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George Washington Wilson's photographic works
4 George Washington Wilson's photographic works at St. Swithin Street, showing the female workers laying out the glass plates to dry in the sun. George Washington Wilson's photographic works
9 The premises of George Washington Wilson, photographer, in St. Swithin Street. George Washington Wilson's works
1261 In 1875, the photographer George Washington Wilson acquired a vacant site at St Swithin Street, near Queens Cross, when he was forced to leave his premises at Glenburnie which were required for redevelopment. By late 1876, this building had been constructed and his stock of materials had been transferred. On the evening of 14th June 1882, a fire broke out in the offices and nearly all his stock of prints and much of his machinery were lost. However, because his negatives were stored in part of the building which was not destroyed, his business could continue and rebuilding took place. This photograph shows the shell of the building after the fire. Because of his Royal connections he received a telegram of sympathy from Queen Victoria at Balmoral. George Washington Wilson's works
1265 The premises of George Washington Wilson, photographer, in St Swithin Street between Albyn Lane and Stanley Street. The workers are exposing and drying the glass plates. Alexander Ledingham Portrait of Fanny
2139 This studio portrait is of a young woman called Fanny. The stamp on the lower right of the image indicates it was taken by Ledingham of Rosemount. The easel and brush design of the stamp suggests Ledingham's artistic aspirations as a photographer.
Alexander Ledingham ran a photographic studio at 101a Rosemount Place from 1911 until well into the 1950s. He took over these premises from John S. Greenacre who opened his studio in June 1899. Prior to this Greenacre had worked with G. W. Wilson & Co.
Ledingham's father, another Alexander, run a newsagent and took a prominent part in public life. He ran his shop from 27 Bank Street, Ferryhill for 10 years before moving in 1890 to premises at 41 Victoria Road, Torry. He eventually retired from business in 1904. He played a large role in the incorporation of Torry into the city of Aberdeen and was involved in many improvements to the area.
Ledingham Senior died in August 1926 and his obituary is available to view on the Silver City Vault. It gives further details of his involvement in politics, the church and his work as an author - many of his titles are held by Aberdeen Local Studies. Alexander Ledingham Portrait
2140 This portrait of a woman is also by Alexander Ledingham of Rosemount. The photographer's stamp is present in the bottom right corner. The woman is standing by a chair that can be seen in other Ledingham portraits so this was obviously a recurrent prop. The painted backdrop in this picture suggests the setting of a large estate house.
The subject of the photograph wears a rather serious expression which was the convention in 19th and early 20th century photography. This was a continuation of the tradition of painted portraiture and suggested the stature and respectability of the subject. The great American writer Mark Twain wrote, "A photograph is a most important document, and there is nothing more damning to go down to posterity than a silly, foolish smile caught and fixed forever." Stillness was also required due to the exposure times of early photography. John F. Lessels Group Portrait
2141 This group portrait of three women was taken by John Fraser Lessels. He styled himself "The Photo King" and is so credited on the back of this postcard photograph. The postcard is addressed to "Miss Jeannie Robb, 124 Union Street, Aberdeen."
Lessels had a bold approach to promotion. An advert in the Aberdeen Daily Journal from 1908 reads "SALVATION for 6d, Cabinet Size. Get saved now. Lessels, Photo King, 64 St Nicholas Street."
Lessels was born in Aberdeen in 1878 and married a cousin called Faith Duncan in 1907. The Photo King had studios throughout Aberdeen, his main office being at 15 Crown Street, and a number of premises in Edinburgh and Angus. Faith Duncan worked as a photographer's assistant and Lessels' also had a sister who was a photographer but who sadly died aged 25.
As a life-long pacifist he and his family moved to Dublin to avoid conscription in World War I and worked with the Lafayette photographic studio. Lessels later moved to Bangor in Northern Ireland where he is understood to have had a difficult time and appears to have suffered a mental breakdown and incarceration. One of his sons, Maurice Lessels, ran a photographic studio in Lisburn, County Antrim for many years. (Many thanks to Ian McDonald for his research into this Aberdeen photographer). G. W. Morgan Portrait
2145 This portrait of a smartly dressed young man was taken by G. W. Morgan (1855-1909). The photo features the ornate furniture and painted background that was the convention of the time. On the rear of the postcard photograph is printed "For further copies apply Elite Studios, 5 Market St, Aberdeen." This dates the image as between 1897 and 1907 when the business was trading under this name at the Market Street premises. Morgan and his brother William also operated photographic studios at 3 Bridge Place, 393 Union Street, and two in Aboyne and Ballater.
