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Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. Culter
876 This image was taken around 1909 from a hill at the west end of Culter - 7 miles west from Aberdeen looking down on the North Deeside Road towards Banchory. The image shows the cottages known as Clayhills with the houses of Malcolm Road beyond. Hidden in the trees at the right hand side is the statue of Rob Roy overlooking the Leuchar Burn which runs through the wooded valley. Railway line at Kittybrewster
1506 This image has not yet been indexed. Use the Comments button below the image to enter information about the photograph.
Please note: we will not include any personal information provided unless you indicate that you wish to be acknowledged. The standard form for crediting your information is (name, place) e.g. (John Smith, Aberdeen). Davie do a' thing
2038 A portrait of "Davie Do a' thing", the nickname of David Anderson of Finzeauch. Anderson earned his nickname by his skill at mechanics. Joseph Robertson in The Book of Bon-Accord records how in 1610 Anderson removed a large rock known as "Knock Maitland" or "Craig Metellan" that had long obstructed the entry to the city's harbour. He is said to have floated a large raft made of empty casks out to the rock and fastened it underneath while the tide was low, when the tide rose it lifted the rock and vessel allowing Anderson to sail both into the harbour. He died young on 9th October 1629 and was buried on the south side of the entrance to the Old Kirk. Free Churches and Denburn
2263 This photo, taken from Union Bridge, shows the Denburn Valley being used as a bleaching green, prior to the creation of Union Terrace Gardens. The photo also predates the Denburn railway constructed in 1865 and the Belmont Street Congregational Church. The absence of Rosemount Viaduct means that Woolmanhill Hospital is visible in the distance.
The photo was probably taken in the early 1860s. It is almost certainly the work of noted Aberdeen photographer George Washington Wilson. The image is one of two that made up a stereo picture when viewed using a special device. This type of stereoscopy was an early method of creating the illusion of depth in an image by presenting each eye with a slightly different image. Wilson created a series of such views and they were sold by "A. Brown & Co., 77 Union Street".
This image was very kindly shared with Aberdeen Local Studies by Michael Eriksson from Södertälje, Sweden. We are always pleased to receive new images of Aberdeen and hear from our users. If you would like to share images with the general public or just get in touch, we can be reached at localstudies@aberdeencity.gov.uk. Treasure 1: Aberdeen Public Library staff photograph of 1892
2271 What a fabulous photograph of the Central Library staff from when the building opened in 1892. We get a feel for the ladies dress at the time and during our 120 celebrations in 2012 mannequins wore paper costumes replicating the Victorian style.
There were 15 staff then - the Librarian, Sub-Librarian, 9 Assistants, a Reading Room Keeper, a Janitor and 2 staff in the Binding Department but not everyone is in the photograph. The Librarian is definitely missing but we will meet him later.
We have a list of staff names and one in particular was remembered for her helpfulness, courtesy and compilation of the Local Studies catalogue. Miss Emma Valentine joined the service in 1890 as an Assistant and progressed to Assistant in Charge of the Reference Department. Sadly she died young in 1915 and is believed to haunt the building today.
Who do you think Miss Valentine is in the photograph? Acknowledgments
2364 How Aberdeen Women's Alliance City Centre Heritage Walk developed:
Following the group's involvement with Women of Scotland's Mapping Memorials to Women website (http://www.womenofscotland.org.uk/), with our partners at Glasgow Women's Library (http://www.womenslibrary.org.uk/),
at the Central Library in February 2013, we felt there was a number of women in Aberdeen who have made an important and significant contribution to the life of our city that we rarely ever hear about.
This inspired a group of volunteers to develop the Aberdeen City Centre Women's Heritage Walk.
By creating this virtual version of the walk we aim to share the many stories of these wonderful women and their achievements with as many people as possible. We also aimed to enrich the account of these women by recording, and making available, the fascinating memories of members from community members.
How to get involved:
Aberdeen women's history is still largely unwritten and not visible to the public. There are many ways women can get involved with us to address this. You are welcome help us with research or join our tour guide teams. If you have information that can be added to this walk, suggestions of how it can be improved, or memories you would like to share - we want to hear from you!
