Quick Search
|
Search Results
You searched for: More Like: 'Pine without tears'
33 items
items as
Woolmanhill looking towards Schoolhill
148 Photograph of Woolmanhill taken 1907, looking towards Schoolhill. This image is thought to show the house where Joseph Robertson (1810-1866), the journalist and historian, was born.
For more information on Robertson see the entry about him in the Oxford Dictionary of National Biography (available online with an active library membership) and an obituary for him can be found in the Aberdeen Journal of 19th December 1866, page 6.
Roberston was mostly likely born at 73 Woolmanhill. He and his family certainly appear to have lived at this address for some time. Robertson is listed at this number in the Aberdeen Directory 1833-34 (D. Chalmers & Co.), page 116. Additionally, a death notice for Robertson's mother, Christian Leslie, features in the Aberdeen Journal of 23rd March 1859, page 5, which gives her address as 73 Woolmanhill.
Exactly which of the shown buildings is Robertson's birthplace, or no. 73, is somewhat unclear. A Press & Journal article on "Historic Woolmanhill" from 6th June 1925, page 5, states "it was in the line of houses that separate Blackfriars Street from Woolmanhill that there was born in 1810 Joseph Robertson, who became the most noted antiquary of his day, the most accomplished that Aberdeen has produced." This would suggest that Robertson's birthplace is one of the buildings on the left.
This image featured in the Evening Express' 'Flashback' feature from 12th January 1985, page 12. The accompany information states "Joseph Robertson, an eminent historian and one time editor of the 'Aberdeen Observer' was born at 37 Woolmanhill - the tall building in the foreground of our picture - in 1810." This slightly vague description could refer to the building on the right of the image or perhaps to the first tall building on the left side of the road. The latter would accord better with other references. Additionally, the buildings on the right were known as Black's Buildings.
The above reference to "37 Woolmanhill" may initially suggest a confusion of 73 Woolmanhill, but the former is not without precedent. In Historical Aberdeen (1905), within an informative chapter on Woolmanhill, G. M. Fraser writes the following on page 149:
"Then hardly less remarkable, either in historical knowledge, or general scholarship, was Dr. Joseph Robertson, whose name appears so frequently in these pages, born in the unpretending house, still standing, No. 37 Woolmanhill. It is strange that in Aberdeen there is no public memorial of this distinguished man."
If 37 Woolmanhill is the correct address, 1950s Ordnance Survey mapping, which includes building numbers, suggests the relevant house may be the one in the centre of this image, of those on left, in the middle distance, just after the building marked as a tea warehouse. The Castle Street / Rosemount / Mile End horsedrawn omnibus
357 The Castle Street / Rosemount / Mile End horsedrawn omnibus.
This photograph looks north towards the houses where Beechgrove Terrace becomes Kings Gate. Provost Cruickshank's coat of arms on Ruthrieston Pack Bridge
521 Provost Robert Cruickshank's coat of arms on Ruthrieston Pack Bridge, which he had installed without being first sanctioned by the City Council. He refused to remove it and the Master of Bridgeworks turned the panel over and had engraved a Latin inscription recording that the bridge was erected out of funds mortified for the upkeep of the Bridge of Dee. By 1705 the stone was again reversed and Cruickshank's coat of arms was visible again. St. Nicholas Church and Churchyard
744 St. Nicholas Church, without a spire following the fire of 1874, and Churchyard from Union Street. Rob Roy statue number 2, Culter
960 The statue of Rob Roy at Culter - number 2, 1850-1926. A Rob Roy figure has stood on this rocky ledge high above the Leuchar Burn just before it reached Culter Paper Mills for around 150 years. It has become a tourist attraction for those travelling on the North Deeside Road at Peterculter, about 8 miles from Aberdeen. However, there is no historical evidence to support the legend that Rob Roy MacGregor left the gorge to escape his pursuers. The original figure is supposed to have been a figurehead from a Peterhead whaling ship and it was replaced in about 1865 with the carved wooden stature seen here. It apparently suffered damage before the First World War when local Territorial soldiers practised their firing skills on it. However, by 1925, the figure was in a poor state due to the effects of time and weather. A committee was appointed to secure a new stature and an Aberdeen woodcutter, David Graham, created a figure from a nine foot high block of Quebec yellow pine. It was unveiled on 3 July 1926. This figure lasted until 1991, when it had to be replaced again after being damaged by vandals. Treasure 35: Notes and Jottings of G.M. Fraser
2323 George Milne Fraser had a lifelong interest and expertise in local history; delivering talks (as seen in the December 2015 Treasure), publishing books and numerous letters and articles in the local press. His 'Notes and Jottings' collection comprise over 70 volumes, mostly hand written (including a form of shorthand), which are a treasure trove of information about the local area.