Morgan was the son of a blacksmith from the village of Clatt, called John Morgan. Born in 1855, George trained as a druggist in Aberdeen before leaving for California where he worked as a photographer. He returned to the city in 1880 and became the principal photographic assistant to Mr Dinnie of Bridge Place. The premises in Market Street were his first studio after going into business with his brother. He lived at Westfield Terrace.
In the coming years Morgan established a reputation in the city as an excellent photographer and businessman. He was described in his Aberdeen Daily Journal obituary as "A thorough artist in every sense of the word. Mr Morgan was remarkably successful in developing the very extensive business, and it was largely owning to his efforts that the firm attained its well deserved renown for the excellence of its portraiture and scenic work, all of which reach a high degree of artistic merit."
In 1909, Morgan died aged 54 in quite unusual circumstances. On the night of 25th June he was travelling with Mr J. B. Davidson, a solicitor and business associate, to London on the Caledonian sleeper train. All was well up to Stirling when the two men went to sleep. Davidson was awoken in the night by the wind blowing into their compartment and with Morgan nowhere to be seen. After a thorough search of the train and much telegraphic inquiries it was determined that Morgan had fallen from the train and died just south of Carstairs. The exact conditions of his death are unknown but it was believed that he woke in the night and groggy with sleep used the wrong door.
In addition to photography Morgan was a very accomplished violinist and acted as choirmaster for Ferryhill Parish Church for many years. He and his wife had 12 children. Royal Medical Corps Portrait I
2146 This portrait of a soldier in The Royal Army Medical Corps dates from around World War I. The badge of the corps can be seen on the soldier's cap.
Unfortunately, there are no identifying marks on the front or back of the postcard so it is highly difficult to establish the photographer who took the picture or discover the subject's name.
Only the head and shoulders of the subject feature, in contrast to the more common full length studio portraits of the time. The plain nature of the image, the lack of props and backdrop, accentuates the beatific quality of the sitter and the poignancy of his wartime fate. George Washington Wilson
2233 A portrait of Aberdeen photographer George Washington Wilson. Wilson (1823 - 1893) was a pioneer in nineteenth century photography and Aberdeen's leading portrait photographer. For more details about Wilson and his career see Roger Taylor's excellent 1981 study, available at Aberdeen City Libraries. Free Churches and Denburn
2263 This photo, taken from Union Bridge, shows the Denburn Valley being used as a bleaching green, prior to the creation of Union Terrace Gardens. The photo also predates the Denburn railway constructed in 1865 and the Belmont Street Congregational Church. The absence of Rosemount Viaduct means that Woolmanhill Hospital is visible in the distance.
The photo was probably taken in the early 1860s. It is almost certainly the work of noted Aberdeen photographer George Washington Wilson. The image is one of two that made up a stereo picture when viewed using a special device. This type of stereoscopy was an early method of creating the illusion of depth in an image by presenting each eye with a slightly different image. Wilson created a series of such views and they were sold by "A. Brown & Co., 77 Union Street".
This image was very kindly shared with Aberdeen Local Studies by Michael Eriksson from Södertälje, Sweden. We are always pleased to receive new images of Aberdeen and hear from our users. If you would like to share images with the general public or just get in touch, we can be reached at localstudies@aberdeencity.gov.uk. G. W. Wilson & Co.'s advertising stamps c.1887
162 Prominent nineteenth century photographer George Washington Wilson had these stamps created to celebrate and advertise a new partnership with his three sons in 1887. The portrait in the centre of the stamp is of Wilson and the initials of the four partners can be seen in the corners. Roger Taylor in his 1981 work on Wilson reports that the postal authorities took exception to the stamps' likeness to the real thing and ordered them to be withdrawn. |