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Girdleness Lighthouse
467 Girdleness Lighthouse at the Bay of Nigg. Constructed in 1833, the architect was Robert Stevenson, grandfather of the Treasure Island author. Union Bridge
598 A George Washington Wilson photograph of Union Bridge, Union Street. Signs for James Lorimer & Son and James Lumsden & Co. are visible on nearby buildings. Jack's Brae
710 A photograph looking north west up Jack's Brae, from its junction with Upper Denburn, in the Rosemount area. Jack's Brae was named after the owner of property there. This photograph likely dates from the mid-to-late 19th century.
The Ordnance Survey town plan of Aberdeen, 1:500 scale, surveyed in 1866-67 depicts a "Coffee Roasting and Grinding Works" at the top of Jack's Brae at its junction with Leadside Road. A large chimney of these works can be seen on the right side of this image in the distance.
These works were the premises of John Strachan. In the Aberdeen Post Office Directory for 1867-68, Strachan is described as follows:
"Strachan, John, coffee roaster, coffee, sugar, and sugar grinder, Jack's brae" (page 213).
Aberdeen City Council's Historic Environment Record describes the site thusly:
"Site of meal mills, built in the 18th - 19th Centuries and demolished in the 1980s. The works was two-storey with a basement, comprising a 9-bay range with a single kiln and a three-storey with attic 5 by 6-bay block of later date. There were also two 2-storey store blocks. The mill was originally water powered, later electrically driven. The OS 1st edition map depicts a coffee roasting and grinding works here; they are annotated as corn mills on the OS 25in map published 1924." (link here).
The business was known as John Strachan & Sons and the works as Gilcomston Mill. The business was started in around 1852 and John Strachan was succeeded as its proprietor by his son James Strachan (1838-1914). His obituary can be found in the Evening Express of 28th December 1914, page 5. His son, John Strachan, was later to become the business's managing director. The obituary of this later John Strachan can be found in the Press & Journal of 1st July 1935, page 8.
At the time of writing in 2022, the site is occupied by a residential complex called Strachan Mill Court - no doubt named after the coffee roasting and milling enterprise. Lower Justice Mill, Union Glen
810 Justice Mills of one kind or another are first mentioned in the 1300s, and were the site of a famous battle. In their final form, an Upper Justice Mill occupied a site later partially covered by the Odeon Cinema building, while the Lower Mill stood in Union Glen, at the bottom of the steep slope with its mill dam above and behind it (see water wheel centre left). The left hand part of the building and the wheel were removed when the cinema was built, the dam was drained and a thoroughfare created into Union Glen, but the central and right hand parts survived, albeit derelict, into the 1960s.
The wagon in front of the buildings is painted with the business name James Alexander & Son, Grain Merchants. The 1866-67 Ordnance Survey large scale town plan of Aberdeen indicates that Lower Justice Mill was a corn mill.
A black cat can also be seen in the centre right of the image and a woman carrying some type of load is in front of the waterwheel.
Correspondent Geoffrey Mann has been in touch to inform us that in 1793 there was a miller at the Justice Mills called George Reid. This information was found from an Old Machar baptismal record for his and Margaret Smith's (his wife) daughter Elizabeth.
Coincidentally, there was another George Reid (1826-1881) who was a partner in the prominent seedsmen and agricultural implement makers, Messrs Benjamin Reid & Co., who had their Bon-Accord Works just to the east of the Justice Mills. The obituary of this later George Reid from The Aberdeen Journal 16/07/1881 states that at the time his death he lived with his two sisters in Justice Mill Lane. James Tulloch
1914 A portrait of Baillie James Tulloch (30th September 1830 - 16th November 1925). Upon his death, at home at 5 Devonshire Road, The Press and Journal wrote that "Aberdeen has lost one of its oldest citizens and certainly one of the most public spirited it has possessed in the course of the last half-century."