How to contact us:
Email: awainfo@btinternet.com
Postal address:
Aberdeen Women's Alliance
c/o Equalities team
Aberdeen City Council
Marischal College
Broad Street
Aberdeen
AB10 1AB
Many thanks to our virtual tour partners:
Aberdeen City Council and Aberdeen City Libraries
And special thanks to:
Aberdeen Local Studies Guest treasure: Aberdeen Journals' Photographic Collections
2435 The photographic collections of Aberdeen Journal Ltd span over a century. The photographs were taken to support stories and features in The Press & Journal and Evening Express newspapers - a picture speaks a thousand words after all. However, the accumulated photography has created a historical resource documenting life in the north east and Highlands during a century of change and development. The collection covers everything from the changing landscapes of our towns and cities through to global news events. But it's personal, too. People and their images are at the heart of our stories, be it the children on their first day in a new school through to community events and individual achievements. Your image is probably in the archive somewhere if you look hard enough.
The collection is actively used by our journalists. It provides content for favourites like The Aberdonian and Past Lives features in the Evening Express and historical context and background to stories in The Press & Journal. The collection is also used by external researchers looking for copies of images in which they or their family featured, supporting charities and associations celebrating anniversaries and even to supplement content as featured in The Silver City Vault!
archives@ajl.co.uk
View all the Christmas images from the archive in the Treasures from our Collections interactive exhibition on the library touchscreens. Gordon's College
2708 An Adelphi Series postcard (no. 437) showing the grounds of Robert Gordon's college in the early 20th century.
Originally a school for orphaned boys, it became Robert Gordon's College in the 1880s. This view is relatively rare as the College's courtyard is occupied by temporary buildings that were present for sometime in the 20th century.
This postcard was used by a Maude S. who lived at 4 Allan Street, Aberdeen to send a message to a Miss Ada Newnham in Cape Town, South Africa. Maude's message suggests it is the time of the First World War and briefly details her activities:
"I have been in training for munition work, & suspect to be called up any time now. I like the work very much. This is the college I trained at, but you can't see the building I was in, it is a bit to the side by the x". Note the "x" marked on the left of the postcard. Pitglassie Group Portrait
3353 This photograph was one of three lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
This photograph by David Smith is a group portrait that appears to show five workers from the farm or area of Pitglassie in 1923. The image might have been taken at a local event or competition. This could well be a competitive ploughing team.
Pitglassie is an area with a number of farms located to the south of Turriff and north of the Kirktown of Auchterless. Ordnance Survey maps from the period show farms called Upper Pitglassie, Mid Pitglassie and North Pitglassie. There is also a Wood of Pitglassie and Crofts of Pitglassie.
The man in the middle of the lower row bears a resemblance to a figure from another of Mr Finney's images who is tentatively identified as a Fred Matthews. The man in the top left can be seen in the background of another of the three images. We do not have any knowledge about the other sitters.
Not a great deal is known about the photographer either. The card states David Smith is a "Photographic artist and picture frame maker" and that he is available for marriages and picnics. A search of old newspapers indicates there was a photographer called David Smith active in Inverurie in the 1910s. He appears to have lived in Souterford, a property that still stands today, though derelict, on the Oldmeldrum Road just after it crosses the River Urie, going out of the town. This may or may not be the David Smith who took this portrait. F. G. Main farm portrait
3354 A portrait by photographer F. G. Main of a young man and his horses at an Aberdeenshire farm. This was one of three photographs lent to Aberdeen City Libraries by Mr William Finney of Banchory so that we could create and preserve a digital copy for public use. These three photographs were kept by Mr Finney's family and he hopes to find out more about the people shown in them. If you can shed any light on these images please get in touch using the comment button on the left. Mr Finney was born in Turriff and the images likely relate to that area of Aberdeenshire.
Mr Finney believes the figure in the middle of this image may have been called Stephen Lorimer. This is uncertain however, as is any detail of the location shown. The image may relate to a local ploughing competition or event of this nature.
The figure in the background on the right of the image looks a lot like one of the five workers from Pitglassie shown in another of Mr Finney's images. This strongly suggests this image too is taken at, or connected to, the area and farms of Pitglassie in the Parish of Auchterless.