Within these notebooks are newspaper articles and advertisements, photographs, personal correspondence, sketches and many other interesting bits and pieces. Library staff have compiled an index to this invaluable resource and consult it on a regular basis when researching enquiries. It is quite a challenge deciphering his handwriting sometimes!
As a journalist by profession, G. M. Fraser retained his talent for writing and contributed articles to the Aberdeen Free Press, Bon Accord and Northern Pictorial, Evening Gazette, and journals such as the Deeside Field.
His contributions to local literature began in 1904 with the publication of The Green. Historical Aberdeen appeared the following year and after Aberdeen Street Names in 1911 the Town Clerk Depute wrote to Fraser with the words "We must now regard you as our Principal Historian".
The Life and Work of G. M. Fraser
G. M. Fraser was appointed city librarian in 1899 and was the second public librarian in Aberdeen. He can be seen on the far right of this image from the library archive.
His name was known all over the north east and he was mentioned in the chorus of one of Harry Gordon's popular songs, The Auldest Aiberdonian: "I ken lots o' stories G. M. Fraser disna ken". On 30 October 1923 he gave a 15 minute talk on the radio about Castlegate, becoming the first librarian in Aberdeen to make a radio broadcast.
During his term of office there were many developments in the Library service:
- The Central Library was extended in 1905 to include a new reading room
- Branch reading rooms and delivery stations were established throughout the city
- The Juvenile Library in Skene Street opened in 1911
- Open access was introduced in the Lending Library 1925 (find out more about Open Access libraries in the October treasures!)
- Fraser's strongest legacy is the Local Studies collection, which still contains many of our treasures.
G. M. Fraser was remembered very fondly after his death on 7 June 1938. There were many tributes including one from the Library Committee. Perhaps one of the warmest tributes was paid by his successor as City Librarian, Marcus Milne:
"Somehow the Library and G.M. were one. You could not think of the Library without thinking of that kindly figure who was head of it; and one could not meet him without thinking of the building he graced for so long. Mr Fraser had 2 hobbies and work was both of them. He lived for nothing else. The library was ever uppermost in his thoughts and closely allied to his love for the Library was his great love for things Aberdeen".
Mr Fraser's funeral service was attended by many prominent city officials and floral wreaths included one from Lady Aberdeen with the inscription "In affectionate and grateful remembrance of a much valued friend". He is buried in Springbank Cemetery.
In 1955, Aberdeen's first post-war permanent branch library was opened at Northfield and named the G. M. Fraser Branch Library in his honour.
In further recognition of his contribution to the development of the Library service, a commemorative plaque can be found on the front of the Central Library building. Aberdeen Cable Subway
2886 This photograph shows the interior of the Aberdeen Cable Subway and was taken on the 1st March 1903. The subway was constructed as part of the Dee Village Electricity Works.
It was designed as a clever way to supply electricity to key areas without either unsightly overhead cables or repeatedly digging up of the streets. It was installed at a cost of £18,661 and was eight feet high by four feet eight inches wide. It runs up Crown Street, turns along Langstane Place and horse-shoes into Holburn Street.