Tulloch was the second son of a ship-master who hailed from Shetland. He was a "Fittie Boy", having been born at 14 Clement Street. His primary business was supplying emigrant boats with groceries and other supplies. He was one of the founders of the Party of Progress and entered the council in 1869.
He was instrumental in the construction of Victoria Bridge after the Torry ferryboat disaster. He was also associated with the Riverside Road scheme, Ferryhill, Union Terrace improvements and the Public Library movement. Tulloch was also involved in infrastructural improvements to mail delivery, railway and the telegraph. Furthermore, he played a crucial role in the extension of the university. Baillie Daniel Mearns
2037 Daniel Mearns (1838 - 12th February 1913) served as Provost of Aberdeen from 1895-1898. He was the youngest son of a shipmaster in Aberdeen, also called Daniel Mearns, and worked as a ship chandler in the firm of Mr P. Buyers at Regent Quay. He enter the city council in 1876 and was also a member of the Harbour Board up until his death. He was involved in many schemes to improve the city such as encouraging the Corporation to purchase tramways and the construction of the larger market. Mearns also served on the Scottish Fishery Board and the Marine Board, was Consul to Argentina and a Governor of Robert Gordon's Technical College. Sir Alexander Anderson of Blelack
2044 A portrait of Provost Sir Alexander Anderson (10th June 1802 - 11th April 1887). He served as Provost of Aberdeen from 1859-1866. He was the only son of Alexander Anderson, minister of Strichen, and Helen Findlay. Anderson graduated from Marischal College in 1819 and was admitted to the Society of Advocates in 1827. Later he formed a partnership with William Adam, creating the firm Adam and Anderson which existed until 1867. He entered the Town Council in November 1859. On the 13th October 1863 the Prince Consort's statue at the corner of Union Terrace, later moved to Rosemount Viaduct, was unveiled by Her Majesty and on this occasion Anderson received his knighthood in recognition of his public service. This portrait was painted by Sir George Reid. He and his wife are buried in the graveyard of St Nicholas Church. Peter Esslemont
2045 A portrait of Provost Peter Esslemont (1834 - 8th August 1894). He served as Provost of Aberdeen between 1880-1882. He was the son of Peter Esslemont, farmer, and Ann Connon and was born at Balnakettle in the parish of Udny. He was apprenticed with William Shirras, wholesale draper and manufacturer in Aberdeen. He later went into partnership with William Macintosh in the wholesale and retail trade. Esslemont entered the Town Council in November 1869 and was a member of the "Party of Progress." He died at his residence, 34 Albyn Place, aged sixty years. Alexander Pirie II
2049 A portrait of Doctor Alexander Pirie II (1812 - 1875). The son of Alexander Pirie I (1778 - 1860), both were important figures in the development of Stoneywood Papermills and the Alex. Pirie & Sons company. Alexander II had Stoneywood House built in 1849-50, it was designed by James Matthews. He died in 1875 during a short trip to Dresden and his funeral took place at St. Peter's. Francis Pirie of Waterton
2050 A portrait of Francis Pirie of Waterton (1808-1870). The son of Alexander Pirie I (1778-1860). Joined his father in 1836 as a senior partner in the Stoneywood Papermill. He lived at Waterton and then Stoneywood House in later life. He died at Morland, Skelmorlie, Ayrshire aged 61 and is buried in St. Peter's Cemetery, Aberdeen.
Correspondent Hugh Flouch has been in touch with the following additional information about Pirie:
"Between at least 1841 and 1844 (documented in census and local tax map), Francis Pirie lived in The Hermitage, Hermitage Lane (Now Hermitage Road).
"Now in Harringay in the London Borough of Haringey, it was at the time in the Parish of Tottenham. However, its location right in the southwest corner of the parish meant that it was as likely to be referred to as being in Stoke Newington or Stamford Hill. Pirie's will used both of the latter two locations.