F. G. Main was an Aberdeen based photographer. Searches in old newspapers do not reveal a great deal about his career, however. As indicated on this card, he had premises in the New Market in Aberdeen town centre. Post office directories suggest this was numbers 39 and 40 in the gallery of the New Market.
Main also appears to have been active as the Electric Studio at 66 St. Nicholas Street. Additionally, searches indicate he operated studios at Aberdeen Sea Beach and at 47 Wellgate in Dundee. Richard D. Torrance in his Photographers in North-Eastern Scotland to 1914 (2001) has entries for both a F. G. Main and a Frank Main. These are likely one and the same photographer.
A newspaper notice for the birth of a son in 1914 indicates that F. G. Main lived at 245 Great Western Road at one time. We can find no obituary for the photographer. A cursory search of statutory records reveals that a Frank G. Main died in Aberdeen aged 65 in 1946. This may be the photographer in question. Aberdeen Cinemas: Regent / Odeon
3418 An Aberdeen Journals Archive photograph showing the Odeon on Justice Mill Lane in 1973. The cinema is advertising screenings of Ohh... You Are Awful a comedy vehicle for Dick Emery.
Odeon had acquired control of the venue in 1939 when they purchased previous owners County Cinemas. The cinema's name had changed from the Regent to the Odeon in 1940. This photograph shows the cinema shortly before it was "tripled" to become the first multi-screen film centre in the north of Scotland. This was the process of converting a traditional single large auditorium into three screens of varying sizes.
This was the modern method of cinema development that had been introduced throughout Britain by the Rank and ABC-EMI chains. The Rank Organisation had acquired the Odeon company in 1938. The tripling of Aberdeen's Odeon cost £65,000 and was fully completed on 8th April 1974.
The Odeon had a long and successful time as a cinema. The 1960s saw it showing long runs of hit films like Cleopatra with Elizabeth Taylor and Richard Burton and The Sound of Music. The cinema was also known for its Saturday morning children's show known as "The Mickey".
Being part of a nationwide chain, and its central location, enabled the Odeon to survive through the 1970s whereas many of Aberdeen's independent cinemas, unable to adapt, closed down and were either demolished or converted to a different use.
Michael Thomson in Silver Screen in the Silver City (1988) states that the cinema had a close reprieve from Rank Organisation rationalisations in 1981. This enabled the cinema to celebrate its 50th birthday with a special gala evening on 13th March 1982. The film shown was a provincial premiere of On Golden Pond, starring Peter Fonda and Audrey Hepburn. The cinema's original manager, J. K. S. Poole, was a guest of honour.
Two new 215-seater screens were opened at the cinema in March 1991 at a cost of £350,000. Their opening was marked with a screening of Dances With Wolves. There were just two cinemas in Aberdeen at the time, the other being the Cannon at the other end of Union Street.
The Odeon continued up until the modern multiplex era. It finally closed down 13th June 2001. It was subsequently converted into a health centre and is currently occupied by Nuffield Health Centre.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. John Duguid Milne
4372 A photographic portrait of John Duguid Milne (1822-1889), an Aberdeen advocate.
On 20th March 1883 Milne read a paper titled The success of free public libraries in industrial towns, and the necessity for a free public library in Aberdeen to the Philosophical Society of Aberdeen. The paper was also published by the society as a pamphlet shortly afterwards. A copy of this paper is held by Aberdeen Local Studies.
Milne draws together the experiences of free public libraries from England and around Scotland. He also points to the example and popularity of John Anderson's library in Woodside, which had opened in 1881.
In the section 'Who should move for a free library?' Milne writes:
"The Free Library is not especially for the wealthy, nor even for the well-to-do, but for the people, for the industrial classes; and it is for the industrial classes themselves to say if they want it. They have also the power in their hands, as they form a majority of the ratepayers." (page 17).
Milne was the director and legal advisor of Aberdeen's Mechanics' Institute. He ends his paper by stating that should the Public Libraries Act be adopted by Aberdeen, the Mechanics' Institute was prepared to hand over to the Free Public Library their whole stock of books and their substantial premises on Market Street.
Milne's paper, and the offer within, was likely a determining factor in the initiation, and ultimate success, of Professor Alexander Bain (1818-1903) and Baillie George Walker (1821-1910) putting forward a motion for the adoption of the Public Libraries Act at a meeting in the Music Hall on 25th March 1884. This meeting took place around a year after the first reading of Milne's paper.
