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Dunecht Smiddy
1146 Blacksmiths in the smiddy at Dunecht. This shop appears to have been fairly busy, employing as it did, 3 blacksmiths. They were called upon for all sorts of metal related jobs. All the tools of the trade can be noted, including 2 anvils for hammering and a main furnace (centre of picture). All 3 blacksmiths are seen here wearing leather aprons, which protected them from the hot flying sparks. No industrial glasses were in use however at this time, and the traditional flat bonnet is still the norm.
Correspondent David Christie has identified the blacksmith on the left as James Stephenson Smith, his great grandfather. David explains that Smith worked as a blacksmith for Dunecht Estate from 1925 to 1929 and so this dates the photograph to this period. His great grandfather also worked at other properties belonging to the estate, such as renovations of Dunnottar Castle. Smith had to give up working as a Blacksmith after breaking his leg in a fall while working there.
He subsequently worked as a driver for the Dunecht Garage, which ran buses at the time, and later for the W. Alexander & Sons bus operating firm.
There is an article about this image by Hilary Simpson in the Evening Express of 17 September 1986. It details the memories of readers Margaret Skene and John Gray. Margaret's grandfather was Alexander Innes, the figure in the middle. On the right is Bill Innes, a son of Alexander. They are said to have run the smiddy with the assistance of James Smith.
The article also explains that the image was originally a postcard. One of a series detailing the various trades active on the Dunecht estate of Lord Cowdray.
(Many thanks to David for getting in touch and providing additional information and making us aware of the newspaper article.) 119 and 121 Skene Street
1671 This view of 119 and 121 Skene Street shows the adjoining properties occupied by David James. He advertised as a chimney-sweep at 119, while at 121 he had a shop called James's Old Curiosity Shop. He is listed as a chimney-sweep in the Aberdeen Directory from 1889/90 until 1913/14, but also as an antique dealer from 1911. Dr Linton
2628 A portrait of Dr Alexander Linton taken from East Neuk Chronicles by William Skene (1905). Linton was a surgeon in the Royal Navy and was heavily involved in the Aberdeen Phrenological Society, the temperance movement and the industrial and reformatory schools. Post Office directories tell us that in 1850 he was living at 11 Canal Street. He was born in Baluss, near Mintlaw, and died in 1872 at the age of 82. Jeannie Henry Bodie a.k.a. Princess Rubie
2997 In 1890 the magician Walford Bodie married Jeannie Henry (1869-1931), eldest daughter of David Henry (1839-1903), a road surveyor from Macduff, and Margaret Skene Henry (1843-1912). Jeannie performed with Walford as an illusionist and mind-reader called Princess Rubie until her retirement in 1930.
Jeannie was one of as many of eight daughters and four of them went on to play important parts in the Bodie show. One of her sisters was Annie "Nan" Henry (1880-1970) and this image comes from an album of hers we hold at Aberdeen City Libraries. Aberdeen Theatres: Fun on an Ocean Liner
3391 A group portrait of Dr Walford Bodie and his theatre company during a production called Fun on an Ocean Liner. This was a revue written by Bodie himself and first staged in 1924. It included a number of scenes and promised "gorgeous scenery" and "startling mechanical electrical effects". Bodie played a character called Capt. Waldon and his wife played Lady Henri.
Bodie (1869-1939) is in the centre of the image with the ventriloquist dummy. The woman sat to the right of him is mostly likely his wife Jeannie Henry (1869-1931), eldest daughter of David Henry (1839-1903), a road surveyor from Macduff, and Margaret Skene Henry (1843-1912). Jeannie performed with Walford as an illusionist and mind-reader under the name of Princess Rubie until her retirement in 1930.
Fun on a Ocean Liner was also known as Ocean Frolics and was performed twice nightly at the Palace Theatre in July 1928. It was advertised in the local newspapers as Walford Bodie's "Great Electrical, Musical, Revusical Extravaganza." Aberdeen Cinemas: Picturedrome / Cinema House
3411 The Cinema House was located at the corner of Union Terrace, Skene Terrace and North Silver Street. The building was designed by Arthur H. L. Mackinnon and originally built in 1897-1898 as a clubhouse for the Aberdeen Union Club. Mackinnon (1870-1937) was a local architect who also designed the Aberdeen Fire Station on King Street and Mile End School.
The building's first recorded use for cinematographic purposes was a New Year Holiday Carnival organised by the pioneering Aberdeen cinematographer and exhibitor William Walker in December 1901. Alongside an early picture show the extravaganza featured the popular fiddler James Scott Skinner and a conjurer called Harry Marvello.
It was a Londoner by the name of Henry N. Philips who came to Aberdeen and in June 1910 converted this building into Aberdeen's second permanent cinema: the Picturedrome. The enterprise was a great success and Philip's formed a company called British Animated Pictures to run the cinema.