"He and his family had moved to St. Pancras by the time of the 1851 census." G. W. Morgan Portrait
2145 This portrait of a smartly dressed young man was taken by G. W. Morgan (1855-1909). The photo features the ornate furniture and painted background that was the convention of the time. On the rear of the postcard photograph is printed "For further copies apply Elite Studios, 5 Market St, Aberdeen." This dates the image as between 1897 and 1907 when the business was trading under this name at the Market Street premises. Morgan and his brother William also operated photographic studios at 3 Bridge Place, 393 Union Street, and two in Aboyne and Ballater.
Morgan was the son of a blacksmith from the village of Clatt, called John Morgan. Born in 1855, George trained as a druggist in Aberdeen before leaving for California where he worked as a photographer. He returned to the city in 1880 and became the principal photographic assistant to Mr Dinnie of Bridge Place. The premises in Market Street were his first studio after going into business with his brother. He lived at Westfield Terrace.
In the coming years Morgan established a reputation in the city as an excellent photographer and businessman. He was described in his Aberdeen Daily Journal obituary as "A thorough artist in every sense of the word. Mr Morgan was remarkably successful in developing the very extensive business, and it was largely owning to his efforts that the firm attained its well deserved renown for the excellence of its portraiture and scenic work, all of which reach a high degree of artistic merit."
In 1909, Morgan died aged 54 in quite unusual circumstances. On the night of 25th June he was travelling with Mr J. B. Davidson, a solicitor and business associate, to London on the Caledonian sleeper train. All was well up to Stirling when the two men went to sleep. Davidson was awoken in the night by the wind blowing into their compartment and with Morgan nowhere to be seen. After a thorough search of the train and much telegraphic inquiries it was determined that Morgan had fallen from the train and died just south of Carstairs. The exact conditions of his death are unknown but it was believed that he woke in the night and groggy with sleep used the wrong door.
In addition to photography Morgan was a very accomplished violinist and acted as choirmaster for Ferryhill Parish Church for many years. He and his wife had 12 children. Balnagask Golf Course
2249 The golf course at Balnagask, Torry. The JV in the bottom left of the image identifies this as the work of James Valentine's studio. He was a Dundee based rival of Aberdeen's George Washington Wilson. In the background of the image you can see Girdleness lighthouse which was built by Robert Stevenson - grandfather of Robert Louis Stevenson. Union Street Looking East
2312 An Adelphi Series postcard looking east down Union Street. Trams for Rosemount and Queen's Cross can be seen in the centre of the image.
The premises of Knowles & Son, fruit growers and importers, can be seen on the right at 77 Union Street. They moved into this shop, previously occupied by booksellers Messers Brown & Co. in 1893.
A sign for Sangster & Henderson's Warehouse is visible high up on the side of a building in the background and the 2nd statue of Queen Victoria is visible in its original location at the junction with St Nicholas Street.
The postcard is number 148 from the Adelphi Real Photographic Series. Treasure 32: George Washington Wilson South Africa Photography Collection
2320 George Washington Wilson is one of the great names in 19th century photography, famous for capturing images of people, buildings and landscapes across Scotland. His photography drew attention to the beauty of his country, but his travels further afield are not as well known.
As an innovative pioneer in photography, George Washington Wilson's work reflected the reality and attitudes of society during his lifetime (1823-1893). In our collections we hold a vast selection of photographs and portraits taken by the G. W. Wilson Company in South Africa. These images were taken by his son, Charles Wilson, and Fred Hardie, a company photographer of George Washington Wilson & Co.
The company's photographs of South Africa captured scenes of the country which would have been perceived as unusual and exotic to British people at the time.
South Africa and its Treasures
The majority of British colonization was concentrated in South Africa during the 19th century. In the past, the country was colonized in order to control one of the main trade routes to India. Due to the abundance of resources such as spices and tea, European interest in Africa increased dramatically in the late 19th century, especially with the discovery of gold and diamonds in the 1860s-1880s.
On their return to Britain, George Washington Wilson & Co presented many photographs showing these natural resources, from the Robinson Gold mine in Johannesburg to De Beers Diamond Mines in Kimberley.
Tea was also a very valuable resource, and people in Britain were keen to learn more about its production and its use in South Africa.
