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Schoolhill
13 Old houses skirting St. Nicholas churchyard once formed part of the south side of Schoolhill. They were demolished in 1884-85 as part of a street widening scheme and the present wall and railing stand in their place. On the other side of Schoolhill (centre) can be seen the roof and turrets of George Jamesone's House, demolished in 1886.
The book Aberdeen in Byegone Days: Views of Streets and Buildings, etc. with Letterpress Description (1910) by Robert Anderson (page 26) suggests that the building in the centre of this image was the home of Burnett Carr, the grave-digger and assistant to the sexton of St. Nicholas Church.
Newspaper references indicate that Carr, a well known figure, died on 31st May 1844 (Aberdeen Journal, 5th June 1844, page 3, column 2).
This photograph looks north and shows the back of Carr's old house. Collison's Aisle, St Nicholas Church
46 This George Washington Wilson photograph shows the memorial stones inserted in the west wall of Collison's Aisle. Originally called Aisle of the Holy Blood, it formed part of the north transept between the East and West Churches of St. Nicholas and was renamed after 1594, although it probably dates from the 14th century. Members of the Collison family held important civic offices at various times, including Provost in 1521 and 1594, and their place of burial was in this aisle. The memorial stones commemerate Andrew Cullen, Thomas Menzies and his wife Mariene Reid, and Sir John Rutherford. Andrew Cullen was a merchant and Provost of Aberdeen in 1506 and 1535, and the stone shows a sculptered coat of arms above the words "Andrew Cullen Prepositus Abd". Thomas Menzies was Provost in 1525 and (for 40 of the next 50 years), only leaving office in favour of other members of his family. He married Mariane Reid of Pitfodels. The stone has two panels above a shield bearing the Menzies coat of arms, flanked by the initials T.M. The second panel has the initials M.R. and a shield with the Menzies and Reid coats of arms. Beneath is the motto 'Spero in Deo et ipse faciet' - Trust in God and he will perform'. The third stone commemorates Sir John Rutherford of Tarland, first elected Provost of Aberdeen in 1483 and every alternate year until 1492, and again between 1496-1500. He probably died about 1520. Statue of Queen Victoria
73 A photograph showing the statue of Queen Victoria at the junction of Union Street and St. Nicholas Street. The building in the background is the Clydesdale Bank that stands next to M&S today. This fine Italian renaissance style building was originally constructed for the Town and County Bank and opened for business in May 1863.
The statue of Queen Victoria was made from marble and was sculpted by Banff born Alexander Brodie (c.1829 - 1867). The origin of this statue is closely related to another Aberdeen monument, the 1863 memorial statue of Prince Albert by Baron Marochetti, now standing, or rather sitting, in the area in front of the Central Library.
Marochetti's statue was augurated by Queen Victoria herself on 13th October 1863 and this was said to the first time the Queen had appeared at a public demonstration following the death of Albert in 1861. The Marochetti statue was the subject of great local controversy and there were various plans for an alternative, superior, memorial to the late Prince Consort. It was at a related meeting that a chap called Alexander Donald, from the Royal Tradesman of Aberdeen, moved "That a colossal statue in marble, of Her Majesty, be erected at the corner of St. Nicholas Street."
The endeavour was taken on by a variety of prominent citizens and funding was raised by public subscription. Brodie, the selected sculptor, worked on an 11-ton block of Sicilian marble for two years to complete the statue. The finished piece is 8 foot 6 inches in height and, at the request of Queen herself, depicts Victoria in Scottish regal attire. The statue stands on a substantial plinth of pink Peterhead granite.
The statue was unveiled and inaugurated on 20th September 1866 by Albert-Edward Prince of Wales, later to be King Edward VII and the subject of another of Aberdeen's notable statues. During his speech at the ceremony, the Prince said "Gentlemen, it has afforded me the greatest satisfaction to attend here today, by the wish of Her Majesty, and at your invitation, for the purpose of inaugurating a statue of the Queen, my dear mother. Her Majesty has desired me to express to you how much she appreciates the motives which have led the people of Aberdeenshire to give this lasting evidence of their attachment and loyalty to her person, of which she has so many proofs, and whose sympathy in her great sorrow has touched her so deeply."
