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Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. Doorway of the second Trinity Hall
110 This photograph shows the Denburn entrance to the second Trinity Hall, home of the Seven Incorporated Trades of Aberdeen. The first Trinity Hall was located on Shiprow and was originally a monastery. The second Trinity Hall was opened on Union Street on 6th March 1847, while the third was opened on Holburn Street in October 1967.
Many thanks to correspondent Ed Fowler for correcting the location of this image and supplying the following information on the door:
"This portal was constructed using the salvaged Memorial Inscription and Arms panels from the old Bequestor's Gateway to the 1st Tarnty Ha' which stood on Trinity Corner/Putachieside. The Trades had built this fine ornamental gateway with the following inscription: "To ye glorie of God and comfort of the poore this hows was given to the Crafts by Mr. William Guild, Doctour of Divinitie, Minister of Abd: 1633". The buildings were removed when the area was redeveloped in the 1840s but the gateway was built into the Lower Denburn wall of the 2nd Trinity Hall which was opened in Union Street in 1847." Blackfriars Street corner
121 Blackfriars Street corner, demolished in 1923 to make way for the War Memorial and Cowdray Hall. The Cowdray Hall War Memorial
122 The Cowdray Hall, War Memorial and Art Gallery taken from Union Terrace Gardens. The Hall was opened by King George V and Queen Mary on 29th September 1925. Cowdray Hall, 1927
218 Shrine, war memorial, Cowdray Hall, 1927.
The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925.
These were erected at a cost of 80,000 pounds, with the cost of the War Memorial being raised by public subscription.
The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'".
The shrine is of white and grey marble in a niche in the north wall of the Memorial Court, directly opposite the entrance. It takes the form of a table on which is placed the Roll of Honour, printed on vellum, within glass.
The table is supported by trusses decorated in Renaissance style. On either side are the Union Jack and White Ensign, representing Army and Navy, and in the centre is a laurel wreath in gilt bronze.
Also in the picture can be seen the circular balcony or gallery, with a graceful balustrade, grey marble coping and ornate mouldings, which encircles the Court and leads to various picture galleries, one of which can be seen through the doorway War memorial at Cowdray Hall
219 War memorial at Cowdray Hall. The War Memorial and the extension of the Art Gallery, including the Cowdray Hall and Museum, were opened by King George V and Queen Mary on 29th September 1925. These were erected at a cost of £80,000, with the cost of the War Memorial being raised by public subscription. The War Memorial is a cenotaph, in the form of a Memorial Court or Hall of Remembrance and is "consecrated to the memory of those 5000 of the city and district who gave their lives on land and sea 'that we might live'". Union Terrace Gardens
268 Union Terrace Gardens looking towards the War Memorial at the Cowdray Hall. Union Bridge c. 1863
373 Union Bridge c. 1863 before the construction of Bridge Street in 1865/7, looking north.
Correspondent Ed Fowler has provided the following further information on the image:
The pantiled cottages in the left foreground were occupied by handloom weavers who in the early 19th century worked for the cotton factory of Gordon Barron and Company. This was sited until 1830 on the corner of Belmont Street and Schoolhill.
The site of the factory was subsequently used for the construction of Archibald Simpson's three Free Churches, which nestled under the prominent red brick spire. Bricks for the spire were salvaged from the Dee Village demolition.
To the right of the image is the Denburn entrance to the Trinity Hall. This memorial doorway to Dr William Guild was salvaged from the gateway to the first 'Tarnty Ha'. Sadly it was later lost during demolition work for the Trinity Shopping Centre. Culter War Memorial
994 A photograph showing the unveiling of a new panel at Culter War Memorial on Sunday 19th June 1949.
The article 'Tribute to War Dead of Culter' from the Press & Journal of 20th June 1949, page 6, describes the ceremony as follows:
"A panel containing the names of 29 men from the parish who lost their lives in the recent war was unveiled at Culter War Memorial yesterday.
"Relatives of the fallen and representatives of the Boys' Brigade, Girl Guides, Brownies, and the Territorial Army were grouped round the memorial as Mrs Tough, Hillside Road, Culter, who lost two sons in the war, unveiled the tablet.