It was designed with room to add cabling as demand increased. In order to minimise disruption, the subway was installed at the same time as a new sewer located below. The cable subway is still there today and remains one of many intriguing subterranean features of the city. The subway's ornate Art Nouveau ventilation shaft can be seen at the western end of Justine Mill Lane.
This image is from an album of photographs held by Aberdeen City Libraries detailing the construction of the Dee Village Electricity Works between 1901 and 1903. Aberdeen Cable Subway
2887 This photograph shows the Aberdeen Cable Subway under-construction in around 1901. The subway was constructed as part of the Dee Village Electricity Works.
It was designed as a clever way to supply electricity to key areas without either unsightly overhead cables or repeatedly digging up of the streets. It was installed at a cost of £18,661 and was eight feet high by four feet eight inches wide. It runs up Crown Street, turns along Langstane Place and horse-shoes into Holburn Street.
It was designed with room to add cabling as demand increased. In order to minimise disruption, the subway was installed at the same time as a new sewer located below. The cable subway is still there today and remains one of many intriguing subterranean features of the city. The subway's ornate Art Nouveau ventilation shaft can be seen at the western end of Justine Mill Lane.
This image is taken towards the bottom of Crown Street. The buildings in the distance are those on the south side of Millburn Street at its junction with Crown Street. In the mid distance can be seen the lone standing premises of Charles R. Fraser, paperhanger and decorator. The view in this image would later to blocked with the construction of the electricity works and connected tram depot.
This image is from an album of photographs held by Aberdeen City Libraries detailing the construction of the Dee Village Electricity Works between 1901 and 1903. Aberdeen Cinemas: La Scala / Majestic
3424 This photograph from the collection of the Aberdeen Journals Archive shows the Majestic Cinema on Union Street in 1972. This super-cinema at 234 Union Street was designed by architect Thomas Scott Sutherland and was built on the site of Aberdeen's first purpose-built picture house, La Scala.
A public company called Caledonian Theatres Ltd., with James Brebner of the Belmont as managing director, was formed for the purpose of acquiring the site of La Scala and some nearby buildings and constructing a large new cinema.
The Majestic opened on 10th December 1936 with a film called Eliza Comes to Stay as its main feature. In his autobiography, Sutherland states that the Majestic was his finest design. Michael Thomson in Silver Screen in the Silver City suggests that the cinema's style could be described, "without too much facetiousness", as "Sutherland Perpendicular".
Sutherland's characteristic long window panels were set in side panels on the building's Kemnay granite front. Decorative neon stripes were placed between each column. At the top of the front elevation was the neon "Majestic" sign and below that, in the centre, was the space to advertise the venue's programme.
In 1938 James F. Donald (Aberdeen Cinemas) Ltd. acquired Caledonian Theatres and the Majestic operated as part of the Donald circuit from then on. In time the cinema closed down with the site marked for redevelopment. The Majestic showed its last film, Kelly's Heroes, on Saturday 29th September 1973.
The cinema and the neighbouring Clydesdale Bank building were soon demolished. On the site was built a new £1.5 million office block called Caledonian House. This was opened on 25th February 1976.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. Rev. George A. Johnston, B.D.
3803 A photographic portrait of Rev. George A. Johnston taken from the John Knox Parish Church Book of the Bazaar from 1910. He served as the church's minister from 20th June 1906 until he took up a position at Grange on 6th July 1909.
The souvenir fundraising book features a history of the parish church and its ministers by Alexander Gammie, Esq. ("Ecclesiasticus"). Gammie describes Johnston's ministry as follows:
"Mr. Johnston had a great reputation as a preacher before he came to Aberdeen, but he very soon quite eclipsed his past in point of popularity and influence. From the outset of his ministry he attracted immense audiences, and the church at every service was crowded to overflowing. He stood without a peer as unquestionably the most popular preacher of his day in Aberdeen. And not only did vast audiences gather Sunday after Sunday to listen to his preaching, but membership of the congregation increased at an abnormal rate until the Communion Roll reached a total of considerably over 2000 names. Mr. Johnston's ministry is, and always will be, a great tradition of John Knox's." page 38-39.