Photography and Tourism
The collection held by Aberdeen City Libraries shows local places of interest in South Africa. These photographs capture Cape Town and Johannesburg, two of the biggest cities in the country. Many Europeans emigrated to these cities in the 19th century, due to the discovery of valuable resources in the surrounding area.
With the rapid rise of tourism in this period, George Washington Wilson & Co. looked for new ways to promote and sell their work. Around 1880-1890, they started to commercialize their photography via picture postcards, a relatively new concept in Britain. This new form of media met with huge success as it was easy to write and cheap to send. It soon became the standard way to communicate with friends and family when abroad, a holiday tradition which remains today.
The postcards, in colour and having a standard size, featured many different scenes from South Africa and were viewed as an innovative way to publicize the country - and the works of photographic firms such as George Washington Wilson & Co. Girdleness Lighthouse
2385 The Commissioners of the Northern Lighthouses were responsible for the erection of Girdleness Lighthouse. It was designed by their engineer Robert Stevenson and building commenced in 1831. The lighthouse came into use as a permanent light station on 15th October 1833.
This photograph comes from the Lord Provost of Aberdeen, George Stephen's, Christmas card of 1958. 446 and 448 Union Street
2615 This photograph of Union Street was taken in 1936 and shows the premises of John Raffan, shoe fitting specialists, at 446 and Dugan & Mitchell, clothiers, at 448 Union Street.
James Dugan and Duncan Mitchell entered into partnership around 1919. Mitchell had previously been in the former's employment as a cutter.
Dugan had worked as a tailor on his own account since about 1907 in premises in Bon Accord Street, Rose Street and 443 Union Street. Prior to this he was a commercial traveller representing two local tailoring firms; Messers Milne and Low and Messers Kenneth McLean and Sons.
He became a well respected figure in the tailoring and clothing trade in Aberdeen and the North East. He was the son of a china merchant in George Street called Hugh Dugan. James was married and had a daughter. He died suddenly at his residence at Glen-Shiel, Bieldside on 10th May 1927.
Duncan Mitchell was a native of Largs, Ayrshire and served his apprenticeship in Glasgow. He was a keen golfer and was a member of the Deeside Golf Club. He died aged 73 after a short illness in January 1955.
John Raffan died on Sunday 10th June 1906 after suffering an apoplectic seizure in his Union Steet shop the preceding Friday. He was 52 years old at the time of his death. He was born in the parish of Ordiquhill and his father was a shoemaker named James Raffan.
He served his apprenticeship in Portsoy with a draper called James Guthrie before coming to Aberdeen. He worked with Messers J. & A. Gibb and Mr James Saint, warehousemen and silk mercers, prior to starting his own business as a boot and shoe merchant in Market Street and then Union Street.
Beyond his business, Raffan was deeply involved in religious and philanthropic work. He was a force in the establishment of Union Grove Baptist Church and was connected to Aberdeen Royal Infirmary, as a life member, the Aberdeen Association for Improving the Condition of the Poor, the Seabank Home, and Stronach's Close Mission. He was married and had a daughter and two sons.
Above the shop fronts is a sign for Imperial Typewriters. The buildings in this photograph were across the road, just west, from the Capitol Cinema. They are still visible today. In more recent times they have been occupied by general food shops such as the Co-operative and Costcutters. New Market
2706 An Adelphi Series postcard (no. 49) showing the interior of Aberdeen's indoor market. It is referred to as a the New Market as it was rebuilt in 1883 following a serious fire in the original Archibald Simpson building.
A large "Good Wishes" sign can be seen hanging from the ceiling. In addition to stalls selling flowers and fresh produce, the book and art print stands that made the market a much loved venue for collectors are also in evidence.
The premises of the American Restaurant can be seen at the far end of the hall. It served "good dinners" for 6d and promised "prompt attention" in newspaper adverts from 1895. It's frontage indicates it was a company with offices in London and Newcastle.