Opening in March 1886, the Mechanics' Institute building did become the first location of Aberdeen's new Free Public Library and its collection of books formed the core of its stock. If you look at some of the older items in the collection of Aberdeen City Libraries today, stamp marks for the Mechanics' Institute can still be seen. Treasure 3: Aberdeen Public Library Bye-laws, 1906
170 In 1906 the Public Library Committee of Aberdeen City created a series of bye-laws that outlined the management of the library and the behaviour required of all library users. Aberdeen City Libraries have retained a copy of the original document in our Local Studies collection.
The document is informative on the then organisation of the library and also provides an at times comical insight into the attitudes and lifestyle at the beginning of the century.
Bye-law number 38, in the general section, states: "No audible conversation shall be permitted in the Library rooms, nor shall any person be allowed to partake of refreshments, to whistle, smoke, spit, strike matches, or bring a dog therein. Loitering or rambling about the premises is strictly prohibited; and no person shall be permitted to lie on the benches or chairs, to sleep in any room, or to interfere with the arrangements for conducting the Library".
Bye-law number 23 states, in no uncertain terms, that: "On the occurrence of any infectious disease in their homes, Borrowers shall give up any books in their possession to the Sanitary Inspector of the Burgh, and shall be debarred from borrowing until they shall produce to the Librarian a medical certificate of health."
If you would like to read more of the library bye-laws please visit Local Studies in the Central Library. Just do not let us catch you whistling or rambling on the premises! The Execution of William Allan
172 This broadside details the life, crime and execution of William Allan. He was executed in Aberdeen on Friday the 10th February, of an unspecified year, for the murder of Alexander M'Kay.
The sheet gives an account of Allan's life and speculates on how he came to this unhappy fate. The account contains themes common to crime and punishment broadsides of bad company, alcohol and a disregard of parental authority. There is also at times an unexpected similarity to modern crime reporting: "We do not think that the annals of crime furnish an example of a murder perpetrated from so small a temptation as that which operated on the mind of Allan, who was aware, before he committed the deed, that the victim of it possessed only the paltry sum of thirty-five shillings."
One passage which describes Allan's appeal to the advanced age of his victim recalls the justifications of Dostoyevsky's Raskolnikov: "He even arraigned the justice of his sentence on the ground that he had only taken away a life which would, in a short time, have terminated from the effects of indisposition and old age."
Allan is initially unrepentant and rude to the assembled clergy but then makes a last minute appeal for religious assistance on the morning of his execution.
Unfortunately, unlike Raskolnikov and Sonya in Siberia, there was no hope of redemption for Allan - at least not in this life: "After hanging the usual time, the body was cut down, and delivered to the doctors." Five Minutes Advice To Young Tradesmen
177 This broadside lists five minutes worth of advice from an unspecified source to those starting out in a trade.
The sheet includes a rather embittered section on marrying: "If you marry, let it be one who is not above being the wife of a tradesman. It may be necessary, therefore, to avoid one who has had a boarding-school education."
On the whole, the advice is fairly sensible and focuses on themes of modesty, straight dealing and sobriety: "When in the shop, take care to be sober on all occasions...Talk to your customers like a man of sense and business, and not like mountebank."
This particular broadside was printed by W. Rettie of No. 9 Long Acre, Aberdeen, priced at one penny, but variations on the subject can be found sold by printers around the country. Treasure 10:The War against Japan
180 August 14th is the official Victory over Japan Day in the UK. It marks the surrender of the Japanese in 1945 and an end to the major conflicts of World War II.
As one of our treasures for August we have chosen the five volumes of The War against Japan by Major-General S. Woodburn Kirby. It is part of the British Government's official history of the Second World War. The series was written for the most part between the 1950s and 1990s. It was published by Her Majesty's Stationary Office (HMSO). Known as The History of the Second World War, the project was a vast undertaking and is divided into the different theatres of operation.
