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Woolmanhill looking towards Schoolhill
148 Photograph of Woolmanhill taken 1907, looking towards Schoolhill. This image is thought to show the house where Joseph Robertson (1810-1866), the journalist and historian, was born.
For more information on Robertson see the entry about him in the Oxford Dictionary of National Biography (available online with an active library membership) and an obituary for him can be found in the Aberdeen Journal of 19th December 1866, page 6.
Roberston was mostly likely born at 73 Woolmanhill. He and his family certainly appear to have lived at this address for some time. Robertson is listed at this number in the Aberdeen Directory 1833-34 (D. Chalmers & Co.), page 116. Additionally, a death notice for Robertson's mother, Christian Leslie, features in the Aberdeen Journal of 23rd March 1859, page 5, which gives her address as 73 Woolmanhill.
Exactly which of the shown buildings is Robertson's birthplace, or no. 73, is somewhat unclear. A Press & Journal article on "Historic Woolmanhill" from 6th June 1925, page 5, states "it was in the line of houses that separate Blackfriars Street from Woolmanhill that there was born in 1810 Joseph Robertson, who became the most noted antiquary of his day, the most accomplished that Aberdeen has produced." This would suggest that Robertson's birthplace is one of the buildings on the left.
This image featured in the Evening Express' 'Flashback' feature from 12th January 1985, page 12. The accompany information states "Joseph Robertson, an eminent historian and one time editor of the 'Aberdeen Observer' was born at 37 Woolmanhill - the tall building in the foreground of our picture - in 1810." This slightly vague description could refer to the building on the right of the image or perhaps to the first tall building on the left side of the road. The latter would accord better with other references. Additionally, the buildings on the right were known as Black's Buildings.
The above reference to "37 Woolmanhill" may initially suggest a confusion of 73 Woolmanhill, but the former is not without precedent. In Historical Aberdeen (1905), within an informative chapter on Woolmanhill, G. M. Fraser writes the following on page 149:
"Then hardly less remarkable, either in historical knowledge, or general scholarship, was Dr. Joseph Robertson, whose name appears so frequently in these pages, born in the unpretending house, still standing, No. 37 Woolmanhill. It is strange that in Aberdeen there is no public memorial of this distinguished man."
If 37 Woolmanhill is the correct address, 1950s Ordnance Survey mapping, which includes building numbers, suggests the relevant house may be the one in the centre of this image, of those on left, in the middle distance, just after the building marked as a tea warehouse. Treasure 6: Royal Horticultural Society of Aberdeen
2275 Enthusiastic gardeners who have spent months, if not years, nurturing their plants have the opportunity to display their efforts at flower shows - usually held in August or September. These events for individuals happen all around the country and have a long history.
Britain in Bloom is the national flower show for whole communities. It was the brainchild of Roy Hay, a horticultural journalist. Following a holiday in France where he admired the "Fleurissement de France", he persuaded the British Travel and Holidays Association (later the British Tourist Authority) to organise a similar competition for communities in Britain.
Although the first competition in 1964 was won by Bath, Aberdeen received a "Special Mention". The city did even better in 1965 when it won the National Trophy. Although it did not win again until 1969, the city then continued its success each year until 1971. However, this achievement led to Aberdeen being debarred from the National Competition in 1972 although it still won the Scottish section. 1973 and 1974 saw Aberdeen winning the National award again, and its record 10th win was in 1998.
A slogan competition was held for the 1968 campaign when the winning entry proclaimed "Aberdeen - Garden City by the Sea".
In order to celebrate Britain in Bloom and Aberdeen's success in the competition we have chosen to highlight our collection of historic prize schedules for the Royal Horticultural Society of Aberdeen's annual exhibition.
The Aberdeenshire Horticultural Society was founded in March 1824 when a meeting of "Practical Gardeners" was held in the New Inn for the "purpose of forming themselves into a Society". The Earl of Aberdeen graciously agreed to be Patron of the Society.
In November 1863, it was announced at the annual general meeting that HRH the Prince of Wales had now agreed to become Patron of the Society and that the Society's name was to be changed to the Royal Horticultural Society of Aberdeen.
The Society's "Prize Schedule for Exhibition" gives details of each of the classes which can be entered, with the prizes which can be won - a sum of money or a cup or medal. In 1920, there were a total of 222 classes and those who exhibited were split into one of four Divisions - professional gardeners; nurserymen and florists; amateurs and working class.
The Schedules also contain the Rules of Competition, the Constitution of the Society and a list of Subscriptions and Donations received - these include names, addresses and amounts given. Our earliest copies of the booklets cover the period 1920 - 1937, although the file is incomplete.