There is a sign for the Ellon Stall towards the back. Correspondent A. G. Duthie informs us that this outlet, which existed for much of the 20th century, specialised in country produce like eggs, cheese and butter. The company that ran the stall was George Milne & Son (Ellon Stall) Ltd, grocery and provision merchants, and they can be found recorded in the old Post Office Directories. Walford Bodie
2996 In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain.
He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street, Aberdeen on 11 June 1869, he was the son of a journeyman baker called William Bodie and his wife Margaret and received his education at Robert Gordon's College.
He went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon' and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on the Earth.
At Aberdeen City Libraries we hold a family photograph album that offers an insight into the life and times of Bodie and his amazing family.
The inscription on this image reads "To Dear Nan with Fondest Love Sam". Aberdeen Theatres: Walford Bodie
3392 A profile photographic portrait of Aberdeen born magician and entertainer, Walford Bodie (1869-1939).
In the late-Victorian and Edwardian periods, at the height of music hall variety, Dr Walford Bodie M.D. was one of the most famous and highly paid entertainers in Britain.
He remains an enigmatic and charismatic figure in the history of the North East. Born Samuel Murphy Bodie at 33 George Street on 11th June 1869, he was the son of a journeyman baker called William Bodie and his wife Margaret and received his education at Robert Gordon's College.
He went on to become a leading showman, hypnotist, ventriloquist, controversial 'bloodless surgeon' and was billed variously as The Electric Wizard, The Modern Miracle Worker of the North, and The Most Remarkable Man on the Earth.
The medical profession questioned his qualifications and right to the title of doctor. He would respond that his qualifications were from the United States, a country at the forefront of medical science, though he once conceded that the M.D. following his name in fact stood for "Merry Devil".
This photograph comes from a family photograph album, originally owned by Annie "Nan" Henry, held by Aberdeen City Libraries. Aberdeen Cinemas: Casino
3410 An Aberdeen Journals Archive photograph of the Casino cinema in around 1963.
The Casino cinema was opened on Wales Street on 7th February 1916 by John Peter Kilgour, a dealer in various waste materials. It had close competition with Bert Gate's Star Picture Palace just around the corner on Park Street. Michael Thomson in The Silver Screen in the Silver City describes the Casino as the second of Aberdeen's purpose-built picture halls. It and the "Starrie" served the population of the city's east end for many years.
The Casino was built on the site of Kilgour's factory yards. The architects for the project were George Sutherland and Clement George. The building's "Spanish villa" design is described by Thomson as unique for Aberdeen and highly unusual throughout Scotland. One distinctive feature was the low square tower at the Park Street side of the building that was topped by a red-tiled concave pyramidal roof. Thomson writes that features of the building combined to "bring a welcome splash of colour and gaiety to an otherwise drab corner of the city."
Following the death of John Peter Kilgour in 1920, the running of the Casino and his waste business was taken over by his son, Ormande L. Kilgour.
In the silent era the venue was a stronghold of cine-variety, showing all manner of performances in-between film screenings. In February 1936 the cinema celebrated its 20th birthday and a cake was cut by Kilgour and one the Casino's oldest patrons, a Mrs Stewart.
In November 1939 Bert Gates and Aberdeen Picture Palaces bought a controlling interest share in the Casino. The Beach Boulevard, which opened on 25th May 1959, ran directly outside the cinema and gave the Casino a prominent location. In March of that year the cinema was given a thorough renovation.
Despite its new prominent location and recent renovation, the Casino closed down as a cinema on Saturday 3rd October 1959. A spokesperson for the Donald Cinemas Group stated in the Evening Express at the time that the closure was due to the housing in the area being pulled down and people moving to new estates. Michael Thomson suggests that the proximity of the relatively new first-run Regal in Shiprow might also have drawn away the hoped-for holiday crowds from the Casino.
In 1961 the empty Casino was sold to local bookmakers James Rennie and Arthur Forbes to be used as a bingo hall. This was at the height of bingo's popularity and the Casino proved too small. The bingo operation was moved to the Kingsway Cinema which had showed its final film, Warlord of Crete on 3rd February 1962.