"The panel was dedicated by the Rev. J. R. Dey, Kelman Memorial Church, who, along with the Rev. T. W. Howie, St Peter's Church, conducted the service"
Culter War Memorial is a tapering, crenelated tower located on a hillock to the west of the village. It is accessed by a footpath that leaves North Deeside Road not far beyond the bridge over the Culter Burn.
Correspondent Brian Coutts has been in touch to inform us that one of the representatives of the Brownies present at the ceremony was Elizabeth McNab.
The abovementioned sons of Mrs Jane Tough of Hillside Road were Driver Frank Tough, Royal Corps of Signals, formerly an employee of Culter Paper Mills, who was killed by enemy action in the Middle East on 24th September 1942, aged 24, and Private Ernest "Ernie" Tough, 2nd Gordons, who died on 5th October 1943, aged 26, while a prisoner-of-war in Thailand. (Source: Press & Journal, 26th September 1946, page 3.)
The former, Frank Tough, is buried at Alexandria (Hadra) War Memorial in Egypt and Ernest is buried Thanbyuzayat War Cemetery in Myanmar. (Source: Commonwealth War Graves Commission website.) Trinity Lane
1208 Trinity Lane, Aberdeen, c.1975, from Exchange Street.
The Trinity place-name comes from the area once being the site of a Trinitarian Friary.
The building to the right in this photograph was once known as Trinity Chapel, or Trinity Parish Church. It was opened for public worship on Sunday 27th April, 1794.
For a number of years, the chapel was an important centre of religious life and activity. The Disruption of 1843 significantly diminished the congregation. The building was subsequently sold by the Presbytery and became the Alhambra Music Hall.
See Gammie's Churches of Aberdeen (1909) for more information on the history of this congregation and building.
A large part of the exterior still stands and the building currently houses Wagley's public house. In this photograph Alex. McKay, electrical appliance showroom, is in occupation. Newspaper notices indicate that the business moved here, from 41 The Green, in 1966.
The building in the centre of the image is best known, as shown here, as a banana warehouse for Knowles & Sons, fruiterers and later as a restaurant and art gallery. It was originally built as a church for Aberdeen's Catholic Apostolic congregation.
MUSA was a restaurant and art space, with a focus on music, throughout the first two decades of the 21st century. It closed down in October 2018.
8th March 2019 saw the opening of a new bar in the building called The Hop & Anchor, specialising in craft beer. It is owned by a company called the Draft House and this is their first pub outside London. The Draft House is owned by Brewdog, the North East beer company. Union Terrace Gardens
1654 A postcard image looking north east from Union Terrace, across the gardens, towards the War Memorial at Cowdray Hall and the Art Gallery on Schoolhill.
A large poster for the Tivoli Theatre on Guild Street can be seen on the wall next to the railway platform of the old Schoolhill Station.
The gardens below Triple Kirks, beyond Denburn Road, are also worthy of note. S.S. Intaba
2702 A postcard showing the launch of the steamship Intaba on 6th September 1910. The ship was constructed by Hall, Russell & Company at their York Street yards for John T. Rennie, Son and Company of Aberdeen and London. The launch was watched by a crowd of thousands.
The Intaba was the largest vessel built in Aberdeen at the time. It was 387 feet in length and weighted 4,832 tons. It was designed to transport passengers and cargo, initially between London and the province of Natal in the Union of South Africa. It could accommodate 70 first class passengers and 60 in second class. The ship's name means mountain in Zulu.
The Intaba and passenger liners like it were fundamental to continuing the British colonisation of southern Africa following the Second Boer War (1899-1902). In May 1910 the British Government had unified its existing and newly acquired regional colonies into the Union of South Africa.
The Intaba went on to have a long and varied career, including working trade and pilgrimage routes. It sailed for 43 years, under various names and owners, and in many different parts of the world, before its eventual demolition in Belgium in 1953.
The Aberdeen Built Ships website (link here) gives considerable detail on the ship's history and states that it was renamed twice; as the Waitomo in 1916 and the Englestan in 1927.
Correspondent Ed Fowler notes that the new ship is being maneuvered primarily by two steam paddle tugs, one on either side, and that a smaller screw steamer tug is also in attendance. He suggests one of the paddle tugs may by the Fairweather. It was built by Richard Stobbs, North Sheilds, in 1871 and was stranded in the entrance to Aberdeen Harbour in 1912. King Edward Statue Unveiling
2709 An Adelphi Series postcard showing the public unveiling of the statue of King Edward VII at the corner of Union Bridge and Union Terrace in October 1914.
