919, during the World War I it was a part of Admiralty Service under the number 3153. It served as a net vessel, which laid out anti-submarine or anti-torpedo nets.
The ship belonged to the Reid family until it was broken up in 1952 and is known as the last Portgordon drifter.
Newhills Convalescent Home and Sanitorium
3810 A group portrait of patients and staff at the Newhills Convalescent Home and Sanatorium in the 1930s.
The Newhills Convalescent Home was founded by Christian Catherine Smith in 1874. She was the wife of Rev. James Smith, the minister of Newhills Parish Church. The couple lived in the nearby church manse. Christian grew up in North Ayrshire and demonstrated concern for the welfare of others from a young age.
Christian married James Smith on 14th April 1869 and it was shortly after arriving in the parish that she recognised the potential of the place as somewhere ill people could come to rest and regain their health. The convalescent home was subsequently started at Dykeside Cottage. It was a great success and operated at this location for 7 years.
Annual newspaper reports on the home described its purpose as being for "the benefit of respectable persons in humble life who appear to be failing into dishealth, or are convalescing after non-infectious ailments."
In 1908 Christian Smith stepped down as head of the home due to ill health and was replaced by a publicly elected executive board. This was led for many years by Dr. Walter A. Reid and during his tenure the institute was modernised and extended.
In 1948 the home was incorporated into the National Health Service. Due to issues of staffing and its unsuitability during winter, the decision was taken to close the home. Patients were transferred to other local hospitals and in the same year the home was sold to Aberdeen Town Council.
The buildings were subsequently operated as a home for the elderly and homeless until March 1980 when it was sold into private hands.
After leaving the manse in 1917, Christian Catherine Smith, the founder of the home, lived at 2 West Craibstone Street. She died there on 6th December 1924 aged 81. She was buried at Newhills Church and the then minister Rev. Andrew Currie led a memorial service. He described the Newhills Convalescent Home as "an institution not only for the healing of bodies, but a place for the comfort of hearts and the cure of souls." Christian Smith's name can still be seen today in one of the church's stained-glass windows. Treasure 2: The Edinburgh Journal of Natural History and the Physical Sciences
169 In the library's historic reference collection we have a slim bound volume of 'The Edinburgh Journal of Natural History and the Physical Sciences'.
The journal is credited as being "conducted by Captain Captain Thomas Brown, F.L.S. M.W.S. M.K.S., President of the Royal Physical Society" with the assistance of "eminent scientific and literary men."
The collected issues date from the 1830s and include articles on all manner of scientific topics of the day such as "the chemical composition of native gold" and "porcupine men".
One of the most striking features of the volume is the beautifully illustrated zoological plates that accompanied each issue.
We have chosen to highlight a colourful plate of lepidopterans engraved by James Mayson in order to celebrate the wonderful butterfly book sculpture visiting Aberdeen Central Library throughout July as part of the 'Butterflies on the Move' national tour.
To view more of the zoological plates please download the PDF file located in the Document section of this record or come see the volume displayed in the library throughout July 2015. Treasure 5: The Aberdeen Bon-Accord and Northern Pictorial Holiday Numbers
173 The Aberdeen Bon-Accord and Northern Pictorial was published weekly from April 1926 until June 1959. It delighted readers with news and sports items illustrated with high quality photographs. This image is from the cover of one of the special Holiday Numbers which were produced annually in June to promote Aberdeen as "The Mecca of Holidaymakers".
It is the cover of the 1932 number, and we have also uploaded that from 1935. The covers feature pleasing use of bold colours and graphic design. In this image we see a boat racing past a packed Aberdeen beach and the city's distinctive skyline in the background.
Come and visit our 125 Treasure exhibition in the Central Library during July 2015 to take a closer look at the full bound volumes of these remarkable newspapers. Treasures 5: The Aberdeen Bon-Accord and Northern Pictorial Holidays Numbers
174 This Art Deco style cover from 1935 features a series of photographs depicting boating by the sea, the busy beach promenade and walking in the nearby hills. The lower half of the design is given over to details of the public transport available to holidaymakers with silhouettes of a tram and bus.
Come and visit our 125 Treasure exhibition in the Central Library during July 2015 to take a closer look at the full bound volumes of these remarkable newspapers. |