The area around the Casino was earmarked for redevelopment by Aberdeen Town Council. The cinema building was compulsorily purchased and, after spending some time as a store, was demolished at the same time as the Star in 1971. The site is now occupied by a residential development.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Aberdeen Cinemas: West End / Playhouse
3415 An Aberdeen Journals Archive photograph of the Playhouse at 475 Union Street in January 1959. The venue originally opened on 12th November 1915 as a cinema called the West End. This was the first venture into full-time picture-hall proprietorship by James F. Donald, a key figure in the history of independent cinema exhibition in Aberdeen.
Donald was born in Newhills and came to Aberdeen for an apprenticeship with a coachbuilding firm. He had a varied career before coming to prominence as a highly successful dancing teacher. He was the leader of the Gondolier School of Dancing and Deportment.
He moved into the cinema business after acquiring the necessary projecting equipment and occupying a former billiard hall above the Aberdeen Dairy at 475 Union Street. Michael Thomson in Silver Screen in the Silver City (1988) describes the cinema as a "strictly utilitarian affair", but a successful one at that. It was only heated by stoves, and coupled with being above a diary, it became known as "The Tuppenny Freezer".
Donald's lease on the cinema expired in September 1920 and he was immediately followed as proprietor by Bert Gate's Aberdeen Picture Palaces. It was a time of expansion for the incoming company. They had recently purchased The Picturedrome on Skene Terrace and shortly looked to transform the West End. The latter closed on 2nd April and reopened on 14th September 1921 as the 1,000-seater Picture Playhouse.
The opening ceremony was attended by Gates, the cinema's architects George Sutherland and Clement George, and various local VIPs. The opening films were A Yankee in the Court of King Arthur, a comedy called Jerry on the Spot, Pathé news, and another short. Thomson states that Aberdeen Picture Palaces were "now the proud possessor of a large, well-situated 'flagship' house, and Union Street now sported a fine up-to-date cinema."
The design of the Playhouse was "classical" and up-market, in accordance with its prominent west-end location. As seen here, the Union Street entrance was surrounded by white Sicilian marble facings on a black marble base. The paybox was oval in shape with one end in the vestibule and the other in the front foyer.
The main foyer was through the Union Street part of the building and up a 12-feet wide carpeted, marble stairway. This way was a tea room called the Ingleneuk, the manager's office, and the ornately decorated auditorium. The plush new cinema represented competition for the nearby Picture House.
Bert Gates, the manager of the Playhouse, was somewhat sceptical of the talkies but fully embraced the new development in February 1930 with the installation of a full Western Electric sound system.
The opening of Aberdeen Picture Palace's Capitol down the road in 1933 saw a reduction in ticket prices at the Playhouse. The two partner cinemas were advertised at the time as "Aberdeen's Premier Pair".
On 23 May 1941 it was announced that James F. Donald (Aberdeen Cinemas) Ltd. had bought a controlling interest in Aberdeen Picture Palaces. This meant that the Playhouse, along with the other APP venues, were now in the Donald circuit of cinemas.
This photograph dates from 1959 shortly before the cinema was relaunched as the Playhouse Continental, showing popular, often more risqué, films from Europe. This only lasted for a couple of years and the cinema reverted to being the Playhouse in 1961. This photograph shows the cinema advertising The Wind Cannot Read with Dirk Bogarde and All for Mary.
By 1973 the profitability of the Playhouse was eroded by spiralling costs. The owners of the building, builders James Scott & Son, had moved premises and were looking to dispose of the Union Street property. The cinema's lease was terminated at the end of 1973 and the cinema closed on 9th May 1974. Ownership of the block passed to Devanha Properties Ltd. and after lying empty for a few months the Playhouse was demolished to make way for a new block of shops and offices.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Matthews' Quay
3532 A photograph taken from Matthew's Quay looking east into the Tidal Harbour and beyond.
The image depicts multiple docked fishing vessels with registrations from Kirkcaldy, Methil, Banff, Inverness and Aberdeen.