A large crowd assembled for the event despite inclement weather. The statue, which was funded by public subscription, was designed by Alfred Drury and unveiled by Lord Bryce. It replaced a statue of Prince Albert that was moved to the area in front of the Central Library at the other end of Union Terrace.
Aberdeen Local Studies hold two copies of this postcard. In reference to the statue, someone has written on the rear of one: "Very nice. If you saw it you would say they could cut anything in granite".
The other postcard appears to have the latter part of a longer message dating from the First World War period. It is addressed to Camille Briendo at Châtéau de Nantes and reads "I hope I shall be accepted but as I am slightly short-sighted, I may be rejected. Perhaps I shall see you before this war is over. As soon as I know, I shall write you. As long as I am here I shall".
Also of interest in the postcard's image is a large sign for James Bannochie & Sons at their premises at 19 Belmont Street. They were a well established firm of plasterers and tilers in Aberdeen. James Bannochie died aged 70 on 29 June 1909.
The roof of the building at 49 Belmont Street, then known as the Trades Hall, and what would eventually become the Belmont Cinema, is painted to read "Coliseum". The Coliseum Cinema was opened on 22 August 1910 and was run by Messers Walker and Company. Dyce
2744 An aerial view of Dyce. The view is looking broadly south west over the village.
The railway can be seen towards the centre of image. Victoria Street runs parallel more towards the foreground. Gordon Terrace, with its war memorial can be seen coming off, heading towards the lower left of the image.
The date of the image is uncertain. It appears to predate the development of the airport to the west of the railway lines. OTHER FACTS
2895 1. Bonnie Prince Charlie was half Polish. His mother was Maria Klementyna Sobieska.
2. Marie Curie was from Poland. She discovered the two elements - radium and polonium. These elements are used in treatment for Cancer. Curie is the ambassador for the 'Marie Curie Foundation' which provides aid for cancer patients.
3. A memorial for Jan Karski can be found in the Aberdeen University. Jan was a famous WW2 resistance hero.
4. Frederic Chopin (famous music composer) visited Scotland in 1849 and his short holiday in Edinburgh is marked by a plaque on the wall of a house in Warriston Crescent
5. Polish war veteran graves and memorials can be found all over Scotland
6. There was a Polish Medical School in Edinburgh University in February 1941; which trained soldiers to become doctors
7. Queen Mary's House in St. Andrews is made from timber from Gdansk
The image on the left is a portrait of Prince Charles Edward Stuart by Louis Gabriel Blanchet, oil on canvas, 1738 (NPG 5517) © National Portrait Gallery, London. It is used here with their Creative Commons image licence (CC BY-NC-ND). The image is available to view on the National Portrait Gallery website here. The Approach to the Beach and Dance Hall
3125 A postcard showing Links Road leading to the Beach Ballroom and the promenade. Trams are visible in the distance and a bowling green and the beach bandstand seating is shown on the right.
On the left of the image, on Broad Hill, can be seen the tank awarded to Aberdeen for its response to the War Savings campaign during WWI. The tank was formally presented to the Town Council of Aberdeen in March 1920 by the Scottish War Savings Committee in recognition of the £15,000,000 raised by the town and district in war loan investments.
Work to demolish this tank was commenced on 12th October 1937. The Town Council took the decision to remove the tank, to be sold as scrap, as they considered it to be eyesore. Many war relics and trophies around the UK were being removed during this period.
The removal, or not, of the tank had been a contentious issue for some time. An earlier motion to remove the tank in October 1930 was defeated by 23 votes to 9 in the Town Council. Councillor Beaton, who seconded this earlier motion, suggested it was "a reminder of the horrors of war".
The history of the tank, and debates around its merits, can be found in old local newspapers. A Press & Journal article from 28th August 1930, page 7, indicates that the tank was called Behemoth.
This image most likely dates from the late 1920s or the 1930s. Albert Quay
3340 A long shot of trawlers moored along Albert Quay. Pedestrians and horse drawn carts can also be seen.
One the trawlers is the James Pitchers. It was built by Hall, Russell & Company in 1911. It has an entry on the Aberdeen Built Ships website here. It was requisitioned in WWI as a minesweeper and later left town for England and South Africa. It was wrecked on Robben Island in 1924.