The 'Drome's first manager was Harry Fenton. He also appeared on the cinema's stage as a singer. This was a time when cinemas would often show a mixture of films and variety performances. The venue had a pianist called Hal Scott who would accompany performances and provided musical ambience.
The Picturedrome was noted for showing the film productions of Thomas Edison's Edison Studios and for consistently good stage turns.
In 1923 the Picturedrome/Union Club block was sold to the Loyal Order of Ancient Shepherds. They were one of the 19th century friendly societies in which people would band together prior to the development of more comprehensive welfare provision. The Shepherds continued to run the cinema for a period. A sign for the society can be seen in the top left of this image.
In May 1924 the cinema was taken over by James F. Donald. He was the patriarch of the Donald family that played a prominent role in the history of cinemas and theatres in Aberdeen. Restored and improved, the venue reopened on the 11th August of that year as the Cinema House. Donald initially held the premises on a 20-year lease, but would go on to buy the property outright.
This photograph, taken from in front of the Central Library, dates from around 1934 and shows the cinema advertising Father Brown Detective and The Lemon Drop Kid. Also visible next door at 2 Skene Terrace is a branch of the successful grocer and provision merchants, Wilburn Ltd.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson] Aberdeen Cinemas: Picturedrome / Cinema House
3414 This photograph shows the Cinema House building in 2021. The bulk of the building is unoccupied at the time of writing. It remains a building of great interest, with a rich history, and is one of the few remaining picture houses of its age and type in Scotland. John Duguid Milne
4372 A photographic portrait of John Duguid Milne (1822-1889), an Aberdeen advocate.
On 20th March 1883 Milne read a paper titled The success of free public libraries in industrial towns, and the necessity for a free public library in Aberdeen to the Philosophical Society of Aberdeen. The paper was also published by the society as a pamphlet shortly afterwards. A copy of this paper is held by Aberdeen Local Studies.
Milne draws together the experiences of free public libraries from England and around Scotland. He also points to the example and popularity of John Anderson's library in Woodside, which had opened in 1881.
In the section 'Who should move for a free library?' Milne writes:
"The Free Library is not especially for the wealthy, nor even for the well-to-do, but for the people, for the industrial classes; and it is for the industrial classes themselves to say if they want it. They have also the power in their hands, as they form a majority of the ratepayers." (page 17).
Milne was the director and legal advisor of Aberdeen's Mechanics' Institute. He ends his paper by stating that should the Public Libraries Act be adopted by Aberdeen, the Mechanics' Institute was prepared to hand over to the Free Public Library their whole stock of books and their substantial premises on Market Street.
Milne's paper, and the offer within, was likely a determining factor in the initiation, and ultimate success, of Professor Alexander Bain (1818-1903) and Baillie George Walker (1821-1910) putting forward a motion for the adoption of the Public Libraries Act at a meeting in the Music Hall on 25th March 1884. This meeting took place around a year after the first reading of Milne's paper.
Opening in March 1886, the Mechanics' Institute building did become the first location of Aberdeen's new Free Public Library and its collection of books formed the core of its stock. If you look at some of the older items in the collection of Aberdeen City Libraries today, stamp marks for the Mechanics' Institute can still be seen. Gilcomston South Church
4403 A photograph, taken on 3rd February 2024, of Gilcomston South Church on Union Street, Aberdeen. The street on the left of the image, going north from Union Street, is Summer Street.
This church was designed by architect William Smith (1817-1891). It was opened 1868 and served as the second, more elaborate premises of the United Free Church in Aberdeen. The first had been a more simple granite box-auditorium on Huntly Street. An illustration of this earlier building features in Gammie's Churches of Aberdeen (1909) on page 127.
Historic Environment Scotland, in the entry for the building on their listed building portal, describe Gilcomston South as an interesting example of asymmetrical planning. This style had been advocated 30 years prior to its construction by the Camden Society and Ecclesiologists in England and continued to be advocated by the Aberdeen Ecclesiological Society into the late 19th century.
The church was officially opened on 6th September 1868 with services from the Rev. Mr Nixon (1803-1900) of Montrose, moderator of the Free Assembly, and Rev. Dr Walter Macgilvray (c1810-1880), pastor of the congregation (see Aberdeen Journal, 9th September 1868, page 8).
A book titled Gilcomston: A Congregation was written by Francis Lyall and published in 2020. It traces the history of the congregation from 1777 to 2013, when it left the Church of Scotland. The Foundry
4409 A photograph of The Foundry pub and restaurant at 41-43 Holburn Street taken on 21st March 2024.
43 Holburn Street, today The Foundry, was built in around 1915/16 as a motor showroom and workshop for Mr. John Harper, engineer of Bournemouth, to a design by architect George B. Mitchell (Aberdeen Daily Journal, 20th September 1915, p. 4).