The Society celebrated its 175th anniversary in 1999. To take a closer look at these, and many other Aberdeen historic documents, visit Aberdeen Central Library. The Green, 1995
2968 This is one of a series of images kindly donated to Aberdeen Local Studies by our colleagues in the Masterplanning, Design and Conservation Team. The images show the Green in 1995 before, during and after a programme of environmental improvements.
In this image we can see a group of buildings under restoration. Additionally, The Market Arms pub can be seen in the background. Aberdeen Theatres: The Maid of the Mountains
3361 The colourful front cover of the theatre flyer for a run of the popular musical. The show started on 10th December 1935 and ran for 5 days. The programme was created by publishing a firm from London called S. C. Allen & Company. Aberdeen Theatres: The Tivoli Theatre
3366 The Tivoli Theatre on Guild Street opened in 1872 as Her Majesty's Opera House. The first performance was of with the play The Lady of Lyons. At the end of the show, architect Mr Phipps and the superintendent of works were called on stage by the audience to take a bow.
The auditorium was later altered in 1897 by the noted architect Frank Matcham. Her Majesty's closed in 1906 temporarily following the opening of the larger His Majesty's Theatre on Rosemount Viaduct. The interior of the theatre was reconstructed in 1909 and the venue reopened in 1910 as the Tivoli Theatre of Varieties.
The theatre enjoyed immense success until 1966 when it was converted into a bingo hall. The venue finally closed in 1997 and fell into disrepair.
In July 2009 the Tivoli Theatre Company Ltd. was formed and bought the building. Work to restore the historic theatre to its former glory was then started. The Tivoli Theatre reopened on the 25th of October 2013 with the play Inferno by Thomas Bywater.
Today, the Tivoli is a grade-A Listed Building, and remains a jewel of our city.
In addition to the Tivoli Theatre of Varieties, the Criterion Bar can be seen on the far left of this image.
The board in front of the Tivoli indicates that the theatre is hosting Happy Days, a variety show by the George West Company. This dates the photograph to around August or September 1935. Aberdeen Theatres: Frolics of Paris
3368 A poster for the Tivoli Theatre from 13th May 1929. The advertised show is a comedy revue titled Frolics of Paris.
A number of the performers are listed including Len Jackson, Yearden's Empire Girls, Jennie Russel, Harry Evans and Harry Arthurs.
The poster, made by the John Waddington company of Leeds and London, states that Henry Godwin is the theatre's general manager. Aberdeen Theatres: A Nicht Wi' Burns
3371 The poster for an event at the Tivoli Theatre featuring the songs and music of Robert Burns. The show commenced on Monday 22nd January 1962 and had two performances nightly.
The show was devised and produced by William Cummings. There was a large bill of performers; Calum Kennedy, Billy Stutt, Irene Campbell, Robbie Shepherd, The Garlogie Four, Ken Swan & McGhee ("Scotland's Greatest Ventriloquist"), The Heatherisle Trio ("Scotch with a Beat"), Anne Fields, Moxon Heatherbelles, Irene Adair, Tommy Wright and Will Starr. Aberdeen Theatres: The New Pavilion
3380 A poster from 1931 for The New Pavilion at Aberdeen beach. The poster lists many of the acts performing as part of Harry Gordon's Entertainments and gives a start date of 29th June. The box office for the theatre is given as Paterson, Sons, & Marr Wood, 183 Union Street.
In 1908 a young Harry Gordon won a talent competition at the Pavilion and so began his association with the theatre. He entertained visitors at the Beach Pavilion throughout the 1920s and 30s with his stories about the imaginary village of Inversnecky and songs such as "The Auldest Aiberdonian", "Hilly's Man" and "The Rodin Tree".
The Pavilion was closed during the Second World War, though reopened in 1946. Harry Gordon had given up his tenancy by this point. In the 1950s it was advertised as "the city's variety house by the golden sands presenting a bright and breezy variety show with well-known Radio and TV stars".
Resident comedians included Dave Willis and George Lacey and there were occasional appearances by future stars such as Julie Andrews. Plays were performed and films shown throughout the summer months.
In 1962 the Pavilion was re-named the Gaiety and became a licensed restaurant, public bar and lounge. It functioned as a restaurant in the Queens Links leisure complex until the remnants of the original building were destroyed by fire in 2014. Aberdeen Theatres: Blue Beard at the Theatre Royal
3383 A poster for the Theatre Royal in Aberdeen advertising productions of Blue Beard and The Momentous Question.
Prior to the opening of the Tivoli in 1872 the Theatre Royal in Marischal Street was the longstanding and historic home of theatrics in Aberdeen. Aberdeen Cinemas: Coliseum / New Kinema / Belmont
3433 An Aberdeen Journals Archive image of the Belmont Cinema in 1952.
The building that now houses the Belmont Filmhouse was originally built in 1896 as a Trades Hall to a design by architects Alexander Ellis and Robert Gordon Wilson.