The boat being in Aberdeen suggests this photograph was taken during the 1910s.
Behind the James Pitchers is the A194 Coningsby. The Milford Trawlers website (link here) states that the boat was built by Smith's Docks Co., North Shields, in 1906. It was also requisitioned as a minesweeper and fished out of Aberdeen for a short time after the war. Aberdeen Theatres: Tuberculosis exhibition
3375 Throughout its history the Music Hall in Aberdeen has been used for all manner purposes beyond the performing arts and film screenings.
In March 1912 an exhibition on the infectious disease tuberculosis was held in the Music Hall on Union Street. This striking poster, with the headline "War on consumption", advertised the six-day event and the accompanying series of lectures.
The exhibition was organised by the Town Council of Aberdeen and the National Association for the Prevention of Consumption. The majority of the exhibition was brought to the city by the latter party with local additions from the Aberdeen Public Health Department, the pathological and public health laboratories of the University of Aberdeen and the Aberdeen Mothers' and Babies' Club.
The exhibition arrived in Aberdeen on the 16 March from Dundee where it had been visited by 30,000 people. It had also toured Glasgow, Edinburgh, Liverpool and Hull.
At the close of the "six day crusade against tuberculosis", Lord Provost Maitland described the exhibition and lecture series as "Magnificent" and local paper The Aberdeen Journal stated that the success of the event, "judged by popularity, is beyond all doubt." In total 39,960 attended over the six days, placing Aberdeen behind only Hull which was open for an extra day.
Approximately 20,000 health pamphlets were disseminated around the city, including 15,000 catalogues freely distributed by the Public Health Committee. A copy of this catalogue, which includes an instructive article from Aberdeen's Medical Officer of Health, Matthew Hay, is kept in the collection of Aberdeen Local Studies. Aberdeen Theatres: Thanksgiving Week
3377 A photograph showing the Music Hall decorated for Thanksgiving Week.
This was a week of fundraising held in October 1945, after the end of World War II, under the National Savings Movement. The city's target was £3,000,000 and the final amount raised was £3,690,668.
One highlight of Thanksgiving Week was a Spitfire fighter plane visiting Hazlehead Park. Aberdeen Cinemas: News Cinema / Curzon / Cosmo 2
3426 An Aberdeen Journals Archive photograph of the Cosmo 2 cinema at 15 Diamond Street in January 1976.
This site was first used as a picture hall by the News Cinema which opened on Saturday 5th September 1936. This was only the second cinema of its type to open in Scotland. Michael Thomson explains that news cinemas aimed to entertain those with only limited time, with programmes lasting approximately an hour made up of comedy and local interest shorts, newsreels and cartoons. They were ideal for travellers waiting for connections or those passing time before appointments.
The News Cinema in Aberdeen was owned by Ernest Bromberg and was located next door to the Palais on Diamond Street. The cinema was converted from a former stable building that Bromberg had owned since 1931. Thomson states that "the acoustics and the RCA talkie system were excellent, and all in all the little cinema more than made up in comfort and quality for what it lacked in size."
The News Cinema made its own local newsreels that documented happenings in the town. In October 1941 one of these captured footage of the tragic fire that destroyed the upper section of the Palace Hotel and killed 6 people. Major national events such as coronations and the second world war were also heavily represented in the News Cinema's programme.
On 4th April 1955 the cinema was rebranded by Bromberg as the Newcine Continental and specialised in showing films from Europe, which were then growing in popularity. During the next year the cinema shifted back to news programmes and reverted to its original name on 3rd December 1956.
The current events function of news cinemas was increasingly superseded by the growth and availability of TV news reporting. In May 1959 the cinema changed its name to the Curzon and returned to showing continental films, including the more risqué variety which were popular at the time.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: Torry Picture Palace / Torry Cinema
3428 Torry had a cinema from as early as 1910. The Torry Skating Rink Association opened premises on Sinclair Road and called it the Torry Picture Palace. This closed down due to the First World War. In 1921 a new cinema was opened. It was called the Torry Picture House and was located on Crombie Road on the north side of the junction with Victoria Road.
