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A School of Dolphins: The Douglas Dolphin at Ferryhill Library
2155 Wild Dolphins was chosen by the pupils as part of an annual charity event. Designs were selected by a panel of pupils following a competition to be part of the final paint work, school clan colours were chosen as part of the design. Pupils aged 9-15 were involved. A School of Dolphins: Aberfin at Central Library
2164 The inspiration came from the children's designs which included a wide selection of colour and line patterns inspired by the movement of water. Many of their designs included conservation themes and the children felt it was important to communicate the impact they are having on dolphins in the wild with others. A School of Dolphins: Eric at Central Library
2191 "Eric" replaced "Carnegie" and remained in the Central Library on the dolphin trail throughout June until the end of August. Eric was a tribute to artist Eric Auld FRSA (1931 - 24 December 2013) who supported the Wild Dolphins project but sadly passed away before painting a dolphin. 'Eric" is a collage of portraits and landscapes applied reflecting his stylistic brush strokes featuring some of his most iconic images mixed with original sketches of former students. Blaikie's Quay
3511 A photograph looking west along Blaikie's Quay and taken either on or alongside the sailboat seen in other images.
The image depicts stacked timber alongside the quay with a large steamship, possibly called Dragon, also featuring prominently.
The stacked timber suggests the area shown is that outside the wood related businesses towards the eastern end of the quay.
In the background HMS Clyde, a naval reserve training ship, can be seen in Victoria Dock. This ship was a replacement for a previous training vessel in Aberdeen that was also called HMS Clyde.
The replacement ship, shown here, was a sloop previously called Wild Swan. It was renamed after its predecessor on arrival in Aberdeen in 1904. Following changes to navy reserve training, the later Clyde, that shown here, left Aberdeen Harbour for the final time in 1911. The Culter Mills Paper Company, 1981
4286 A general view of the Mill complex situated in a natural "bowl", looking south from the turnpike bridge. Note the abundance of trees and wild flora.
This image is one of fifteen from a photographic survey of the exterior of Culter Paper Mills and nearby Kennerty Mill undertaken by John A. Souter in the summer of 1981. John kindly donated colour slides of these photographs to Aberdeen City Libraries.
The early history of the Culter Mills Paper Company can be read in the article 'Paper-making on Deeside (1750-1932)' by Alexander A. Cormack in The Deeside Field (sixth number, 1933) pages 36-45. This can be accessed at Aberdeen City Libraries. Treasure 23: Scribner's Statistical Atlas of the United States
194 With roots dating back to the religious observances of the founding fathers, the national holiday of Thanksgiving is celebrated each November in America. The development of the holiday largely mirrors the development of the American nation itself, with tales of warring peoples, inter-state rivalry and the inevitable spread of development.
One popular oral tradition traces Thanksgiving to an event in 1621 which took place between the Pilgrim fathers and the native Wampanoag people. Relations between the settlers and indigenous people were inevitably tense at this time, but the shared feasting and frolics of the "Plymouth Thanksgiving" heralded a friendly truce which lasted for fifty years.
Many years later, and during the tensions of the American Civil War, the editor of a popular magazine, Sarah Josepha Hale, campaigned for a national holiday as a way of promoting unity between the states. Thanksgiving Day was announced by Abraham Lincoln and celebrated for the first time on 26 November 1863. Since then, Thanksgiving is traditionally celebrated on the fourth Thursday in November.
In 1880, a volume was produced which sought to capture the "state of the union", using data gleaned from census and other records to produce visual representations of the nation. Scribner's Statistical Atlas of the United States uses a mass of information on topics as diverse as population, literacy, agriculture and religion to literally map out the whole of the developing country.
Using just one example from Scribner's Atlas charting the distribution of corn production across the entire United States, it is clear that the general pattern of development is east to west. The eastern areas are much smaller and more populous than the wide expanse of the "unsettled parts" - referred on the Silver Screen as "the Wild West".
Another key aspect of the map are the areas denoted as "Indian Reservations" - specific territories designed to allow some limited freedom of movement to the indigenous populations finding themselves under increasing threat from multiple generations of European settlers. Within the numerous reservations some recognisable Native American names are visible - Sioux, Cherokee and Navajo; however, many are less familiar and many more are either under threat or have entirely disappeared - such as the Wampanoags of the original "Plymouth Thanksgiving" of 1621.