As way of example, Gammie gives an extensive account of one of Johnston's services. Gammie goes on to credit the shortness of Johnston's ministry, and eventual move to the less demanding post in Grange, to the burden of work entailed with so great a congregation.
See Gammie's full article in the Book of the Bazaar and the church's entry in his Churches of Aberdeen (1909) for more details about Johnston and the John Knox congregation. Both are available to consult at Aberdeen City Libraries. Ballater fountain
4225 This photograph shows the commemorative drinking well or fountain located in the centre of Ballater, across the road from the war memorial and Glenmuick Parish Parish.
The plaque on the fountain reads "Presented to Lieut. Col. Farquharson and the inhabitants of Ballater by Hugh Rose, 1884."
Hugh Ross (1807-1888) was the provost of Ballater. James Ross Farquharson of Invercauld (1834-1888) was a prominent land owner and descendant of the founders of Ballater.
The opening of the fountain took place on Wednesday 8th October 1884. An account can be read in the following day's Aberdeen Journal on page 2.
A melancholy accident unfortunately marred the day. At the end of the opening ceremony an old cannon located on Craigendarroch was fired by a Sergeant Charles McLagan of the Ballater Volunteers. Due to the cannon's age the charge burst the gun and severely injured McLagan. He was taken to Aberdeen Royal Infirmary for treatment but died the next morning.
The tree in the foreground of this image looks like a Scots pine or similar. In the background is a partial view of nos. 4 and 6 Hawthorn Place. In between two people can be seen enjoying the sun. One lying on the ground and another reclining on the bench.
This image likely dates from the 1970s or 80s. It is a part of a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's Publicity department. Buses at Stonehaven in around 1933
4276 A photograph showing a line of W. Alexander & Sons buses parked outside the Royal Hotel on Allardice Street in Stonehaven.
This image is taken from the 1933 annual of The Mearns Leader and Kincardineshire Mail newspaper. It illustrates an article titled 'Motoring on the Minimum of Brain Power: Driving is so Easy Nowadays' from page 70. The caption accompanying the photograph reads as follows:
"Motoring is a recreation easily with reach even of those without the means to run a family car. A line of excursion buses ready to start from Stonehaven." Treasure 26: Sweet Red Riding Hood, His Majesty's Theatre, 1906
199 Monday 3 December 1906, 7.30pm. His Majesty's Theatre opens its doors to a brilliant audience and a grand production of the pantomime "Red Riding Hood". Our month's treasure features the pantomime's "Book of Words" printed to promote the event. Few things have been more intimately associated with Christmas than the popular family entertainment known by the name of pantomime.
The word, borrowing of Latin pantomimus (mime, dancer) and coming from the Greek pantóminos ("imitator of all") took the meaning of a drama or play performed without words at the beginning of the 18th Century. Later traditionally performed at Christmas, it incorporates colourful costumes, slapstick comedy, songs and audience participation...
Plots of pantomimes include a number of stock character types: the "principal boy" (the central young male figure, who is sometimes played by a female actor), the "pantomime dame" (always played by a male actor in drag), the villain and other comic characters. In "Sweet Red Riding Hood" at His Majesty's Theatre in 1906, loud calls were directed at the players; Miss Lyuba Lova, a reportedly fascinating Red Riding Hood, Miss Winifried Harbord as Boy Blue and Mr Willie Garvey who made a most amusing Mother Hubbard.
By selecting "Red Riding Hood" for the opening pantomime, the director of His Majesty Theatre, Mr Robert Arthur, made a happy hit as the traditional children's story attracted many people, young and old. Because it was a pantomime, the legend got almost lost in the musical and operatic melange but the performance was well applauded by both the public and the press. The pantomime, written by Frank Dix and composed by Jullien H. Wilson, was divided into two acts - the first in four scenes and the second in five scenes. The "Book of Words" contains the script, photographs of the actors and some local adverts.