The War against Japan comprises volumes called The Loss of Singapore (1957), India's Most Dangerous Hour (1958), The Decisive Battles (1961), The Reconquest of Burma (1965) and The Surrender of Japan (1969). The focus of the volumes is on the conflict in the Indian Ocean as this is where the British military were most involved. The books are a work of remarkable ambition and scholarship and contain photographs of major figures, annotated images and detailed colour maps (an example of which can be seen on the left).
The War against Japan is kept in our Reference Reserve Stock alongside many of the other first editions of The History of the Second World War series, such as Grand Strategy, The War at Sea and The Mediterranean and Middle East, and comparable works like Winston Churchill's own five volume history of the war. The Reference Reserve is a treasure trove of scholarship. There are lifetimes of reading and learning on the shelves.
We hope this treasure acts as a small commemoration to all those who suffered in the war and also as an indication of the vast and interesting stock that we are unable to display to the public. If you would like to see more of The War against Japan, or any of our reserve stock items, please come and visit the Central Library and we will be happy to help you do so. Treasure 17: A souvenir of Aberdeens Cinema
188 This excellent brochure was a souvenir from the opening of the Capitol cinema on Union Street. It was opened on Saturday 4th of February 1933. Despite inclement weather a large crowd gathered for the launch of perhaps the grandest cinema in the history of the city. The ambition of the new establishment is reflected in the design and extent of this brochure.
The Press and Journal reports: "The Capitol was opened to the public in the early evening, and for over two hours before the opening there was a queue in Union Street, while in the heavy rain in the evening hundreds of people were content to wait in the street queues."
The newspaper article stresses the local ownership of the cinema and the local craftsmanship that went into its construction. The Capitol was the undertaking of Aberdeen Picture Palaces Ltd., and was designed by A. G. R. Mackenzie and George Clement.
In the introduction to the souvenir brochure the chairman of Aberdeen Picture Palaces, A. D. Hay, writes "Here then stands the 'Capitol,' a proud, vital and stately landmark in the World of Entertainment. The 'Capitol' was built for you, it is your Theatre, an Aberdeen enterprise incorporating every known value of comfort, and every modern device for the presentation of 'Super Entertainment,' in the interests of Aberdeen patrons whom we feel confident will ever remain, loyal patrons of the 'Capitol.'
The cinema was official declared open by Baillie Watt and he echoed the above sentiments, stating that the Capitol was "the last word in the cinema world, and reflected greatest credit on all concerned in its design and construction."
One interesting feature of the brochure is the inclusion of specially created adverts for all the companies involved in the construction and furnishing of the new cinema. Some of these adverts, such as that for S. B. Russell, bricklayer and contractor on Affleck Street, provide rich information on the history of the companies and give an insight into how the companies saw themselves. The brochure details the companies behind every aspect of the buildings from the cinema seating and terrazzo work to the innovative lighting.
"With a gold key, presented by Mr G. A. Wilson, advocate, one of the directors of Aberdeen Picture Palaces, Ltd., the proprietors of the new cinema, Mrs A. D. Hay, wife of Mr A. D. Hay, chairman of the directors, unlocked the main entrance door, and the Capitol, an Aberdeen-owned and Aberdeen-built hall of entertainment, was opened to the people of Aberdeen and the North of Scotland."
The opening day of the new cinema featured a varied evening of entertainment. The Press and Journal states "All the magnificent possibilities of the new theatre were embraced by the items of the opening programme. There was ballet, cinema and organ playing, each of notable worth." The ballet performance by the Henrietta Fuller Dancers was particularly praised. Mr Edward O' Henry played the theatre's new top of the line Compton organ.
At the opening ceremony, B. H. Gates, a director of Aberdeen Picture Palaces, said: "It was a long lane that had no turning. They had built the Capitol not for to-day, but for the generations of Aberdeen people to come. The company had dedicated the Capitol to the people of Aberdeen, their children, and their children's children in the hope that in generations to come they might appreciate what had been given them." Treasure 44: Historic Children's Literature Collection
213 This month we feature beautifully illustrated children's literature from our historic collections to mark World Book Day on 3 March 2016.
World Book Day is a celebration of authors, illustrators, books and - most importantly - it is a celebration of reading. It is designated by UNESCO as a worldwide celebration of books and reading, and marked in over 100 countries all over the world. The main aim of World Book Day in the UK and Ireland is to encourage children to explore the pleasures of books and reading by providing them with the opportunity to have a book of their own.