During his visit, the Prince of Wales also received the Freedom of the City and attended the Royal Horticultural Society's Autumn Show, which was then going on in the Music Hall. An extensive account of the unveiling, the Royal visit and the town's celebrations is given in the Aberdeen Journal of 26th September 1866.
After some time at this location, the statue's marble began to show weathering due to the frost and so it was moved to the vestibule of the Town House in 1888, where it remains to this day. It stands at the foot of the building's splendid main stairway. The plaster model of Brodie's statue has also been on display in the Music Hall for many years.
A new bronze statue of an older Victoria, by sculptor Charles Bell Birch, was erected at the St. Nicholas Street location on 9th November 1893 and "the Queen" became a regular meeting place for generations of Aberdonians. To make way for the extension of Marks & Spencer, the 1893 statue moved to its current site at Queen's Cross on 22nd January 1964. Victoria now stands looking east towards Balmoral. Union Bridge
81 Union Bridge, Aberdeen, from Bridge Street, looking east. The spires at the left belong to Kirk House, later a restaurant and bar, and to St. Nicholas Church. The corner of the Palace Hotel is just visible at the right. View of Aberdeen from Cornhill
181 View of Aberdeen from Cornhill, c.1840. This picture was contained in a series of lithographs of Aberdeen published in 1840 by J and D Nichol, booksellers, Montrose. The elevated position of Cornhill provided one of the best points of view over the city. The idyllic rural scene in the foreground is in contrast to the array of smoking chimneys in the distance, interspersed with the spires of various buildings. In the middle is Broadford Textile Works with Hutcheon Street on the left. On the far right, there is the tall chimney of Rubislaw Bleachfield Works, which was demolished in July 1908. The spires belong to the East and West Churches of St. Nicholas, and the Tolbooth while, in the centre, there are the four turrets of the central tower of Marischal College and the tower of the North Church. The chimneys were evidence of the extent and importance of manufacturing in the city, while the western suburbs were the most attractive, with beautiful villas whose residents were often those citizens whose wealth came from these industries. St. Nicholas Church and Churchyard
185 St. Nicholas Church and Churchyard, from Union Streeet. The caption reads, "East and West Parish Churches, Aberdeen". The colonnade was designed by John Smith the City Architect in 1829. Portrait of Dr. William Guild
305 Portrait of Dr. William Guild, born in 1586, who in 1633 gifted the old Trinity Monastery and Chapel to be a hospital and meeting house. He was chosen Principal of King's College in 1640 and was deposed in 1651. He died in 1657 and was buried in St. Nicholas Churchyard. Gaelic Chapel, Belmont Street
322 The Gaelic Chapel was founded in the 18th century in response to the increasing numbers of Highlanders who came to the city in search of work.
At first, they held services in the East Church of St. Nicholas but, in the 1790s, they obtained ground in the area between Belmont Street and Back Wynd, now known as Gaelic Lane.
The opening services in the new church were conducted on 30th August 1795. In 1843, at the Disruption, the whole congregation followed their minister, Rev. Hugh Mackenzie, into the Free Church.
By 1882, the church had become old and dilapidated and needed so much renovation that the congregation decided to move. The property was disposed of and was used as a printing office by G. & W. Fraser for a number of years.
The congregation moved to a church on Dee Street which had become vacant on the disbanding of the United Free Methodists and it was named St. Columba United Free Church.
In 1907, they amalgamated with the High United Free Church and moved to their church at the junction of Belmont Street and Schoolhill.
Comparing the scene shown here and large scale historic maps suggests that this is likely a view of the rear of the Gaelic Chapel buildings, looking north, potentially taken from the back of a building on Union Street. James Beattie's House
362 This house stood in Crown Court at 36 Upperkirkgate, Aberdeen. It had an internal stone stair and some of the rooms were oak panelled. James Beattie was born in 1735 in Laurencekirk and in 1760 he was appointed Professor of Moral Philosophy at Marischal College. He died at this house on 18th August 1803 and was buried in St. Nicholas Churchyard.