For the first two nights of the pantomime, bookings were reserved for Debenture and Preference shareholders only, of which there were a considerable number, as nearly all the money for the new building has been raised locally. The pantomime, which ran till the end of the year, was greeted with whole-hearted applause from start to finish.
Treasure 55: Punch
230 The first edition of the satirical magazine Punch was published on 17 July 1841. The title being derived from a conversation between the founders who claimed that - just as the alcoholic drink of the same name - the magazine would be nothing without Lemon (Punch's first editor was named Mark Lemon).
Despite a difficult start of low circulation figures, the success of the magazine was ensured with the decision to publish an annual edition, or Almanack. Copies of these soared and shortly after the magazine was taken over by the printing firm of Bradbury and Evans whereupon it entered its golden age.
Modern satirical magazines - such as Private Eye or the French publication Charlie Hebdo - often purposefully push the boundaries of good taste in order to land a searing political blow of maximum impact. In the Victorian age, Punch attempted to capture the mood of the public in tasteful, yet no-less provocative terms.
Punch frequently used illustrations to highlight contemporary problems in a stark visual manner. So much so in fact, that it can claim to have changed the English language in the process. The original definition of the word cartoon meant simply a preliminary drawing for a work of art - similar to "sketch" - with no additional meaning. However, the word took on the additional connotation of being applied to humour with the publication of Punch's 'Cartoon No.1 - Substance and Shadow'.
The enduring popularity of the magazine is in many ways, inextricably linked to its own downfall. With changing appetites for publications and satire, Punch desperately needed to keep re-inventing itself, but seen by many as a national institution, change was far from easy. Eventually the magazine succumbed to the pressure of low circulation and finally ceased publication in 2002, leaving behind 160 years of humour and wit.
Punch's lasting legacy is a snapshot of opinion on some key historic events from the preceding decades - notably including coronations, scandals, wars, budgets, coalitions and many other subjects high on the political agenda. Guest treasure - Central Library Spiral Staircase
237 Did you know there was once a spiral staircase which ran from the Information Centre down to the basement of Central Library?
The spiral staircase allowed staff to move between public departments and the reserve stock area in the basement without being seen. It can be seen on a plan of the Reference Library (now the Information Centre) from when the building opened in July 1892.
It was dismantled during the extensive modernisation programme of 1978-1982 and acquired by Aberdeen Art Gallery and Museums (AAGM). The staircase has been in store since then but this month AAGM are helping us celebrate the history of the Central Library by providing a sectional tread of the staircase as a guest treasure.
View the touchscreen in the Information Desk to find out more about the Victorian staircase and library staff's experiences of the "rickety and creaky" stairs. Treasure 80: The Great Wizard of the North's Hand-Book of Natural Magic by John Henry Anderson
291 Ninety years since the Aberdeen Magical Society was founded, we feature a rare edition of the Hand-book of Natural Magic written and published by the famous 'Wizard of the North', John Henry Anderson, one of the best magicians of the 19th Century.
The book reveals 128 experiments "adapted for performance at the parlour or drawing-room table or fire-side? practicable without expensive chemical or mechanical apparatus".
The book features tricks such as The Conjuror's Table, The Gun Trick, and The Self-Balancing Pail, in addition to a number of card tricks and ruses.
For nearly forty years of his life, John Henry Anderson baffled appreciative audiences with his popular performances, which often featured advanced and intricate props. The 'Wizard of the North' travelled around the world delighting audiences in many countries, including Australia and America.
John Henry Anderson died in February 1874 and was buried alongside his mother Mary Robertson, in Mither Kirk graveyard in Aberdeen. He had many imitators and the great Houdini himself said he was one of his mentors. Houdini paid his respects to John Henry Anderson when he visited the Granite City in 1909.
In 1930, the Aberdeen Magical Society arranged to have the gravestone of Professor Anderson restored "as a mark of respect to this past-master in the art of conjuring entertainment" (Press and Journal, 8 August 1930).