Little Ann and Other Poems illustrated by Kate Greenaway is a first edition, published by George Routledge & Sons c. 1883. It contains 42 poems all illustrated in her charming style of dainty children dressed in typical Greenaway costume.
Catherine "Kate" Greenaway (17 March 1846 - 6 November 1901) was an English artist and children's book illustrator
Online resources Britannica Encyclopaedia provides a brief biography of Kate Greenaway:
"The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued".
Greenaway's work was praised by John Ruskin, a dear friend who said "her drawings are blissful just in the degree that they are natural; the fairyland that she creates for you is not beyond the sky nor beneath the sea but near to you, even at your doors. She does but show you how to see it and how to cherish".
In our collections we also hold a copy of 'Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends' from 1921.
"In 1890 Greenaway was elected to the Royal Institute of Painters in Water Colours, and in 1891, 1894, and 1898 she exhibited watercolour drawings, including illustrations for her books, at the gallery of the Fine Art Society (by which a representative selection was exhibited in 1902). From 1883 to 1897, with a break only in 1896, she issued a series of Kate Greenaway's Almanacs."
The Kate Greenaway Medal, established in her honour in 1955, is awarded annually by the Chartered Institute of Library and Information Professionals in the UK to an illustrator of children's books.
Treasure 52: Press and Journal and Evening Express Strike Editions
227 The General Strike of 3 to 13 May 1926 was a significant event in Britain's social history and affected the whole country. Strike editions of newspapers from the period provide an insight into the way of life in a time of national unrest. In our collections, we hold the strike editions of local newspapers The Aberdeen Press and Journal and The Evening Express which report on the General Strike and how it affected people in the north east of Scotland. The Press and Journal Strike editions were published between 5 and 10 May and The Evening Express Strike editions were published between the 4 and 7 May.
Beginning with the coal industry, the General Strike quickly spread to other industries including transport (railways, sea transport, harbours, canals, docks, roads) and production industries (iron and steel, chemicals) and the building trade. The printing trade, including the press, was also affected by the strike. On 4 May, The Press and Journal and The Evening Express published a short article stating that they "may be unable to produce the usual issues of [the] newspapers" during the strike. Many newspapers failed indeed to appear as only 'skeleton staff' were available.
During the strikes period, most of the local papers were published in a much smaller format but were still hugely popular as the main source of news. Aberdeen newspapers Ltd., the company publisher for both The Press and Journal and The Evening Express, distributed a substantial number of issues. The few employees not on strike took charge of the publication, typing out the news and dispatching issues across the city. The news was passed out through a single sheet of paper and was sold for between a halfpenny and 1p. The papers were very popular and shared updates on the strike and the number of people volunteering in Aberdeen. In addition to strike news, the editions also reported on other local news and current topics including fish markets and cricket scores.
Some of the copies in our collection feature the names and addresses of relatives living outside the city, suggesting that people with access to the newspapers distributed them to relatives and friends in a wider geographical area.
Do you know that you can access millions of digitised articles from British newspapers for free in any of our libraries? The British Newspaper Archive is a gateway to the past, offering access to thousands of historical newspaper articles about issues such as The General Strike. Access the resource from any PC in the library via the Aberdeen City Libraries website. Treasure 58: Princess Mary's Gift Book, 1914
234 One of our treasures this month was a wartime endeavour of Princess Mary (25 April 1897 - 28 March 1965), the third child and only daughter of King George V and Queen Mary.
Princess Mary's Gift Book was a fundraising volume published on 27 November 1914 by Hodder & Stoughton. All profits from its sale went to the Queen's 'Work For Women' Fund, which was created to secure paid employment for women whose livelihood was threatened by the war.
The volume features stories and poems by some of the most popular authors of the day such as J. M. Barrie, Arthur Conan Doyle and Rudyard Kipling. The stories are accompanied by black and white illustrations and colour paintings by famous artists like Arthur Rackham and all the artwork was created specifically for the book.
Princess Mary's Gift Book was designed to appeal to all members of the family. It opens with a piece by J. M. Barrie on how best to enjoy a holiday in bed and includes many other stories and poems including Magepa the Buck and Out of the Jaws of Death: A Pimpernel by H. Rider Haggard and Baroness Orczy.