Scribner's Statistical Atlas of the United States was a vast undertaking of data management completed in a simpler age of pen and ink. The detail provided in the snapshot offers readers an intriguing glimpse at the development of one of the most powerful nations on the planet today.
Treasure 44: Historic Children's Literature Collection
213 This month we feature beautifully illustrated children's literature from our historic collections to mark World Book Day on 3 March 2016.
World Book Day is a celebration of authors, illustrators, books and - most importantly - it is a celebration of reading. It is designated by UNESCO as a worldwide celebration of books and reading, and marked in over 100 countries all over the world. The main aim of World Book Day in the UK and Ireland is to encourage children to explore the pleasures of books and reading by providing them with the opportunity to have a book of their own.
Little Ann and Other Poems illustrated by Kate Greenaway is a first edition, published by George Routledge & Sons c. 1883. It contains 42 poems all illustrated in her charming style of dainty children dressed in typical Greenaway costume.
Catherine "Kate" Greenaway (17 March 1846 - 6 November 1901) was an English artist and children's book illustrator
Online resources Britannica Encyclopaedia provides a brief biography of Kate Greenaway:
"The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued".
Greenaway's work was praised by John Ruskin, a dear friend who said "her drawings are blissful just in the degree that they are natural; the fairyland that she creates for you is not beyond the sky nor beneath the sea but near to you, even at your doors. She does but show you how to see it and how to cherish".
In our collections we also hold a copy of 'Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends' from 1921.
"In 1890 Greenaway was elected to the Royal Institute of Painters in Water Colours, and in 1891, 1894, and 1898 she exhibited watercolour drawings, including illustrations for her books, at the gallery of the Fine Art Society (by which a representative selection was exhibited in 1902). From 1883 to 1897, with a break only in 1896, she issued a series of Kate Greenaway's Almanacs."
The Kate Greenaway Medal, established in her honour in 1955, is awarded annually by the Chartered Institute of Library and Information Professionals in the UK to an illustrator of children's books.
Treasure 99: Local Fiction Collection
318 A lesser known part of our Local Studies stock is our substantial collection of local fiction.
The collection ranges from well-known figures like Lewis Grassic Gibbon to more obscure authors, largely forgotten in the history of literature. As way of an introduction to this sizable collection we will consider some of the lesser known authors in the collection and explore their lives. During the years of 1892 to 1894 Aberdeen City and Shire was home to the eccentric artist and man of letters, Frederick William Rolfe (1860-1913), also known as Baron Corvo. Rolfe was a Londoner who came from a strict and respectable family of Dissenters. He left school early before working as a schoolmaster and tutor. In Local Studies we have a copy of perhaps his most challenging work, Don Renato: An Ideal Content. It was published posthumously by Chatto & Windus in 1963. This is an experimental novel, taking the form of a diary of a fictional chaplain and physician in 16th century Rome.
Another author in our collection is William Gordon Stables (c.1837 - 1910), born in Aberchirder, who was the son of a vintner in Marnock and later Inverurie. During his time in the Navy and later in the merchant services, he worked and travelled all over the world including the Mediterranean, Africa, India and the South Seas. He wrote over 130 books and is primarily remembered as an author of boy's own adventure stories such as The Cruise of the Snowbird (1882), Wild Adventures Round the Pole (1883), and From Pole to Pole (1886). We hold a large number of Stables' novels. The volumes, published by a variety of companies, are often quite beautiful with intricate designs and illustrations on the binding and inside to accompany the story.
To learn about more interesting authors in our collection, have a browse in the Treasures from our Collections interactive exhibition. Treasure 123: George Washington Wilson in the Highlands and Islands
346 In July 1860, Wilson, accompanied by his friend George Walker, set off on a photographic tour of the west coast of Scotland. They travelled to Inverness, then through the Caledonian Canal. Walker expressed his delight at these new experiences "as we proceeded the scenery got always grander, the mountains loftier and more magnificent". The lack of suitable transport and accommodation had ensured that this wild and mountainous terrain was still largely unexplored by the mid-1800s and had not yet been exploited as a tourist destination. When Wilson began to visit these more remote areas they were still well off the main tourist track but his photographs which captured the grandeur of the landscape brought them to more general attention and increased their popularity for visitors. Although Wilson's views of the spectacular Highland scenery are impressive, his skilful portraits of the people and their way of life provide a valuable record of these remote areas in the late 1800s.
See more of these fascinating photographs in the Treasures from our Collections interactive exhibition on the touchscreen. |