The last ship in the first row is the fishing liner Sickle (BF1787) which was built by George Innes & Son in 1894 in their Three Creeks yard in Portknockie. It was later broken up in 1919.
Seen in the second row of ships is the Favourite (INS163) owned by W. Cormack. This is an Inverness registered steam drifter which operated from 1907 until it was scrapped in 1937.
The last ship seen in the second row is the fishing drifter Diligence (BF172) built by John Duthie, Sons & Co. in Aberdeen in 1906. Its first owner was George Falconer in Banff which explains the BF designation. After coming into the ownership of Thomas and Andrew Adam in Kirkcaldy it was re-registered with the designation KY164 in 1913. The Diligence was later broken up in 1936.
To the right can seen the steam liner White Rose (A149). A Buckie Advertiser article from 23rd November 1899 mentions it being built for a client in Aberdeen and being towed to the city by its sister ship the Caledonia. It was renamed the Silverna on 8th July 1922. On 14th February 1929 it was sold for breaking up. It was the first steam powered fishing vessel built in the Buckie district.
In front of the White Rose can be seen the Unity (INS450) which was launched from Buckpool in 1896 and belonged to J. Ralph and W. McPherson.
The presence of the Diligence with the designation BF rather than KY suggests that this photograph was taken before 1913 while the presence of the Favourite (INS163) suggests the photograph was taken after 1907. Matthews' Quay
3533 Photograph taken from Matthew's Quay looking east into the Tidal Harbour and beyond.
The photo depicts multiple docked fishing vessels with registrations from Kirkcaldy, Methil, Banff, Inverness and Aberdeen.
The last ship in the first row is the fishing liner Sickle (BF1787) which was built by George Innes & Son in 1894 in their Three Creeks yard in Portknockie. It was later broken up in 1919.
Seen in the second row of ships is the Favourite (INS163) owned by W. Cormack. This is an Inverness registered steam drifter which operated from 1907 until it was scrapped in 1937.
The last ship seen in the second row is the fishing drifter Diligence (BF172) built by John Duthie, Sons & Co. in Aberdeen in 1906. Its first owner was George Falconer in Banff which explains the BF designation. After coming into the ownership of Thomas and Andrew Adam in Kirkcaldy it was re-registered with the designation KY164 in 1913. The Diligence was later broken up in 1936.
To the right you can see the steam liner White Rose (A149). An 23rd November article from the Buckie Advertiser mentions it being built for a client in Aberdeen. It was towed to Aberdeen by its sister ship the Caledonia. It was later renamed to Silverna on 8th July 1922. On 14th February 1929 it was sold for breaking up. It was the first steam powered fishing vessel built in the Buckie district.
In front of the White Rose can be seen the Unity (INS450) which was launched from Buckpool in 1896 and belonged to J. Ralph and W. McPherson.
The presence of the Diligence with the designation BF rather than KY suggests that this photograph was taken before 1913 while the presence of the Favourite (INS163) tells us that the photograph was taken after 1907. Regent Quay
3578 One of the two plates depicting a pannier tank shunting engine.
It appears to be 0-4-0ST model locomotive built in 1925 by Andrew Barclay to work at the Aberdeen Corporation Gas Works, as indicated on its side. It was employed there until it was replaced by diesel power in 1964.
The locomotives transported coal from the harbour to the gas works. As the railway ran alongside public roads they were fitted with side skirts which covered their motions.
The locomotive has been restored as a static exhibit at the Grampian Transport Museum in Alford, Aberdeenshire.
In the background can be seen the businesses of George Bissett & Son, engineer and blacksmith at the entrance to Sugarhouse Lane, M. Craigmile, tobacconist at 73 Regent Quay, another tobacconist and grocer with the surname Wattie, and the offices of the Aberdeen, Newcastle, and Hull Steam Co., Ltd at number 79. This latter business was at the junction with Commerce Street. |