The grey granite ashlar entrance at 49-51 Belmont Street leads to the main building, best seen from Union Terrace and Rosemount Viaduct. With multiple floors, the building makes full use of the different levels of the Denburn valley. Historic Environmental Scotland's statement of special interest for the building notes its tall and narrow design and bartizan towers at its far end, describing it as "a distinctive piece of architecture."
Michael Thomson explains that the Trades Hall provided much needed accommodation for meetings, social events and lectures. The main hall originally featured ceiling paintings by Robert Douglas Strachan (1875-1950), who went on to become an acclaimed stained-glass artist.
The construction of the hall was an ambitious and costly undertaking for Aberdeen's labour movement. This led to the hall being increasingly rented out for commercial performances, including cinematographic showings.
William Walker, a local cinematographic pioneer who was also a successful bookseller, leased out the building's main hall as a picture house. The Coliseum was opened on 22 August 1910 by Messrs Walker and Company and so began the building's long life as a cinema.
In July 1911 Glasgow's J. J. Bennell took over control of the Coliseum. Popular features of the venue during Walker and Bennell's time included short "topicals" that documented local life and live variety acts. Thomson explains that Bennell was also a pioneer of Saturday morning matinees for children.
In August 1913 Dove Paterson, another local pioneer who had opened Aberdeen's first permanent cinema on Shiprow, took over at the Coliseum. Paterson died unexpectedly in May 1916 and this brought a temporary halt to the Coliseum cinema. It briefly reopened in December of that year under the management of the Trades Hall, but this only lasted a couple of months before the cinema closed again.
The cinema was then managed by veteran singer D. Brown McGill, who made use of his established contacts in variety circles. His tenure saw the venue complementing its programme of film showings with a range of other entertainments including roller skating, boxing and dancing.
On 11th April 1921 the cinema reopened as the New Kinema, under the management of Henry Philips, who had previously run the Picturedrome on Skene Terrace. One interesting performer at the venue in 1929 noted by Michael Thomson was an illusionist called Carletta who conjured up rabbits to give away to patrons as pets.
In 1935 the then proprietors of the New Kinema, James Brebner and George Walker, were involved in the formation of the Caledonian Theatre public company. It was formed to purchase the site of the La Scala cinema and nearby buildings on Union Street with the intention of building a new super-cinema. In time this would become the Majestic.
June 1935 saw the renovation of the New Kinema and renewal of its heating plant, lighting and sound equipment. It reopened as The Belmont on the 24th of that month.
[Information primarily sourced from Silver Screen in the Silver City (1988) by Michael Thomson]
Image © Aberdeen Journals Ltd. His Majesty's Theatre: Sweet Red Riding Hood
3449 The opening show of the HMT was the pantomime Sweet Red Riding Hood which opened on 3rd December 1906. This is the cover of the "Book of Words" which contained the script and some photographs of the cast. [Image from the Aberdeen Performing Arts Archive.] His Majesty's Theatre: Q for Laughter
3470 Programme cover for the Aberdeen Students Show Q for Laughter in 1945. This was the annual students show in aid of local charities. It was a regular feature at HMT from the 1920s. [Image from the Aberdeen Performing Arts Archive.] Pitmedden Garden
4207 A photograph showing three boys admiring the fountain at Pitmedden Garden.
Pitmedden Garden is a Natural Trust for Scotland property. Their website describes it as a "re-created Scottish Renaissance walled garden with vibrant floral designs and Museum of Farming Life."
Concerning its history, the website states "the Great Garden dates back to 1675 when it was originally laid out by Sir Alexander Seton." [...] "In the 1950s Pitmedden was gifted to the Trust who re-created the garden based on 17th-century plans after it was ploughed up to grow vegetables during the Second World War and used as a kitchen garden for over 100 years."
This fountain is detailed in an entry on Historic Environment Scotland's CANMORE website (CANMORE ID: 338622). Quoting a guide pamphlet by Dr James Richardson, designer of the garden restoration, it states "In the re-creation of the Great Garden of Pitmedden, the National Trust for Scotland not only has established once again the site of the original fountain but it has erected a further fountain as a focal point in the centre of the Great garden. The sculptured stones that compose this second fountain have an interesting history as seven of them formed, at one time, part of the Cross Fountain of Linlithgow designed and executed by Robert Milne, King's Master Mason, to commemorate King Charles II's Restoration. These detached fragments were given by the Ministry of Works. Three fragments of the original Pitmedden construction have also been worked into the composition of the fountain."