In November 1916, during the First World War, the Harper Motor Company put their new garage, at the junction of Holburn Street and Justice Mill Lane, at the disposal of the Red Cross. The commodious building, ideal for transport work, became the headquarters of the Aberdeen Transport Section of the Red Cross Society (Evening Express, 21st November 1916, p. 5).
43 Holburn Street was occupied and in use by the Harper Motor Company until at least 1979. In 1986, George Dowdles, who had ran a roller skating rink called Rollerland Disco in Bon-Accord Terrace, proposed to turn the premises into a leisure centre for teenagers (Press & Journal, 19th June 1986, p. 3).
The new venture at 43 Holburn Street was to be a soda and burger café modelled on the TV show Happy Days and called Up The Junction. It opened in October 1986 (P&J, 10th October 1986, p. 3).
Up The Junction appears to have struggled financially and 43 Holburn Street was remodelled and opened as Rollerland Mark II in August 1987 (EE, 22nd February 1988, p. 8). The original Rollerland skating rink had been on the second floor of 5 Bon-Accord Terrace and operated from 26th June 1981 to mid-1986.
Rollerland on Holburn Street was briefly owned by Cove Rangers football club and was temporarily renamed Wheels Leisure Centre. George Dowdles remained its manager (P&J, 1st April 1989, p. 1). The venue was reopened as Rollerland under the ownership of Aberdeen District Council in July 1989. DJs Robin Galloway and Gary Stein provided music for a reopening gala night (EE, 27th July 1989, p. 5).
Rollerland finally closed in February 1991 on safety grounds. Water leaks had warped the floor making it unsafe for skating. The venue had struggled financially and the estimated cost of repair was too large (P&J, 18th September 1991, p. 3). In June 1995, there was a significant fire in the building (EE, 19 June 1995, p. 2).
In September 1995, the company Alloa Pubs and Restaurants, who had leased the building from the District Council, unveiled plans for a £500,000 transformation of the run-down property. It was to be turned into a prestige bar-diner called The Granary, with a lay-out based on the company's Glasgow venue of the same name (EE, 16th September 1995, p. 7).
With a final redevelopment cost of £600,000, The Granary opened to the public on 6th February 1996 (P&J, 7th February 1996, p. 11).
A search of Aberdeen City valuation rolls indicates that by April 2005 The Granary had changed its name to The Foundry. At the time, The Foundry was operated by Mitchell & Butlers, one of the largest restaurant and pub businesses in the UK.
Mitchell & Butlers own the O'Neill's chain of Irish pubs, the first branch of which opened at 9-10 Back Wynd, Aberdeen on 22nd September 1994. This was formerly the premises of the Tappit Hen pub (P&J, 16th September 1994, p. 3).
In 2010, Mitchell & Butlers disposed of 333 of their town and community pubs to the Stonegate Pub Company. This likely included The Foundry ('Our history' page on Mitchell & Butlers website: https://www.mbplc.com/about-us/our-history/: accessed 22/03/2024).
In November 2023, The Foundry reopened to the public following a brief closure for a significant redevelopment. Backed by a £277,000 investment from the Stonegate Group, the UK's largest pub company, the work aimed to shift the venue from a sports-focused pub to a more family-friendly food destination. The exterior design changed from a black and gold colour scheme to the red and gold of Aberdeen Football Club (Aberdeen Business News, 23rd November 2023, https://aberdeenbusinessnews.co.uk/the-foundry-unveils-stylish-transformation-after-major-investment/: accessed 22/03/2024).
The Highland and Agricultural Society's Show
406 The back page of a 4-page Evening Gazette supplement about the large Highland and Agricultural Society Show that took place in Aberdeen on 24th, 25th, 26th and 27th July 1894.
It shows a proposed design for the new front of Marischal College on Broad Street and portraits of various related individuals:
Charles Gordon (11th Marquess of Huntly and Lord Rector of the University of Aberdeen between 1890 and 1896)
David Stewart (Lord Provost of Aberdeen from 1889 to 1894)
Charles Mitchell (Aberdeen born, Newcastle based Shipbuilder and philanthropist. He lived in Jesmond Towers in Newcastle)
Alexander Marshall Mackenzie (prominent Aberdeen architect who designed the shown proposal)
The eventual new front to Marischal College differed somewhat to that shown and was opened in 1906. Doorway of Cumberland House
452 This image was digitised from Artistic Aberdeen: A Sketch Book (1932) by W. S. Percy.
The book describes the scene as follows:
"For many years this lovely piece of work has lain hidden in a network of slums, but these have now been partially cleared, and the doorway stands plain to view. The coat of arms is that of the Lumsdens - a Buckle Or, with two Wolves' Heads couped in chief and escallop in base. The house did at one time belong to Matthew Lumsden, a famous magistrate of Aberdeen, before it was owned by Sir George Skene. Another source of the arms has been conjectured in that Dr. Andrew Skene married Margaret Lumsden, daughter of David Lumsden of Cushnie. But conjecture, though it adds interest to this doorway, cannot take away from its beauty." |