Explore the life and work of the great wizard, and find out more about Aberdeen Magical Society in our interactive exhibition on the touchscreens in Central, Airyhall, Tillydrone and Mastrick libraries. Cumberland House
451 This image was digitised from Artistic Aberdeen: A Sketch Book (1932) by W. S. Percy.
The book describes the scene as follows:
"Cumberland House which, before the demolition of the condemned houses in the Guestrow - of which it formed No. 45 - was surrounded and hidden by unsightly and insanitary slums, now stands unobstructed. It is not only one of Aberdeen's best pieces of work - without and within - but it has at least one interesting piece of history attached to it. The older portion was built around 1580 and the newer in 1676. It is finely panelled and one room has painted decorations ascribed to an Italian artist. It was the lodgings of the Duke of Cumberland during his Culloden campaign in 1746. The "Bloody" Duke was a very bad tenant, although history also ascribed much of the wanton and malicious damage, surprisingly, to Wolfe, afterwards the hero of Quebec. For some years the building has been used as a lodging house."
Strangers and vagrants
476 A broadside from 17th November 1746 forbidding the inhabitants of the Burgh to lodge any strangers without notifying their presence and identity to the magistrates, so that "their Condition, Quality and Business may be known."
This measure was taken in response to several crimes committed by unknown persons and there was a fine of twenty pound Scots per transgression for those who did not respect the ordinance.
It is interesting to note that the order did not apply to the Country People who came to Town to provide food for inhabitants or soldiers. This would have been a regular occurrence. Act Anent Murthering of Children
487 This 19th July 1690 act, as the title suggests, regards dead children. Specifically, it draws attention to mothers who 'conceal her being with Child'. The act declares that, should a child die, their mother would be tried for murder if they did not use others' assistance or declare that they were pregnant. This would remain the case if the deceased child were without wounds or bruises. The act declares that it must be read across the land, at all Parish Churches.
At the time, the Scottish Parliament was particularly concerned about undeclared births, infanticide and the abandonment of children. Parliament desired to rid councils of the expense of caring for these abandoned children. As a result, this act was passed.
The act posed particular difficulties for single mothers of illegitimate children, who did not desire to call attention to the fact. Accused women were typically unmarried and employed as servants. This act increased executions of mothers in Aberdeen - in 1705, four women from Aberdeen were hanged for murdering a child, with a further three executions carried out in 1714. The legal status of the law was unique in that it presumed the woman guilty. Of all offences against the person, it was the second most common in indicting women. (Annie Harrower-Gray, Scotland's Hidden Harlots and Heroines: Women's Role in Scottish Society From 1690-1969 (2014), pp. 44-45). Taking lawless possession
493 This broadside, dated 13th June 1856, relates to a rivalry between two competing railway companies' directors, James Adam, the author of the document, and John Duncan, his opponent. The Aberdeen Journal referred to this quarrel as "the case of the rival Buchan lines", begun in April that year. Both Mr. Adam's scheme, the "Formartine and Buchan line", and Mr. Duncan's, the "Aberdeen, Peterhead, and Fraserburgh scheme", failed to obtain permission to proceed until 1858, when Mr. Adam finally succeeded.
The broadside specifically addresses the question of the Links Branch, included in Mr. Duncan's scheme. According to the Aberdeen Journal, the Head Court of the inhabitants was meant to express its opinion on the matter on Saturday 14th June. Apparently, Mr. Duncan wanted to act before obtaining an approval from the Magistrates, and issued a Hand-Bill to complain of having been prevented from "staking off what he says are the Boundaries of his Line on the Links". Mr. Adam accused Mr. Duncan of being a "Dictator of Public Opinion" and reminds him that he cannot proceed without officially lodging a Parliamentary Plan.