Looking west, a stairway up to Pitmedden's terrace garden and Pitmedden House can be seen in the background.
This image likely dates from the 1970s. It comes from a collection of slides donated to Aberdeen City Libraries by Aberdeen City Council's publicity department. Treasure 18: The Illustrated London News
189 One of this month's treasures is an extract of The Illustrated London News. This issue, dated from the 14th of November 1936, shows the General Francisco Franco, "the leader of the attack on Madrid and, from the first, ranked as head of the anti-government forces"... and dictator of Spain from 1939 to 1975.
Newspapers are indeed a great source of information on historic topics. What is particularly remarkable about The Illustrated London News is that it was probably the first pictorial weekly newspaper. Founded by Herbert Ingram, a newsagent from Nottingham, the first issue was published on the 14th May 1842 and sold for 6 pence. Ingram had the idea to include pictures and woodcuts within the paper in order to sell more copies. And it worked! The first issue met with immediate success, selling 26,000 copies during the first days and printing 65,000 more copies during the same week.
The Spanish Civil War broke out on the 17th of July 1936. During more than two years, nationalists and pro-government forces fought in Spain. At the same time, in Britain, Chamberlain and his conservative government defended strong neutrality and choose to keep the country far away from the war.
However, the "civil war" was a domestic conflict in name only. During more than two years, and even after the nationalist victory in 1939, it attracted the attentions of many governments and individuals. The Illustrated London News is a witness of the conflict and gives also some sense of the British representation of the Spanish Civil War. Even if it tried to keep its impartiality, its judgments and the way it conveyed the information was viewed through the eyes of local interest and popular opinion.
The newspaper portrayed the majority public opinion, which was non-intervention. As such, it tried to show both the nationalists sides and the pro-government opinion.
From July 1936 to April 1939, 549 Scots joined the International Brigades and fought to defend democracy in Spain. 134 lost their lives in Spain.
The International Brigade Memorial Trust is a British charity which aims to keep alive the memory and spirit of the over 50,000 individuals from Britain, Ireland and the Commonwealth who volunteered to defend democracy and fight facism. We hope this treasure acts as an additional commemoration for those who went to Spain.
Treasure 44: Historic Children's Literature Collection
213 This month we feature beautifully illustrated children's literature from our historic collections to mark World Book Day on 3 March 2016.
World Book Day is a celebration of authors, illustrators, books and - most importantly - it is a celebration of reading. It is designated by UNESCO as a worldwide celebration of books and reading, and marked in over 100 countries all over the world. The main aim of World Book Day in the UK and Ireland is to encourage children to explore the pleasures of books and reading by providing them with the opportunity to have a book of their own.
Little Ann and Other Poems illustrated by Kate Greenaway is a first edition, published by George Routledge & Sons c. 1883. It contains 42 poems all illustrated in her charming style of dainty children dressed in typical Greenaway costume.
Catherine "Kate" Greenaway (17 March 1846 - 6 November 1901) was an English artist and children's book illustrator
Online resources Britannica Encyclopaedia provides a brief biography of Kate Greenaway:
"The daughter of John Greenaway, a draftsman and wood engraver, Kate Greenaway grew up in various residences, including a farmhouse in Nottinghamshire, and studied art in various places, including London. She began to exhibit drawings in 1868, and her first published illustrations appeared in such magazines as Little Folks. In 1879 she produced her first successful book, Under the Window, followed by The Birthday Book (1880), Mother Goose (1881), Little Ann (1883), and other books for children, which had an enormous success and became very highly valued".
Greenaway's work was praised by John Ruskin, a dear friend who said "her drawings are blissful just in the degree that they are natural; the fairyland that she creates for you is not beyond the sky nor beneath the sea but near to you, even at your doors. She does but show you how to see it and how to cherish".
In our collections we also hold a copy of 'Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends' from 1921.
"In 1890 Greenaway was elected to the Royal Institute of Painters in Water Colours, and in 1891, 1894, and 1898 she exhibited watercolour drawings, including illustrations for her books, at the gallery of the Fine Art Society (by which a representative selection was exhibited in 1902). From 1883 to 1897, with a break only in 1896, she issued a series of Kate Greenaway's Almanacs."
The Kate Greenaway Medal, established in her honour in 1955, is awarded annually by the Chartered Institute of Library and Information Professionals in the UK to an illustrator of children's books.