His house became the home of an advocate, but in the 1850s and 60s it was used by the Aberdeen General Dispensary, lying in an vaccine institution which supplied advice and medicines to the sick and poor. In more recent times, the area behind the Upperkirkgate was cleared and redeveloped as the Bon-Accord Shopping Centre.
Correspondent Ed Fowler suggests that the items that can be seen in front of the house are likely early Victorian laundry mangles. This would account for the trail of water draining from its position. The tarpaulin that is visible would have been to protect the wooden rollers and gears from the elements. The drying area was probably in the garden beyond the Dispensary building, to the north, as no improvised window drying jibs are visible. St. Nicholas Street, Aberdeen. 1898
363 This image taken in 1898, shows two prominent Aberdeen citizens crossing St. Nicholas Street under the watchful gaze of a statue of Queen Victoria. The building behind them was then the Town and County (now Clydesdale) Bank. These two individuals were lifelong friends and both came from a poor background, however their industry and intelligence, combined with self education led to their successful careers. William Cadenhead on the left began work in a thread factory but later became a traveller for a wine and spirit merchant, eventually succeeding to the business. He died on 11th December 1904 aged 85. William Carnie on the right was apprenticed as an engraver, but his ambition to write for newspapers was fulfilled when he began on the North of Scotland Gazette. However in 1861, he was appointed as Clerk and Treasurer of Aberdeen Royal Infirmary and the Royal Lunatic Asylum. After his retirement he wrote three volumes entitled Reporting Reminiscences covering the period 1850 - 1876, recollecting local events and people he knew. He died on 2nd January 1908 aged 83. The Guestrow, Aberdeen
365 This photograph shows a rather delapidated house in the once fashionable area of the Guestrow in the centre of Aberdeen. The word "Guestrow' may derive from 'Ghaistrow' because of the street's proximity to St. Nicholas Churchyard where 'ghaists', ie ghosts might be thought to roam. The tiled roofs and outside stairs were typical of these early houses. Note the handcart propped up outside. The Guestrow area was part of a slum clearance initiative by the Town Council in the late 1920s and 30s when most of the buildings there were demolished.
Correspondent Ed Fowler plausibly suggests that this is the dwelling house in the T-shaped Mitchell Court. Post Office directories and old maps tell us that the entrance to the court was just beside a public house at number 41 on the Guestrow. If this is correct then the large building in the background is likely to be Provost Skene's House, then probably known as the Victoria Lodging House. St. Mary's Chapel, St. Nicholas Church
366 A photograph of St. Mary's Chapel at St. Nicholas Church in around 1898.
Historic Environment Scotland's listed building information suggests this lower church was built in 1438. It was part of the 15th century expansion of St. Nicholas and located to the east of the then existing building. The main church was subsequently expanded eastwards over it.
Work was completed on the crypt in around 1507 and it was dedicated to the Virgin as Our Lady of Pity, from which derives the various names it has been known over the years; Pity Vault, the Cell of Our Lady of Pity, and St. Mary's Chapel.
The space has served many purposes since its creation and seen a number of renovations. It has been a general storehouse for sundry municipal items, including the gibbet, a plumber's shop, a public soup kitchen, a meeting place of the presbytery of Aberdeen, and a regular church.
More can be read about the chapel in Old Landmarks of Aberdeen (1885) by G. Gordon Burr and Alex. M. Munro, The Story of St. Mary's Chapel: The Ancient "Lower Church" or Crypt of St. Nicholas (1935) by The Rev. J. G. Grant Fleming and in the history section of the St. Nicholas Church website. St. Nicholas Church and Churchyard
374 St. Nicholas Kirk and graveyard, showing the new spire after the 1874 fire, which destroyed the ancient tower and steeple of the East Kirk. William Smith, son of John Smith, rebuilt both chancel and crossing between 1875 and 1877. When the present granite steeple was built, a carillon of 37 new bells was installed, cast by Van Aerschodt of Louvain, in Belgium. A further 11 bells were added in 1954, making a total of 48 bells - the largest carillon in Great Britain. St. Nicholas Church West, shown here, was built between 1751 and 1755. Designed by James Gibb, it is a classic example of an 18th century preaching kirk. Building took 4 years and it opened for public worship on 9th November 1755. St. Nicholas Kirkyard is a popular place for family historians, with its many table tombs and monuments. Amongst the famous local names are Archibald Simpson, architect, John Anderson, Wizard of the North, and William Dyce, the painter. St. Nicholas Churchyard
375 Union Street, showing the Ionic screen and arch in front of St. Nicholas Churchyard, designed by the architect John Smith in 1829/30 to commemorate benefactions to the city by Sir John Forbes of Newe. St. Nicholas Church bell