The gift book was sold for 2s. 6d. and half a million copies were sold within a month of its publication.
View the Treasures from our Collection interactive exhibition on the touchscreen to find out more about Princess Mary and her gift book - and discover the coincidence linking the book to one of the biggest supernatural scandals of the 20th Century.
Treasure 98: Kissing postcards
317 To celebrate Valentine's Day, we have chosen to display four historic postcards from our collections conveying messages of love and friendship.
The postcards are slightly smaller than those in circulation nowadays and they all have a different title, written in capital letters and in colour on the top of the cards. Up until the end of the 19th century, most postcards presented an undivided back; England was the first country to divide the back of the postcards in 1902, before France in 1904, Germany in 1905 and the United States in 1907. It allowed people to write both the message and the address of their recipient on the same side. The front side was then mainly used for the picture or artwork. Postcards can be a useful tool for learning more about society and people's interests and sense of humour.
The text on the postcard entitled 'The Science of Kissing' is from a publication called The People. It first appeared in British newspapers in 1866 and has been republished many times since. Amusingly, the author of the text gives some tips to improve a kissing performance and describes in detail what a proper kiss on the lips should feel like: "People will kiss, yet not one in a hudred [sic] knows how to extract bliss from lovely lips, any more than he knows how to make diamonds from charcoal. And yet it is easy, at least for us. First know whom you are going to kiss. Don't make a mistake, although a mistake may be good."
Want to find out more about the art of kissing in time for St. Val's Day? Check out our interactive exhibition on the touchscreen! Treasure 102: Newhills Convalescent Home and Sanatorium
323 Aberdeen City Libraries has a large and significant collection of historic photographs. This month we are highlighting a collection of images of Newhills Convalescent Home and Sanatorium in the 1930s.
The album contains 58 photographs of the home's buildings, grounds, staff and patients. The institution is shown at different times of the year and celebrating special occasions. The majority of the images are delightful portraits. We do not have names for the individuals shown but the pictures convey a sense of the life and community of the home. If you are able to identify any of those photographed, we would be pleased to hear from you. The Newhills Convalescent Home was founded by Christian Catherine Smith in 1874. She was the wife of Rev. James Smith, the minister of Newhills Parish Church. It was shortly after arriving in the parish that she recognised the potential for a place for ill people to come to rest and regain their health. Annual newspaper reports on the home described its purpose as being for "the benefit of respectable persons in humble life who appear to be failing into dishealth, or are convalescing after non-infectious ailments."
The convalescent home was started at Dykeside Cottage in Newhills. It was a great success and operated at this location for 7 years. In 1882 a new building just north of the parish church was constructed to meet the rising demand for treatment. By 1900 patients with tuberculosis were admitted, with the home operating a sanatorium department from 1902.
Learn more about this Home's history in the Treasures from our Collections interactive exhibition on the touchscreen. Guest Treasure: Design Team (Public Buildings) Architectural Drawings
338 Our guest treasure this month is the collection of architectural drawings held by Aberdeen City Council's Design Team (Public Buildings).
Design Team (Public Buildings) is a Royal Incorporation of Architects in Scotland (RIAS) chartered practice with a team of qualified Architects, Architectural Staff and Quantity Surveyors. Their aim is to support and provide a sustainable built environment in Aberdeen based on principles of design excellence, social wellbeing, environmental responsibility and value for public money.
Over the years Aberdeen City Council has collected thousands of architectural drawings. They are used by the Design Teams to inform alterations to existing buildings and demolitions. The Design Team's (Public Buildings) collection contains drawings of many of Aberdeen's best known structures. These include: The Beach Ballroom, The Music Hall, The Bon-Accord Baths, the Maritime Museum and the Central Library.
The collected drawings are an important resource used in the Design Team's work and therefore are not publicly accessible. Although the public do not have access to this collection, many historic architectural drawings are available to consult at the Aberdeen City and Aberdeenshire Archives and Local Studies at Aberdeen City Libraries. If you would like assistance locating this type of material, please contact us at localstudies@aberdeencity.gov.uk. |