The Maid of the Mountains
251 The colourful front cover of the theatre flyer for a run of the popular musical at His Majesty's Theatre on Rosemount Viaduct. The show started on 10th December 1935 and ran for 5 days. The programme was created by publishing a firm from London called S. C. Allen & Company. HMT Programme
253 The front cover of a programme for His Majesty's Theatre from 21st April 1930. The cover is typical of programmes for the Rosemount theatre at this time. This featured show is the Aberdeen Student's annual review, Northern Lights. The proceeds from the performances went to the Aberdeen hospitals. The programme was printed by the Aberdeen University Press. The Pavilion
255 A poster from 1931 for The New Pavilion at Aberdeen beach. The poster lists many of the acts performing as part of Harry Gordon's Entertainments and gives a start date of 29th June. The box office for the theatre is given as Paterson, Sons, & Marr Wood, 183 Union Street.
In 1908 a young Harry Gordon won a talent competition at the Pavilion and so began his association with the theatre. He entertained visitors at the Beach Pavilion throughout the 1920s and 30s with his stories about the imaginary village of Inversnecky and songs such as "The Auldest Aiberdonian", "Hilly's Man" and "The Rodin Tree".
The Pavilion was closed during the Second World War, though reopened in 1946. Harry Gordon had given up his tenancy by this point. In the 1950s it was advertised as "the city's variety house by the golden sands presenting a bright and breezy variety show with well-known Radio and TV stars".
Resident comedians included Dave Willis and George Lacey and there were occasional appearances by future stars such as Julie Andrews. Plays were performed and films shown throughout the summer months.
In 1962 the Pavilion was re-named the Gaiety and became a licensed restaurant, public bar and lounge. It functioned as a restaurant in the Queens Links leisure complex until the remnants of the original building were destroyed by fire in 2014. Dr Walford Bodie and Company
256 The front page of a programme for a performance by Walford Bodie at the Britannia Theatre in London. The show is set commence 27th March, 1905. Tivoli Poster
257 A poster for the Tivoli Theatre from 13th May, 1929. The advertised show is a comedy revue titled Frolics of Paris and a number of the performers are listed. The poster, made by the John Waddington company of Leeds and London, states that Henry Godwin is the theatre's general manager. A Nicht Wi' Burns
360 The poster for an event at the Tivoli Theatre featuring the songs and music of Robert Burns. The show commenced on Monday, 22nd January 1962 and had two performances nightly.
The show was devised and produced by William Cummings. There was a large bill of performers; Calum Kennedy, Billy Stutt, Irene Campbell, Robbie Shepherd, The Garlogie Four, Ken Swan & McGhee (Scottish's Greatest Ventriloquist), The Heatherisle Trio (Scotch with a Beat), Anne Fields, Moxon Heatherbelles, Irene Adair, Tommy Wright and Will Starr. Mr Bannister's first night
470 A broadside from 1811 announcing the exclusive show of Mr Bannister, referred to as "the first comedian of the British stage".
This would have been the actor John (or Jack) Bannister (1760-1836). An entry, written by Joseph Knight and revised by Nilanjana Banerji, for Bannister can be found in the Oxford Dictionary of National Biography (available online with an active library membership). Bannister was a pupil of David Garrick, of the Drury Lane Theatre in London, and was one of the foremost comic actors of his day.
For six nights, Bannister was to perform in a comedy, Bold Stroke for a Wife, a comic song, The Tortoise-shell Tom-cat, and a farce, The Prize; or 2, 5, 3, 8.
These appearances in Aberdeen may have been part of a tour of the provinces and Ireland that Bannister commenced in 1809. His ODNB entry explains that the tour, comprising a monologue entertainment and songs, was called Bannister's Budget and was a financial, popular, and critical success.
Appealing to the expected high level of the entertainment, the reputation of the performer, and the great distance from Aberdeen to London, the theatre's manager, Mrs Mudie, hoped the public would understand slightly increased ticket prices for seats in the theatre's boxes and pit.
Tickets could be purchased from a variety of local booksellers; Messrs. Stevenson, Mortimer, Gordon, Spark and Watson or from a Mr. Phillips at the theatre's box office.
The Theatre Royal mentioned in this document, the first permanent one built in Aberdeen and opened in 1795, is no longer in use. It was turned into a church after the construction of Her Majesty's Opera House (later the Tivoli Theatre), which opened in 1872.
This playbill broadside was printed by Chalmers & Co. The document is referenced and transcribed in an Aberdeen Journal article from 26th November 1906, page 3, titled 'Two Aberdeen play-houses'. The article suggests that this might be "one of the earliest specimens of a local playbill probably in existence." |