382 A photograph of one of the bells installed in St. Nicholas Church in 1887.
A carillon of 36 bells were ordered by Aberdeen Town Council from Severin van Aershodt of Louvain in Belgium to replaced those destroyed in the fire of 1874.
The bells were also commissioned and installed to commemorate Queen Victoria's Golden Jubilee, marking 50 years of her reign. The largest of the new bells was named Victoria.
On 11th May 1887, the new bells arrived at Aberdeen Goods Station, after being shipped to Leith, where they were loaded on to lorries, and paraded through the main streets of the city on their way to Back Wynd.
The inscription on the shown bell reads as follows:
"The gift of Councillor George Washington Wilson. Cast by Severin Vanaerschodt, Louvain Belguim." Jamesone's House, Schoolhill
384 George Jamesone's House in Schoolhill. It was originally the manse of St. Nicholas church and became the home of the artist George Jamesone in 1620. By the time this photo was taken in 1885 the building was being used as a lodging house. It was demolished in the 1886 and the site is commemorated by a plaque on the wall of the property built in its place. Union Street
408 Union Street with the Colonnade to St. Nicholas Churchyard. The colonnade was designed by John Smith, the City Architect in 1829. The No2. Woodside Tram, 1900
430 The No2. Woodside Tram. Anderson Road, Aberdeen 1900.
A group of Aberdeen businessmen formed the Aberdeen District Tramways Company in 1871 and proposed a number of tram routes to run within Aberdeen. This was the beginning of the use of horse drawn trams within the city and a regular tram service started to run from St. Nicholas Street to Woodside.
The Aberdeen Corporation purchased the District Tramways in 1898 and started to electrify the tram routes and the first route to be electrified was the Woodside line in December 1899. The trams were a popular and convenient mode of travel and the tramways competed with the railways by providing a similar suburban service.
By the 1950's plans were afoot to replace all of the trams with buses as Aberdeen Transport Committee decided that a modern fleet of buses could provide quicker and more regular services at cheaper running costs. The last tram to Woodside ran in 1955.
St. Nicholas Church and Churchyard
488 St. Nicholas Church and Churchyard from Union Street. The colonnade was designed by John Smith in 1829. The Denburn Valley
498 The Denburn, Aberdeen. The Triple Kirks are in the distance with the spires of St. Nicholas Congregational Church in the foreground. In 1850, the Aberdeen Railway Co. which later amalgamated with the Scottish Midland Junction Co. to form the Scottish North Eastern Railway, brought the line from the south into the city. In 1864, after great debate, the Denburn Valley Junction Railway Scheme was adopted - forming a direct link between Kittybrewster and Guild Street. This photograph shows the commencement of the work. The new Joint Station opened in 1867. Victoria Dock
504 A photograph looking west along Victoria Dock in Aberdeen Harbour. Taken from the Wellington Street end of Waterloo Quay. The pontoon in the foreground may be serving as a floating lifeboat station.
The presence of St. Nicholas House on the right gives a rough indication of period - latter half of the 20th century. Aberdeen Station and the Ferryhill Junction
553 Aberdeen Station railway lines at the Ferryhill Junction. Note the construction of St. Nicholas House in the centre of the photograph. This photograph dates from around 1968. Upperkirkgate
579 The south side of Upperkirkgate, looking west to Schoolhill and the junction with St. Nicholas Street, c.1950 prior to demolition in 1953. The building at the extreme right of the photograph is Reid and Pearson's. Behind the lorry is the premises of Charles Allardyce, surgical instrument makers; next door was Joseph Sievwright, watchmaker; then A. B. Hutchison, bakers. |