Mr. Duncan tried to bypass the Magistrates appealing to the public opinion for his advantage, and was therefore publicly denounced by Mr. Adam. This document provides an interesting instance of how dynamics between private citizens and authorities worked in relation to public matters. Grand reform meeting held at Aberdeen, 18th May 1832
530 A colourised lithographed sketch of the Grand Reform Meeting that took place on Broad Hill, Aberdeen on Friday 18th May 1832.
Popular and parliamentary support for electoral reform had been growing across the United Kingdom in this period. At the time, only a small number of wealthy landowners had the right to vote, the franchise was geographically inconsistent, and the representation by members of parliament was out-dated.
This Aberdeen meeting, like many that took place around the country at the time, was organised following the House of Lords blocking the Third Reform Bill of Prime Minister Charles Grey (1764-1845), 2nd Earl Grey, and the subsequent resignation of Grey and his Whig ministers.
Newspaper accounts of the meeting indicate that attendees had just learnt that the Duke of Wellington (1769-1852), a Tory opponent to reform, had been unable to form a government following the resignation of the Whigs and an invitation from King William IV, and that the monarch had recalled Earl Grey.
Organised by prominent local supporters of electoral reform, the Reform Committee, the meeting agreed seven resolutions for presentation to parliament including the following: consternation at the bill not being passed, support of Earl Grey and colleagues, agreement to withholding national supplies (funding) from the government until the bill is passed, and that Joseph Hume (1777-1855), then MP for Middlesex, present the petition instead of the member for the Aberdeen boroughs, Horatio Ross (1801-1886), who was accused of backsliding on reform.
The report in the following day's Aberdeen Chronicle newspaper suggest the meeting was attended by 30,000 to 40,000 people. The Tory-leaning Aberdeen Journal, in its issue of Wednesday 23rd May 1832, page 2, gives an estimate of 15,000 to 20,000.
Contingents of various trades began to muster at Union Street West at about 1.30pm. A large procession proceeded east along the street and were joined by the Reform Committee from the Royal Hotel, 63 Union Street, located just after the junction with Market Street.
The full procession, with the Committee at its head and joined by deputations from the country, travelled to the Links via Castle Street, King Street, Frederick Street and Constitution Street. Several bands accompanied the procession and there were a large number of banners with reform slogans.
On the motion of Reverend William Jack (1768-1854), principal of King's College, Sir Michael Bruce of Stenhouse and Scotstown (1798-1862) was called to chair the meeting. John Angus (1799-1878), an advocate and later Town Clerk of Aberdeen, was the secretary.
Speakers included General Andrew Leith Hay of Rannes (1785-1862), Alexander Bannerman (1788-1864), Sir John Forbes of Craigievar (1785-1846), Alexander Blackie, banker, Thomas Burnett, younger of Leys (1778-1849), John M. Gerrard of Midstrath, Alexander Kilgore, surgeon, James Forbes of Echt, Alexander Stronach of Drumallan, James Nicol, advocate, William Allardyce, wine merchant, Harry Leith Lumsden of Auchindour, William Moir of Park and Alexander Forbes of Ainslie.
Both the account in the Aberdeen Chronicle and the speeches on the day remark on the disruptive potential of the crowd, under circumstances of reform not being progressed. Though the speakers urged those in attendance to continue in a peaceful manner.
Some speakers compared the fight for electoral reform to that for religious freedom in Scotland. There is explicit and repeated support given for William VI, but the Duke of Wellington is considered an inappropriate progressor of reform. The return of Earl Grey is promoted.
Faced with the prospect of William VI ennobling new Whig members of the House of Lords, Tory opponents of the Third Reform Bill abstained from votes and it passed through the upper house. The Representation of the People Act 1832 was given royal assent on 7th June 1832, and its Scottish equivalent around the same time, and came into law.
The Act was a substantial reform of Britain's antiquated electoral system, redistributing seats and changing the conditions of the franchise, but still left most people without the vote. Subsequent popular and parliamentary politics would led to further legislation and the fuller suffrage of modern times.
Document dimensions: 26 x 40 cm. |