It later changed its name to the Torry Cinema as we can see in this photograph. Throughout the 1920s a band accompanied films shown at the cinema and 'talkies' were introduced in 1930. In this image the film advertised is The Mystery of Mr X with Robert Montgomery which dates the photograph as being from around 1934.
The cinema closed down on the 24th September 1966. Following its closure, it was initially planned to be converted into a bingo hall. A good offer was received for the prominent Crombie Road site, however, and it was sold and the building was demolished to make way for shops. At the time of writing, in 2021, the site is the location of the Crombie Court block of flats.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Coliseum / New Kinema / Belmont
3437 The cinema on Belmont Street had operated as the Belmont from 24th June 1935. On 4th January 1938 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had acquired a controlling share in Caledonian Theatres, who ran the Majestic on Union Street and the Belmont. Michael Thomson credits Caledonian Theatres' financial difficulties at this time to their inability to book the best films.
An organisation known as the Ship Contractors' and Ship Wrights' Association had a right to sell bond on the Belmont Street property that included both the cinema and the headquarters of the Aberdeen Trades Council. From 1946 onwards the aforementioned association tried to sell the property and this was contested by the Trades Council. This fight went all the way to the House of Lords but the Trades Council's appeal was dismissed in January 1949.
Caledonian Theatres had attempted to purchase the building outright from the Ship Contractors' and Ship Wrights' Association but this sale was interrupted by the Aberdeen Sheriff Court following an appeal from the Trades Council. In the end the building was sold to the NAAFI (Navy, Army and Air Force Institutes) in February 1952 to be converted into their new Aberdeen headquarters.
Following this sale, the Belmont cinema closed on down 29th March 1952. Its final film was The Steel Helmet an American film, directed by Samuel Fuller, about the Korean War.
In mid-1956 NAAFI moved its accounts operations out of Aberdeen and put the block up for sale. On 22nd April 1958 the Clydesdale Supply Co. Ltd. moved from premises at 111/2 Rose Street to the former Trades Hall and cinema at 49 Belmont Street. The large premises were employed as the warehouse for the company's wide range of clothing, household goods, furniture, radios, televisions and radiograms. Clydesdale appear to have occupied the building until around 1962.
This Aberdeen Journals Archive photograph from 1966 likely shows the building when it was unoccupied.
During the early 1980s the building was used as a carpet showroom. In October 1994 plans were announced by Aberdeen City Council to create a media centre at 49 Belmont Street. This included three cinema screens, educational facilities and a café bar. The building was converted for this purpose but funding could not be secured for its operation.
The revamped cinema finally opened as The Belmont Picturehouse in September 2000 and was operated by the Picturehouse company. This firm was later bought by Cineworld and had to relinquish the lease on The Belmont in adherence with competition law. In 2014, the Centre for the Moving Image was selected to take on its management and the much-loved cinema became the Belmont Filmhouse.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Glenmuick Parish Church
4223 A photograph looking south from Bridge Street in Ballater towards the front elevation of Glenmuick Parish Church. A small part of Ballater's war memorial can be seen seen on the left.
Glenmuick Parish Church was built in 1873-74 to a design by Aberdeen architect John Russell Mackenzie (1833-1889). Describing its historical importance on their listed buildings portal, Historic Environment Scotland state the following:
"Francis Farquharson, and later his brother William, planned Ballater in the late 18th century, following the discovery that the Pannanich Wells across the River Dee were deemed to have miraculous healing qualities. This led to a steady stream of visitors and Ballater was planned as a village that could house them. The village was based on a rectilinear plan with the church at its centre. This early church was a simple building with a wooden steeple and was built to accommodate the people of the three surrounding parishes - Glengairn, Tullich and Glenmuick. It was consecrated in 1800.
"With Queen Victoria's interest in Balmoral in the 1850s and the arrival of the railway to the town in 1866, Ballater grew more prosperous and the older church was thought not be sufficiently in keeping with the new more prosperous town and the present church was built."
The war memorial in the bottom left, designed by Sir John J. Burnett, commemorates soldiers who died in World War I and II. It was unveiled on 23rd July 1922 (Press & Journal, 24th July 1922).
This image likely dates from the 1970s or 80s. It is a part of a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's Publicity department. |